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Steve Guttenberg

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Steve Guttenberg Posted: Aug 25, 2011 8 comments
Selecting audio components is one of the more daunting tasks that any serious home theater enthusiast faces. On the surface, it seems evident that if you just go out and buy the best components you can afford, they’ll sound great with both movies and music. And that’s generally true: A better system will more accurately reproduce the waveforms you feed it, irrespective of whether they come from a movie or music. But it’s often not that simple. While assembling a home theater system that’s equally spectacular with movies and music may be a laudable goal, unless you have unlimited funds, you’ll probably have compromises to make. At that point, you might want to steer the system’s performance strengths one way or the other with the right mix of speakers and electronics. But how do you go about matching these up?
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Steve Guttenberg Posted: Mar 08, 2007 Published: Mar 09, 2007 0 comments
Scott Weber, Tom de Gorter, and Frank Morrone talk with HT about mixing ABC TV's Hit series, Lost.

ABC TV's Lost is a phenomenon recalling the best of The X-Files or Twin Peaks' mind-warping weirdness as it slips between edgy drama and scintillating sci-fi. The show's creators, J.J. Abrams (Alias) and Damon Lindelof (Crossing Jordan), set Lost on a mysterious tropical island in the Pacific Ocean, populated it with an ever-expanding cast of survivors, and pepper the episodes with flashback scenes that add depth and complexity to the show's epic story arc. The episodes are shot on location in Hawaii, but they're edited and mixed at Buena Vista Sound at Disney Studios in Burbank, California. To learn more about how Lost's incredible soundtrack shapes up every week, I spoke with the show's supervising sound editor Tom de Gorter and rerecording mixers Frank Morrone and Scott Weber. Lost is currently in its third season; seasons one and two are available on DVD from Buena Vista.

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Steve Guttenberg Posted: Feb 07, 2006 0 comments
I could easily fill pages of this magazine with a complete list of Phil Ramone's credits and achievements, but I'll stick with this condensed rundown. He's won 12 Grammy Awards and one Emmy, and he's worked with a virtual who's who of music: Burt Bacharach, Tony Bennett, Ray Charles, Chicago, Gloria Estefan, Aretha Franklin, Billy Joel, Elton John, Quincy Jones, B.B. King, Madonna, Luciano Pavarotti, Paul Simon, Frank Sinatra, the Rolling Stones, Barbra Streisand, James Taylor—and those are just the highlights. Ramone is chairman emeritus of the board of trustees of the National Academy of Recording Arts and Sciences. He is also a trustee of the National Recording Preservation Board of the Library of Congress.
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Steve Guttenberg Posted: Jan 31, 2006 Published: Jan 15, 2006 0 comments
Even if the names Brian Holland, Lamont Dozier, and Eddie Holland don't ring any bells for you, you surely know their music. They wrote most of the Supremes' and the Four Tops' megahits, such as "Where Did Our Love Go?," "Come See About Me," "Baby Love," "You Keep Me Hangin' On," "Baby, I Need Your Loving," "How Sweet it Is (To Be Loved by You)," and "Reach Out, I'll Be There." The three men supplied a steady stream of top-ten singles for Marvin Gaye, Jackson 5, Martha & the Vandellas, and many others.
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Steve Guttenberg Posted: Oct 10, 2012 13 comments
Even before I heard the JBL L100 Century I knew it was going to be great. It was 1970, when hi-fi speakers all had drab cloth grilles, the L100 sported a brilliant orange "waffle" pattern grille, and when every other speaker had grey or black woofers, the L100's was white. I'll never forget the first time I heard a pair, and the big JBLs lit up my Led Zeppelin and Jimi Hendrix LPs, it really was the ultimate "rock" speaker of the day. The L100 sold for $273 each, way too pricey for me.
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Steve Guttenberg Posted: Mar 14, 2013 1 comments
Life before the first VCRs arrived in the late 1970s was pretty boring. TV watching was limited to whatever meager offerings were available at that moment from broadcast and cable TV stations. VCRs and time shifting changed all that.
Steve Guttenberg Posted: Nov 10, 2003 Published: Nov 01, 2003 0 comments
Feeling blah? I've got the cure.

My friend Gene is a professional musician. Back in the early '80s, he used Klipsch Heresys as PA speakers in clubs. One hot August afternoon, I dropped by his Greenwich Village apartment. Just for fun, he set up the Heresys at home. Hot damn, I was absolutely floored! The first LP (remember, this was in the pre-digital era) he played was the Rolling Stones' Exile on Main Street. Oh man, I thought I knew that record inside out, but not like that—the Klipschs sounded like a mini version of a concert system. We listened at extremely high levels, easily 100-plus decibels. Gene's neighbors must have thought Mick and the boys were gigging in his apartment.

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Steve Guttenberg Posted: Oct 22, 2007 0 comments
A bigger bang.

In the spirit of full disclosure, I admit up front that I have a thing for big speakers. Not because they can play louder, reproduce much wider dynamics, and make more bass than smaller speakers—it's that the big ones are just more fun to listen to. Yes, a lot of them come with big price tags, and Klipsch's full-size Reference RF-83 Home Theater definitely sounds pricey. Its formidable transparency and resolution are a big part of that; you hear subtleties that other speakers gloss over. When I turn up the volume, the sound's character doesn't change, and there's no sense of increasing distortion or strain; the sound simply grows louder. No small speaker I've used, and certainly no in-wall speaker I've heard (no matter how advanced or expensive), has matched the big References' ease under pressure. The six-piece Klipsch Reference RF-83 system sells for $6,394, a slam-dunk bargain, at least by high-end standards. Stereophile magazine reviews interconnect cables with a price tag higher than that.

Steve Guttenberg Posted: Dec 14, 2004 Published: Dec 15, 2004 0 comments
Hallelujah! A custom-installation speaker package even an audiophile can love.

Klipsch's new THX Ultra2 speaker system boldly goes where poseur speakers fear to tread. Let's face it, the speaker industry is obsessed with producing ever skinnier and sleeker designs; you know, the sort of trendy speakers that look cool straddling plasma TVs. For their new high-end line, Klipsch's product planners took a different approach: The THX Ultra2's raison d'étre is the rapidly expanding custom-installation market. No doubt most of these big-'n'-brawny speakers will be tucked out of sight or flush-mounted in a posh home theater, but I'd bet a bunch of these systems will be sold to performance-oriented buyers. They're that good.

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Steve Guttenberg Posted: Jan 15, 2013 3 comments
Dan D'Agostino is a driven man, his all-consuming passions for sound, technology, and music made his first company, Krell Industries, the Ferrari of the high-end audio world in the 1980s. Dan plucked the Krell name from the classic sci-fi flick, "Forbidden Planet," and I'm guessing it was Dr. Morbius' line, "In times long past this planet was the home of a mighty and noble race of beings, which called themselves the Krell." that sparked D'Agostino's imagination. Dan and his wife Rondi launched the company with just one product, the KSA 100 amplifier, at the 1981 Consumer Electronics Show. In the early days the D'Agostinos worked hand to mouth, they'd build a few amps, put them in their car, drive them to a dealer, get a check, then build two more and so on.

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