Brent Butterworth

I often worry that people get the wrong idea when I praise a speaker for sounding "flat." By this I mean its frequency response is flat, which is a good thing. But if you ask the man on the street, I bet he'd equate flat sound with lifeless sound.

It's high time I explained what frequency response is and why flat frequency response is desirable in audio products. Not only will I explain why non-flat response is bad, I'll demonstrate it to you with some audio files I cooked up just for this article.

When I got the press release for the new InTune in-ear headphones from Fuse, it made me think: How is any particular genre of music supposed to sound? And does it already sound that way, or do you have to do something to it to make it sound like it’s supposed to?

The InTune headphones inspired this question because they’re available in four varieties, each tuned for a certain type of music: red for rap and hip-hop, orange for rock, blues and country; blue for jazz and classical; and green for pop and easy listening.

If I review more speakers like the Gallo Acoustics Nucleus Reference Strada, my Office Depot bill will skyrocket. Within the first 2 minutes of listening to this speaker, I filled a page and a half of my lab notebook with verbiage — and the torrential scribbling continued for days, consuming paper faster than a schnauzer snarfs up Snausages.

What might have been the most anticipated speaker launch of CES definitely delivered when GoldenEar demoed its new Triton One flagship tower speaker. Walking around the Venetian Hotel in Las Vegas, I kept hearing showgoers rave about the Triton One's sound -- no big surprise, considering that speakers like the Triton Seven have gotten such glowing reviews in Sound & Vision and other publications.