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Steve Guttenberg Posted: May 18, 2015 2 comments

Performance
Build Quality
Comfort
Value
PRICE $249

AT A GLANCE
Plus
Smooth tonal balance
Euro design flair
Minus
High-ish head-clamping pressure

THE VERDICT
Focal’s latest-generation headphone strikes a keen balance of resolution and a sweet tonal balance.

Here we go again. That’s what I remember thinking when I heard that Focal, France’s largest speaker manufacturer, was going to start making headphones. After Beats by Dre opened the floodgates, a number of speaker and electronics companies that never made headphones started jumping into the market. We all know about Bower & Wilkins and Klipsch, but then there was KEF, NAD, Polk, PSB, RBH, and more—so when Focal joined the pack a few years ago, it wasn’t a shocker. Thing is, making great speakers is a completely different skill set than crafting headphones. After all, speakers “play” the room; headphones only have to make your ears happy. Apparently, that’s harder than it seems.

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Steve Guttenberg Posted: Apr 14, 2015 4 comments

Performance
Build Quality
Value
PRICE $1,998/pair

AT A GLANCE
Plus
Sleek tower design
Huge soundstage!
HVFR planar magnetic folded ribbon tweeter
Minus
Black is the only finish

THE VERDICT
At less than $2,000 per pair, the Triton continues the GoldenEar value tradition with superb sonics at an attainable price.

I’ve known quite a few speaker designers and owners of high-end companies, but GoldenEar Technology’s CEO and co-founder Sandy Gross is the only one who’s an avid art collector. He paints a little, too, but mostly expresses his creative side through the sound of his loudspeakers. Gross has developed a keen ear as a decades-long veteran in the speaker business, co-founding Polk Audio and later Definitive Technology. In 2010, he launched GoldenEar Technology at the CEDIA show in Atlanta, Georgia.

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Steve Guttenberg Posted: Aug 04, 2016 0 comments

Performance
Build Quality
Comfort
Value
PRICE $695

AT A GLANCE
Plus
Hand-crafted in Brooklyn!
Lightweight design
Incredibly open soundstage
Minus
Cable isn’t user-replaceable

THE VERDICT
The Grado RS1e is lightweight and has a big-as-all-outdoors soundstage and clarity that are unbeatable in its price class.

Grado Labs is located in a nondescript four-story building in the Sunset Park neighborhood in Brooklyn, where Joe Grado started manufacturing phono cartridges in the early 1950s. John Grado (Joe’s nephew) took over day-to-day operations in 1978, and in 1989 Grado Labs jumped into the headphone market. John and Joe hand-built all of the company’s first-generation headphones—the HP-1, HP-2, and HP-3—and those ’phones now fetch anywhere from $1,000 to $2,500 on eBay! Grado Labs is still a family-owned business, and John’s son Jonathan came aboard in 2014.

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Steve Guttenberg Posted: May 30, 2013 1 comments
Grammy Award-winning producer Don Was has had a long and storied career producing records for some of rock ’n’ roll’s most famous acts from the early 1980s to the present. Today, he also holds the title of president of the respected jazz record label Blue Note Records. Home Theater’s Steve Guttenberg recently sat down with Was to get his take on the role of a record producer and what it was like to work with so many great artists.
Steve Guttenberg Posted: Apr 17, 2005 0 comments
Synergistic sounds.

This review brings together two brands that are special to me: Harman/Kardon and Paradigm. When I was a teenager, I bought a Harman receiver with the money I earned running deliveries for the local supermarket. You know how that is: Nothing ever gets close to the thrill of the first one. I wore out several LP copies of Sgt. Pepper and Led Zeppelin II over that 15-watt-per-channel receiver. Much, much later, in the late '90s, I reviewed a set of Paradigm Atoms. Those little speakers sounded surprisingly huge, and, even more importantly, they were a lot of fun. The Atoms lingered in my listening room long after I finished the review, and that's probably the best indication of what separates good speakers from great speakers. For this back-to-the-future review, I paired Harman's DPR 1005 Digital Path Receiver with Paradigm's newly revised Monitor Series v.4 speakers. Looks like a good combination, but let's see.

