Mark Fleischmann

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Mark Fleischmann Posted: Sep 24, 2010 0 comments
Atlantic Technology uses cabinet-related techniques developed in collaboration with designer Phil Clements to achieve truly scary deep bass response from small cabinets and 5.25-inch woofers. This H-PAS technology was a highlight of the last CEDIA. At this year's show the floorstanding Model AT-1 ($2500/pair, shipping now) has been joined by the stand-mount Model AT-2 ($1500/pair, shipping February). The demo seemingly defied the laws of physics, achieving the kind of bass you'd expect from a decent midpriced subwoofer, except without the sub. Without even a floorstanding enclosure. We wouldn't have believed it if we hadn't heard it.
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Mark Fleischmann Posted: Sep 06, 2012 0 comments
The long-awaited debut of the Atlantic Technology H-PAS PowerBar 235 will come in about two weeks, when it will finally ship, offering the most extended bass you can get in a bar thanks to ingenious multi-chambered enclosure design. Numerous tweaks over the last few months include the addition of DTS decoding, and Atlantic makes a big point of having on-board Dolby Digital decoding as well, as opposed to counting on a conversion to PCM (which we're told some new LG TVs won't do). More tweaks: vocal enhancement to push dialogue forward, left-minus-right surround expansion, a less aggressively illuminated display that fades to black after confirming setting changes, and replacement of the see-through grille for something more discreet.
Mark Fleischmann Posted: Nov 23, 2009 0 comments

Performance
Value
Build Quality
Price: $3,350 At A Glance: Stand-mounts and center with three-way HF control and bass adjustment • Switchable bipole/dipole surrounds • Sub with front-baffle volume control

HT Roots Matter

To Atlantic Technology, home theater is not a necessary evil. This is not a loudspeaker company that specializes in two-channel audio and tosses out a few centers and subs as an afterthought. The brand has been firmly rooted in home theater from day one. The company cares about dialogue clarity, panning, surround effects, and bass dynamics. The first two alone are worth a thousand-word essay: You want to catch every word, but you also want pans to be seamless across the three front channels. How do you go about reconciling those two requirements? You do a lot of listening and experimenting. After about a third of a century, Atlantic Tech has gotten pretty good at it.

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Mark Fleischmann Posted: Aug 27, 2009 2 comments
Peter Tribeman's voice dropped to a whisper as he gave me the word a few weeks ago about a bass-related technology that will figure prominently in Atlantic Technology's exhibit at CEDIA. Atlantic will license the H-PAS (Hybrid Pressure Acceleration System) technology from inventor Philip Clements of Solus/Clements. As chronicled in this press release, it will combine bass reflex, inverse horn, transmission line, and a resonance/harmonic filter, all with no active electronics or special drivers. CEDIA-goers will hear (we are told) two 4.5-inch drivers in a 1.4 cubic foot enclosure produce bass output of 105dB down to 29Hz, +3dB, with bass harmonic distortion under three percent. Said Tribeman: "Until now, I would have considered it virtually impossible to achieve such high levels of bass performance and quality in such small enclosures.... This new system is the first ever to break the famous Iron Law of loudspeaker design, which states: 'deep bass extension, compact enclosure, or good efficiency...pick any two at the expense of the third.' For the very first time, due to Phil Clements' breakthrough design, we can have them all." The first product to ship will be the H-PAS-1 floorstanding speaker in the fourth quarter. Another 6.5-inch tower and bookshelf model will follow next year. Pricing TBA. We can't wait for the pre-show demo.
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Mark Fleischmann Posted: Sep 07, 2011 0 comments
Atlantic Technology's Peter Tribeman was in no mood to mince words about the divergence of the video and audio industries. TV makers, he declared, "have thrown our industry under the bus." The occasion—and the solution—is a soundbar with killer bass that will "take the den and the livingroom back for the audio industry."

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Mark Fleischmann Posted: Nov 11, 2009 0 comments
Are those too-loud TV ads wearing you down? The standard-setting body for DTV is taking aim at the problem of blaring commercials by distributing new audio guidelines to broadcasters.
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Mark Fleischmann Posted: Jan 08, 2013 0 comments
ADA is best known for its world-class surround separates so it's a pleasant surprise to see it getting into receivers, or as the company calls them, integrated controller/amps. The Cinema Rapture ($5000, shipping this week) musters 150 watts into eight ohms and 300 into four ohms while the Cinema Rapture Jr. (price and shipping to be determined) offers 80 watts into eight ohms and 150 into four ohms. Both use Class D amp modules of ADA's own design. They are not licensed from someone else. We can't wait to hear how they sound in our own listening room.
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Mark Fleischmann Posted: Jan 08, 2011 0 comments
Why shouldn't your multiroom preamp recognize each member of the family and his/her favorite source components? The Audio Design Associates Suite 32 does just that, "redefining multiroom" with its Profiler software. If your daughter uses just an iPod and satellite dish, that's all she'll see on the keypad. The hardware looks kind of like two Suite 16s bolted together in a single chassis. Pricing starts at $10,000 for the preamp. Add another zero for keypads, amps, and such. ADA also talked up its TEQ Trinnov room EQ system, not for the first time, but it's shipping soon. TEQ is more sophisticated than the version of Trinnov built into Sherwood receivers -- for instance, whatever mic you use will have its own calibration file which will be fed into the system before it starts making decisions about what room correction your space needs.
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Mark Fleischmann Posted: May 18, 2011 1 comments
Another day, another Apple rumor. Surround audiophiles may find today's rumor especially juicy: R. Tomlinson Holman, who was instrumental in developing THX, may be about to take a job with Apple.

If this is true, it suggests Apple may be planning a major audio-related move, one in which the help of a certified home theater audio heavyweight would be indispensable.

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Mark Fleischmann Posted: Apr 14, 2011 0 comments
The man who put the Harman in Harman Kardon and Harman International has died at the age of 92. Sidney Harman was a true pioneer in the consumer electronics industry.

With his partner Bernard Kardon, Harman introduced the first audio receiver in the 1950s, the Festival D1000, combining the hitherto separate functions of power amp, preamp, and radio tuner. Shortly afterward came the first stereo receiver, the Festival TA230.

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