Mark Fleischmann

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Mark Fleischmann Posted: Oct 26, 2009 0 comments
Price: $5,500 At A Glance: Class H amplification delivers lots of peak power • Dolby Volume tames dynamic extremes • Offers the transparency and power of separates

Powerful But Clever

The AudioControl Concert AVR-1 embodies the paradox of high-end A/V receivers. Befitting an audiophile product, its Class H amplification can take an input signal and fill a room with commendable transparency and power. At the same time, it departs from strict fidelity to the input signal by offering pragmatic features like Dolby Volume and room correction. Let’s take a closer look at its dual nature.

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Mark Fleischmann Posted: Sep 19, 2007 113 comments
Is less of a good thing better? You're about to find out as Audioengine returns to these webpages with a smaller version of the previously reviewed Audioengine 5 powered speaker system. The new Audioengine 2 scales down the formidably chunky form factor of its larger sibling into something that won't dwarf your video monitor or earn dirty looks from boss or spouse.
Mark Fleischmann Posted: Jun 20, 2014 3 comments

Performance
Build Quality
Value
PRICE $249/pair

AT A GLANCE
Plus
Inviting, carefully tailored sonics
USB computer input
Easy setup
Minus
Controls in back
Unprotected drivers

THE VERDICT
Our audio editor’s favorite budget desktop (and TV) speakers have gotten more convenient thanks to the addition of a PC-friendly USB input, making them an even better value.

We may love good sound, but we can’t completely banish bad sound from our lives. We can’t listen to vinyl and high-rez audio all the time. We’ve all got some lousy MP3 files in our music libraries, love streaming services, and endure blaring SUV ads on TV. What’s the best way to make this substandard content palatable? Audioengine has offered compelling answers for years with its powered speakers, the chunky Audioengine 5 and smaller Audioengine 2. Now they’re available in variations that can accept USB input from a computer, including the Audioengine 2+ reviewed here.
Mark Fleischmann Posted: Dec 04, 2006 Published: Nov 04, 2006 0 comments
Start your engines.

The increasing iPod-centricity of the audio industry has not prevented one brave manufacturer from releasing a product without the omnipresent iPod dock. Why would Audioengine do such a thing? Their Website explains: "There are so many iPod-dock products on the market right now, so we made a decision early on to spend our development budget and time on audio quality and other features (like USB charging). We feel that Apple docks are the best, so why waste resources trying to redesign a nearly perfect dock? We were also able to keep Audioengine pricing much lower without integrating a 30-pin dock system."

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Mark Fleischmann Posted: Jun 04, 2008 1 comments
There are lots of wireless ways to get two channels of audio from point A to point B. But which is the right one for you? One of several possible answers is the Audioengine AW1 wireless audio adapter. It takes the form of two shiny black objects. Each one is the size and shape of a box of kitchen matches, with a stubby USB dongle at one end and a stereo mini-jack at the other end.
Mark Fleischmann Posted: Jul 02, 2014 0 comments

Performance
Features
Ergonomics
Value
PRICE $189

AT A GLANCE
Plus
Compact
Inexpensive
Lively sound
Minus
Converts 192-kHz files to 96 kHz

THE VERDICT
The Audioengine D3 is a fine- sounding entry-level headphone amp as well as the best USB-stick DAC I’ve heard so far.

If you find the whole concept of a headphone amp scary, Audioengine’s D3 might be comforting. It takes the form of a USB stick with a USB plug at one end and a 1/8-inch minijack at the other. Mediating discreetly between your computer and headphones, it gets far better sound out of your computer than you’d get from the computer’s potentially messy analog output.

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Mark Fleischmann Posted: Jan 07, 2014 0 comments
The audio industry, so given to soul searching and navel gazing, does have a reason to exist and here's how Audioengine's Dave Evans describes it: "Because you love music." Really, isn't it as simple as that? If it's not it should be. The maker of the giant-killer A2 compact powered speakers, great for the desktop and our TV speaker of choice, recently introduced the USB-driven A2+, which we've just reviewed. New for CES was the D2 USB thumb DAC, selling for $189 and shipping since late last year. We'll got our acquisitive eye on that too.
Mark Fleischmann Posted: Dec 03, 2012 4 comments

Audio Performance
Features
Ergonomics
Value
Price: $99 (reduced from original price of $249; version 1.2: $149)
At a Glance: Size of USB thumb drive • Up to 24/96 resolution • Minijack analog out

The AudioQuest DragonFly USB digital-to-analog converter ($249) and the B&W Society of Sound music download service ($59/year) arrived in my listening room at about the same time. They were made for each other: B&W’s 24-bit FLAC files gave the DAC a better chance to strut its stuff than any CD-quality or lossy audio file at my disposal. And the USB DAC enabled the high-resolution files to do an end run around the awful soundcard in my PC.

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Mark Fleischmann Posted: Jan 08, 2011 0 comments
We're pleased to announce that the AudioQuest exhibit has won the Home Theater 2011 CES Blog's Award for Distinguished Achievement in Promotional Artwork Evoking a Nightmare for this image of the giant red wolves that savaged us in our dreams. Yeah, go ahead and laugh, but we woke up in our hotel bed missing a leg.
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Mark Fleischmann Posted: Jan 25, 2006 0 comments
Four Jeeveses, serving music.

Let's fantasize a bit. Let's run wild. Let's say your hunger for music has genetically transmitted itself to your kids. Now let's postulate that every member of the family has different musical tastes. Fortunately, your McMansion is big enough to let everyone blast away with impunity. Now all you've got to do is serve up, say, four audio feeds. In your designer home, local systems would be a recurring eyesore—you want your multizone system to do the serving. All you've got to do is find an audio server that'll satisfy four mutually incompatible music lovers in four separate zones at once.

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