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Steve Guttenberg Posted: Feb 05, 2015 1 comments

Performance
Features
Comfort
Value
PRICE $899

AT A GLANCE
Plus
Transparency to die for
Planar magnetic drivers
Lighter and more comfy than most planar headphones
Minus
A stay-at-home headphone

THE VERDICT
HiFiMan’s heavily revised planar magnetic headphones take the sound closer to the ever-elusive goal of reproducing reality.

The very first planar magnetic headphone I heard was a HiFiMan HE-5. That was five years ago. As luck would have it, I had just finished a series of flagship headphone reviews from nearly every major manufacturer, but it was the HE-5 that made a lasting impression. While it wasn’t the most transparent or dynamic, or best imaging, it was the one I kept returning to. The key was balance; it just sounded more “right” than the others. Oh, it was also significantly less expensive than any of the other top-of-the-line models. All of the brands have stepped up their game over the last few years, and now HiFiMan has completely redesigned its planars as well. If you haven’t heard a high-end headphone in years, this would be a great time to check out what’s going on.

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Steve Guttenberg Posted: Sep 29, 2015 1 comments

Performance
Build Quality
Comfort
Value
PRICE $2,999

AT A GLANCE
Plus
Luxurious design
Extraordinarily spacious sound
Advanced nano-thin planar magnetic drivers
Minus
A big, definitely not-so-portable headphone
Crazy expensive

THE VERDICT
The HiFiman HE1000 is pricey, but it sounds so clear and open other headphones sound dull and drab by comparison.

What? $2,999 for headphones? Can they be worth it? Yes, and yes. It’s not just that the Hifiman HE1000 sounds more transparent, spacious, and dynamic than other headphones: With the HE1000, music arrives more intact—there’s more there there.

The Hifiman HE1000’s open quality makes you realize not all open-back headphones sound equally open. You don’t have to be an engineer to understand why: Just look at the HE1000 ear cups’ thin horizontal blades that minimize reflections to a remarkable degree and expose most of the back surface of the diaphragm to the air.

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Steve Guttenberg Posted: Jun 19, 2014 Published: Jun 18, 2014 1 comments

Performance
Build Quality
Comfort
Value
PRICE $399

AT A GLANCE
Plus
Super tiny and lightweight
Accurate and transparent
Wide-open soundstage
Minus
Lacks microphone and phone controls

THE VERDICT
Hifiman's uber-comfortable RE-600 offers superb transparency and accurate tonal balance.

Even when I heard one of Hifiman's very first headphones, I had no doubt it was fully competitive with the best AKG, Beyerdynamic, Grado, Koss, and Sennheiser had to offer. That was back in 2006, and the Tianjin, China-based company's headphones have only gotten better over the years. They're all proprietary designs, engineered and manufactured by Hifiman.
Steve Guttenberg Posted: Aug 25, 2011 16 comments
Selecting audio components is one of the more daunting tasks that any serious home theater enthusiast faces. On the surface, it seems evident that if you just go out and buy the best components you can afford, they’ll sound great with both movies and music. And that’s generally true: A better system will more accurately reproduce the waveforms you feed it, irrespective of whether they come from a movie or music. But it’s often not that simple. While assembling a home theater system that’s equally spectacular with movies and music may be a laudable goal, unless you have unlimited funds, you’ll probably have compromises to make. At that point, you might want to steer the system’s performance strengths one way or the other with the right mix of speakers and electronics. But how do you go about matching these up?
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Steve Guttenberg Posted: Mar 08, 2007 Published: Mar 09, 2007 0 comments
Scott Weber, Tom de Gorter, and Frank Morrone talk with HT about mixing ABC TV's Hit series, Lost.

ABC TV's Lost is a phenomenon recalling the best of The X-Files or Twin Peaks' mind-warping weirdness as it slips between edgy drama and scintillating sci-fi. The show's creators, J.J. Abrams (Alias) and Damon Lindelof (Crossing Jordan), set Lost on a mysterious tropical island in the Pacific Ocean, populated it with an ever-expanding cast of survivors, and pepper the episodes with flashback scenes that add depth and complexity to the show's epic story arc. The episodes are shot on location in Hawaii, but they're edited and mixed at Buena Vista Sound at Disney Studios in Burbank, California. To learn more about how Lost's incredible soundtrack shapes up every week, I spoke with the show's supervising sound editor Tom de Gorter and rerecording mixers Frank Morrone and Scott Weber. Lost is currently in its third season; seasons one and two are available on DVD from Buena Vista.

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