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Steve Guttenberg Posted: Oct 22, 2007 0 comments
A bigger bang.

In the spirit of full disclosure, I admit up front that I have a thing for big speakers. Not because they can play louder, reproduce much wider dynamics, and make more bass than smaller speakers—it's that the big ones are just more fun to listen to. Yes, a lot of them come with big price tags, and Klipsch's full-size Reference RF-83 Home Theater definitely sounds pricey. Its formidable transparency and resolution are a big part of that; you hear subtleties that other speakers gloss over. When I turn up the volume, the sound's character doesn't change, and there's no sense of increasing distortion or strain; the sound simply grows louder. No small speaker I've used, and certainly no in-wall speaker I've heard (no matter how advanced or expensive), has matched the big References' ease under pressure. The six-piece Klipsch Reference RF-83 system sells for $6,394, a slam-dunk bargain, at least by high-end standards. Stereophile magazine reviews interconnect cables with a price tag higher than that.

Steve Guttenberg Posted: Dec 14, 2004 Published: Dec 15, 2004 0 comments
Hallelujah! A custom-installation speaker package even an audiophile can love.

Klipsch's new THX Ultra2 speaker system boldly goes where poseur speakers fear to tread. Let's face it, the speaker industry is obsessed with producing ever skinnier and sleeker designs; you know, the sort of trendy speakers that look cool straddling plasma TVs. For their new high-end line, Klipsch's product planners took a different approach: The THX Ultra2's raison d'étre is the rapidly expanding custom-installation market. No doubt most of these big-'n'-brawny speakers will be tucked out of sight or flush-mounted in a posh home theater, but I'd bet a bunch of these systems will be sold to performance-oriented buyers. They're that good.

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Steve Guttenberg Posted: Jun 26, 2015 0 comments

Performance
Build Quality
Comfort
Value
PRICE $150

AT A GLANCE
Plus
Big on comfort
Lifetime warranty
Timbrally rich
Minus
Lacks mic and phone controls

THE VERDICT
The Koss Pro4s doesn’t sound like your daddy’s Koss, not by a long shot. It’s the best new Koss in ages.

Koss was founded in 1958, so it’s as old-school American hi-fi as you can get, and I’d bet lots of older audiophiles have fond memories of their Pro4AA headphones from back in the day. Koss still makes that headphone, and sound-wise, it’s about as subtle as a 1970 Chevelle SS 396 muscle car. As for this new Pro4S, it’s closer to a new Camaro—the sound is far more refined. The sharply sculpted, cast-aluminum ear cups are the first clues; the handsome design has a contemporary look and feel.

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Steve Guttenberg Posted: Jan 15, 2013 1 comments
Dan D'Agostino is a driven man, his all-consuming passions for sound, technology, and music made his first company, Krell Industries, the Ferrari of the high-end audio world in the 1980s. Dan plucked the Krell name from the classic sci-fi flick, "Forbidden Planet," and I'm guessing it was Dr. Morbius' line, "In times long past this planet was the home of a mighty and noble race of beings, which called themselves the Krell." that sparked D'Agostino's imagination. Dan and his wife Rondi launched the company with just one product, the KSA 100 amplifier, at the 1981 Consumer Electronics Show. In the early days the D'Agostinos worked hand to mouth, they'd build a few amps, put them in their car, drive them to a dealer, get a check, then build two more and so on.

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Steve Guttenberg Posted: Jul 01, 2004 0 comments
Licensed to thrill.

Krell's new Resolution Series speakers are all about pure hedonistic pleasure. Think of them as the speaker equivalent of a fire-breathing, 500-horsepower Dodge Viper SRT/10. But hold on a sec: The Resolutions are more than an exercise in brute force engineering. Their manifest also includes incredible precision, hyperclarity, and ultra-low distortion. Forget the Viper; the Resolutions are closer to a Porsche 911 GT3.

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Steve Guttenberg Posted: Jun 26, 2012 2 comments
The Linn Sondek LP12 was arguably the first modern high-end turntable, with a belt-drive design that was a game changer in the 1970s and 1980s.
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Steve Guttenberg Posted: Jul 08, 2015 0 comments

Performance
Build Quality
Comfort
Value
PRICE $399

AT A GLANCE
Plus
UE’s tip-fitting system ensures a perfect fit
User-replaceable cables
Sweet, nicely detailed sound
Minus
Premium pricing

THE VERDICT
The Ultimate Ears UE900s look, feel, and sound right, they’re big on transparency, without shortchanging body and soul.

I was in for a big surprise when I opened the Ultimate Ears UE900s box. The headphone not only comes with a generous selection of sizes and types of ear tips, UE’s color-coded, systematic fitting process makes it easier than ever to achieve the perfect fit. This ensures maximum isolation from external noise and the full bass potential of the UE900s.

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Steve Guttenberg Posted: Feb 27, 2013 2 comments
Jim Winey didn’t set out to design a new type of speaker, just a better electrostatic speaker. He worked evenings, weekends, vacations, whenever he could starting in 1966, while he was still working for 3M as an engineer. His experiments with flexible bar magnets and Mylar led Winey to invent and patent the planar magnetic speaker.
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Steve Guttenberg Posted: Aug 02, 2012 5 comments
I don’t think there’s ever been a more iconic audio ad than Maxell’s “Blown Away Guy” campaign that started in 1979. It’s the one with the hipster on the right side of the picture slouching in a massive recliner, with a table lamp and martini glass being blown away by the sound of a JBL L100 speaker on the left side of the frame. That ad sold a lot of tape over the years!
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Steve Guttenberg Posted: Sep 18, 2004 Published: Sep 01, 2004 0 comments
They're cool—really cool!

MB Quart's new Vera Series speakers have redefined cool. They're cool-sounding, for sure, but I also mean cool, as in low-temperature cool. Heat, you see, is the enemy of good sound. When you're rocking with Aerosmith's ballistic blues bash Honkin' on Bobo or crankin' Master and Commander, your speakers' voice-coil temperatures shoot up. In extreme cases, they can heat up to 300 degrees Fahrenheit. The excessive temperature does bad, bad things; it can raise the voice coils' resistance by as much as 25 percent. Distortion creeps up, dynamics flatten out, and transient response goes to hell. Worse yet, sustained overheating can lead to driver meltdown. Ouch!

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