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Steve Guttenberg

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Steve Guttenberg Posted: Jun 12, 2007 Published: May 12, 2007 0 comments
Expect the unexpected.

What a long, strange trip it's been. I've reviewed hundreds of speakers—big towers, tiny satellites, high-end flagships, and a long run of budget models—but Sunfire's new XT Series Cinema Ribbon speaker is something different. I couldn't get over how this little thing, standing just 8.25 inches tall, can play bloody loud and project the sort of huge and still highly focused imaging I've only heard from exotic, big-bucks speakers. On well-recorded concert DVDs, like Pixies: Live at the Paradise in Boston, the Cinema Ribbons let me hear around each musician. It was as if the band had materialized, fully formed, in front of me. If I had any doubts about the pint-sized speakers' ability to handle gobs of power, rocking out with the Led Zeppelin two-disc DVD set convinced me. John Bonham's hand drumming on "Moby Dick" had the sort of tactile, palpable presence you hear in real life. With the volume cranked, I felt—and I mean felt—each whack on the floor toms. The Cinema Ribbons (with the assistance of Sunfire's True Subwoofer EQ) sounded like a set of tower speakers.

Steve Guttenberg Posted: Dec 04, 2006 Published: Nov 04, 2006 0 comments
Grander than ever.

While Sunfire's Bob Carver isn't quite the household name that Apple's Steve Jobs is, he absolutely qualifies as a bona fide audio legend. Carver's greatest hits range from his early high-power amplifier, the 350-watt-per-channel Phase Linear 700, to Sonic Holography, Bob's virtual-surround generator. Carver also did much to inspire the new breed of super-potent, ultracompact subwoofers with his much-copied Sunfire True. His knack for audio innovation pumped my expectations for a couple of his latest creations, Sunfire's Theater Grand TGP-5 pre/pro and the TGA-5400, a 400-watt-per-channel amplifier.

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Steve Guttenberg Posted: Feb 01, 2004 0 comments
Innovative Engineering + Dual Concentric Driver + SuperTweeter = Magical Sound.

Take a close look at the new Tannoy Sensys DC speakers. Notice anything unusual? Anything at all? I suppose that little gray pod sitting atop each speaker will catch your eye first. It's home to a SuperTweeter that's designed to extend the speaker's response out to a range that only dogs and bats can hear, claimed to be all the way up to 51 kilohertz. Look again and scrutinize the 7-inch woofer with bull's eye circles in its center; that's another, albeit standard, tweeter. Tannoy dubbed their "tweeter inside a woofer" design as Dual Concentric, a hallmark of the company's upper-end speakers that dates back to (gulp) 1948. Dual Concentric is a really big deal because it generates minimal off-axis phase shifts over its nearly full-range frequency response: High and low frequencies originate from the same point. The Dual Concentric breakthrough led to a range of legendary speakers in the pro audio and high-end markets for more than half a century.

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Steve Guttenberg Posted: Aug 08, 2012 1 comments
In the early 1970s, the biggest consumer TVs were 27-inch direct-view CRT sets, so people must have been blown away the first time they saw TV projected on an Advent VideoBeam 1000’s 7-foot screen. The first Betamax videocassette recorders were still a couple of years away in 1972, and broadcast and cable TV were the only viewing options.
Steve Guttenberg Posted: Apr 13, 2007 0 comments
We’ve all made mix “tapes” of our favorite tunes, and now the Beatles’ producer, Sir George Martin, has made his—Love was conceived for the Cirque du Soleil Las Vegas stage show. Or perhaps Love was inspired by the infamous Danger Mouse/Jay-Z mashup, The Grey Album, but, whatever the reason, I’m thrilled with Love, it’s all you need, after all.
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Steve Guttenberg Posted: Apr 16, 2007 0 comments
HT Talks To the Doors’ one and only recording engineer, Bruce Botnick, about remixing and remastering Perception.
Steve Guttenberg Posted: Apr 16, 2007 0 comments
Wide Open
The Doors’
Perception breaks on through. The Doors’ self-titled first album was in an altogether darker, more theatrical, sinful, and sexual musical realm than anything heard in 1967. It was one hell of a debut, and, 40 years on, it still sounds incredibly unique. The band functioned with a collective spirit, and its four members—Jim Morrison, vocals; Ray Manzarek, keyboards; Robbie Krieger, guitar; and John Densmore, drums—shared songwriting and arranging credits on most of the tunes.
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Steve Guttenberg Posted: Mar 26, 2013 Published: Mar 20, 2013 0 comments
In the days before the CD arrived in 1982, LPs were the format of choice for music lovers. While the turntable played a significant role in determining sound quality, you also needed a great phono cartridge to get the music out of the grooves.
Steve Guttenberg Posted: Feb 05, 2008 469 comments
When it comes to home theaters, I thought I'd seen it all. But nothing's come close to this. First, I'm going to try to describe the sheer magnitude of Jeremy Kipnis' theater. His Stewart Snowmatte laboratory-grade screen is the biggest I've ever seen in a home, and in the back of the theater, there's a Sony ultra-high-resolution (4,096-by-2,160) SRX-S110 digital projector. I'm looking everywhere, jotting down questions, and Kipnis sounds almost giddy talking about his theater's capabilities. He refers to his baby, the Kipnis Studio Standard (KSS), as "The Greatest Show on Earth." And from the looks of it, he may be right.
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Steve Guttenberg Posted: Oct 22, 2012 1 comments
The Klipschorn was such a revolutionary speaker, it can still hold its own with some of the best of today’s home theater speakers. Paul W. Klipsch founded his company in 1946 in Hope, Arkansas, and built his first 12 Klipschorn speakers in 1947. They were fitted with Western Electric 713A compression tweeters and 12-inch JBL or Jensen woofers. The Klipschorn was designed to fit into the corner of a room, using the walls and floor as extensions of the speaker’s bass horn.

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