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Steve Guttenberg

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Steve Guttenberg Posted: Jul 01, 2004 0 comments
Licensed to thrill.

Krell's new Resolution Series speakers are all about pure hedonistic pleasure. Think of them as the speaker equivalent of a fire-breathing, 500-horsepower Dodge Viper SRT/10. But hold on a sec: The Resolutions are more than an exercise in brute force engineering. Their manifest also includes incredible precision, hyperclarity, and ultra-low distortion. Forget the Viper; the Resolutions are closer to a Porsche 911 GT3.

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Steve Guttenberg Posted: Jun 26, 2012 2 comments
The Linn Sondek LP12 was arguably the first modern high-end turntable, with a belt-drive design that was a game changer in the 1970s and 1980s.
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Steve Guttenberg Posted: Feb 27, 2013 2 comments
Jim Winey didn’t set out to design a new type of speaker, just a better electrostatic speaker. He worked evenings, weekends, vacations, whenever he could starting in 1966, while he was still working for 3M as an engineer. His experiments with flexible bar magnets and Mylar led Winey to invent and patent the planar magnetic speaker.
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Steve Guttenberg Posted: Aug 02, 2012 5 comments
I don’t think there’s ever been a more iconic audio ad than Maxell’s “Blown Away Guy” campaign that started in 1979. It’s the one with the hipster on the right side of the picture slouching in a massive recliner, with a table lamp and martini glass being blown away by the sound of a JBL L100 speaker on the left side of the frame. That ad sold a lot of tape over the years!
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Steve Guttenberg Posted: Sep 18, 2004 Published: Sep 01, 2004 0 comments
They're cool—really cool!

MB Quart's new Vera Series speakers have redefined cool. They're cool-sounding, for sure, but I also mean cool, as in low-temperature cool. Heat, you see, is the enemy of good sound. When you're rocking with Aerosmith's ballistic blues bash Honkin' on Bobo or crankin' Master and Commander, your speakers' voice-coil temperatures shoot up. In extreme cases, they can heat up to 300 degrees Fahrenheit. The excessive temperature does bad, bad things; it can raise the voice coils' resistance by as much as 25 percent. Distortion creeps up, dynamics flatten out, and transient response goes to hell. Worse yet, sustained overheating can lead to driver meltdown. Ouch!

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Steve Guttenberg Posted: Dec 04, 2012 1 comments
McIntosh’s MC275 may be the most famous tube amplifier in the history of high fidelity. Designed and engineered by the company’s co-founder Sidney Corderman and the McIntosh engineering team, the MC275 (2 x 75 watts per channel) was the most powerful McIntosh stereo amplifier in its day. Some say it was the Harley-Davidson of American amps, and with the big chromed chassis and exposed Gold Lion KT88 power tubes, the MC275 certainly looked the part. The retail price was $444 when the amp was introduced in 1961, and the mono version, the MC75, debuted the same year.
Steve Guttenberg Posted: Jul 31, 2001 Published: Aug 01, 2001 0 comments
M&K's K-5 proves that a small speaker doesn't have to deliver a small performance.

Miller & Kreisel Sound has a habit of being there at the very start of things. The company's timeline stretches all the way back to 1973, when Steely Dan's Walter Becker wandered into Mr. Kreisel's shop and asked him to design a subwoofer and monitoring system for his Pretzel Logic mixing sessions. The rest, as they say, is sub-history. OK, you probably already knew that M&K is synonymous with badass subwoofers, so here's another cool bit of trivia. In 1976, long before the words "home" and "theater" were ever used together in a sentence, M&K introduced their first subwoofer/satellite system. Their pioneering spirit in the pro-sound world is legendary; so, naturally, Dolby Labs depended on an M&K MX-5000 system during their developmental work on Dolby Digital in the early '90s. M&K's list of achievements could easily fill this entire review, so I'll stop myself right now and move on to the subject at hand: their brand-new and most affordable satellite speaker, the K-5 ($149). This little guy, measuring a scant 7.375 by 4.875 by 5.875 inches, can serve with distinction as a front, center, or surround speaker.

Steve Guttenberg Posted: Nov 04, 2002 Published: Nov 05, 2002 0 comments
Listening outside the pod.

Mirage's VP of engineering, Ian Paisley, went bipolar way back in 1987. Hold on a sec, let me restate that: Paisley designed the first commercially successful bipolar loudspeaker, the Mirage M-1, in 1987. That speaker garnered raves in all of the audiophile mags and put Mirage on the map. Ah, but do bipolar/wide-dispersion speakers always produce great sound? It all depends. People have criticized some omnidirectional speakers for their overly diffuse, vaguely defined imaging. While I've never owned a set of Mirages, I've been a fan of this sort of speaker since I bought a pair of "direct/reflecting" Bose 501 speakers in '76. Hey, I was still wet behind my not-yet-golden ears, and Bose's dispersion concept caught my fancy. My Bose affair was a quickie, and I eventually settled down for a long-term relationship with a pair of Quad ESL-63 (dipole) electrostatic speakers.

Steve Guttenberg Posted: Mar 18, 2005 0 comments
It's three omnidirectional speakers in one.

Here's a tip for home theater newbies: Don't shop for speakers using just your eyes. That advice holds true for any speaker, regardless of size or price; when it comes to what we euphemistically refer to as "lifestyle" speakers, though, please try to listen before you make a purchase, or you'll deserve what you get. Lifestyle-inflicted design compromises too often exact a toll on performance—skinny towers can sound undernourished, wall-mounted speakers can produce pancake-flat imaging, and pint-size satellites can come up short.

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Steve Guttenberg Posted: Sep 03, 2007 Published: Aug 03, 2007 0 comments
Melodious metal.

Monitor Audio has the metal thing down. I remember thinking that after my first encounter with a pair of Monitor Studio speakers in the mid-1980s. In those days, metal drivers had a reputation for adding an annoying metallic zing to the sound, but the Monitors were as sweet as could be. Over the years, Monitor continued to hone the technology; even now, when there are a lot of great-sounding speakers with metal drivers, to my ear, nobody does it better. Monitor's current product range includes a healthy selection of custom-install models and the heavy-metal contenders, which run from the entry-level Bronze, the Silver, the Gold, and up to the flagship Platinum speaker lines.

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