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Steve Guttenberg

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Steve Guttenberg Posted: May 30, 2013 1 comments
Grammy Award-winning producer Don Was has had a long and storied career producing records for some of rock ’n’ roll’s most famous acts from the early 1980s to the present. Today, he also holds the title of president of the respected jazz record label Blue Note Records. Home Theater’s Steve Guttenberg recently sat down with Was to get his take on the role of a record producer and what it was like to work with so many great artists.
Steve Guttenberg Posted: Apr 17, 2005 0 comments
Synergistic sounds.

This review brings together two brands that are special to me: Harman/Kardon and Paradigm. When I was a teenager, I bought a Harman receiver with the money I earned running deliveries for the local supermarket. You know how that is: Nothing ever gets close to the thrill of the first one. I wore out several LP copies of Sgt. Pepper and Led Zeppelin II over that 15-watt-per-channel receiver. Much, much later, in the late '90s, I reviewed a set of Paradigm Atoms. Those little speakers sounded surprisingly huge, and, even more importantly, they were a lot of fun. The Atoms lingered in my listening room long after I finished the review, and that's probably the best indication of what separates good speakers from great speakers. For this back-to-the-future review, I paired Harman's DPR 1005 Digital Path Receiver with Paradigm's newly revised Monitor Series v.4 speakers. Looks like a good combination, but let's see.

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Steve Guttenberg Posted: Jun 19, 2014 Published: Jun 18, 2014 1 comments

Performance
Build Quality
Comfort
Value
PRICE $399

AT A GLANCE
Plus
Super tiny and lightweight
Accurate and transparent
Wide-open soundstage
Minus
Lacks microphone and phone controls

THE VERDICT
Hifiman's uber-comfortable RE-600 offers superb transparency and accurate tonal balance.

Even when I heard one of Hifiman's very first headphones, I had no doubt it was fully competitive with the best AKG, Beyerdynamic, Grado, Koss, and Sennheiser had to offer. That was back in 2006, and the Tianjin, China-based company's headphones have only gotten better over the years. They're all proprietary designs, engineered and manufactured by Hifiman.
Steve Guttenberg Posted: Aug 25, 2011 8 comments
Selecting audio components is one of the more daunting tasks that any serious home theater enthusiast faces. On the surface, it seems evident that if you just go out and buy the best components you can afford, they’ll sound great with both movies and music. And that’s generally true: A better system will more accurately reproduce the waveforms you feed it, irrespective of whether they come from a movie or music. But it’s often not that simple. While assembling a home theater system that’s equally spectacular with movies and music may be a laudable goal, unless you have unlimited funds, you’ll probably have compromises to make. At that point, you might want to steer the system’s performance strengths one way or the other with the right mix of speakers and electronics. But how do you go about matching these up?
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Steve Guttenberg Posted: Mar 08, 2007 Published: Mar 09, 2007 0 comments
Scott Weber, Tom de Gorter, and Frank Morrone talk with HT about mixing ABC TV's Hit series, Lost.

ABC TV's Lost is a phenomenon recalling the best of The X-Files or Twin Peaks' mind-warping weirdness as it slips between edgy drama and scintillating sci-fi. The show's creators, J.J. Abrams (Alias) and Damon Lindelof (Crossing Jordan), set Lost on a mysterious tropical island in the Pacific Ocean, populated it with an ever-expanding cast of survivors, and pepper the episodes with flashback scenes that add depth and complexity to the show's epic story arc. The episodes are shot on location in Hawaii, but they're edited and mixed at Buena Vista Sound at Disney Studios in Burbank, California. To learn more about how Lost's incredible soundtrack shapes up every week, I spoke with the show's supervising sound editor Tom de Gorter and rerecording mixers Frank Morrone and Scott Weber. Lost is currently in its third season; seasons one and two are available on DVD from Buena Vista.

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Steve Guttenberg Posted: Feb 07, 2006 0 comments
I could easily fill pages of this magazine with a complete list of Phil Ramone's credits and achievements, but I'll stick with this condensed rundown. He's won 12 Grammy Awards and one Emmy, and he's worked with a virtual who's who of music: Burt Bacharach, Tony Bennett, Ray Charles, Chicago, Gloria Estefan, Aretha Franklin, Billy Joel, Elton John, Quincy Jones, B.B. King, Madonna, Luciano Pavarotti, Paul Simon, Frank Sinatra, the Rolling Stones, Barbra Streisand, James Taylor—and those are just the highlights. Ramone is chairman emeritus of the board of trustees of the National Academy of Recording Arts and Sciences. He is also a trustee of the National Recording Preservation Board of the Library of Congress.
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Steve Guttenberg Posted: Jan 31, 2006 Published: Jan 15, 2006 0 comments
Even if the names Brian Holland, Lamont Dozier, and Eddie Holland don't ring any bells for you, you surely know their music. They wrote most of the Supremes' and the Four Tops' megahits, such as "Where Did Our Love Go?," "Come See About Me," "Baby Love," "You Keep Me Hangin' On," "Baby, I Need Your Loving," "How Sweet it Is (To Be Loved by You)," and "Reach Out, I'll Be There." The three men supplied a steady stream of top-ten singles for Marvin Gaye, Jackson 5, Martha & the Vandellas, and many others.
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Steve Guttenberg Posted: Oct 10, 2012 13 comments
Even before I heard the JBL L100 Century I knew it was going to be great. It was 1970, when hi-fi speakers all had drab cloth grilles, the L100 sported a brilliant orange "waffle" pattern grille, and when every other speaker had grey or black woofers, the L100's was white. I'll never forget the first time I heard a pair, and the big JBLs lit up my Led Zeppelin and Jimi Hendrix LPs, it really was the ultimate "rock" speaker of the day. The L100 sold for $273 each, way too pricey for me.
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Steve Guttenberg Posted: Mar 14, 2013 1 comments
Life before the first VCRs arrived in the late 1970s was pretty boring. TV watching was limited to whatever meager offerings were available at that moment from broadcast and cable TV stations. VCRs and time shifting changed all that.
Steve Guttenberg Posted: Nov 10, 2003 Published: Nov 01, 2003 0 comments
Feeling blah? I've got the cure.

My friend Gene is a professional musician. Back in the early '80s, he used Klipsch Heresys as PA speakers in clubs. One hot August afternoon, I dropped by his Greenwich Village apartment. Just for fun, he set up the Heresys at home. Hot damn, I was absolutely floored! The first LP (remember, this was in the pre-digital era) he played was the Rolling Stones' Exile on Main Street. Oh man, I thought I knew that record inside out, but not like that—the Klipschs sounded like a mini version of a concert system. We listened at extremely high levels, easily 100-plus decibels. Gene's neighbors must have thought Mick and the boys were gigging in his apartment.

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