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Steve Guttenberg Posted: Jul 20, 2005 0 comments
Big ambitions.

Boston Acoustics has been perfecting the art of speaker design for 26 years, so I guess they're ready to try something new. For 2005, the company set their sights on the fiercely competitive A/V-receiver market and released a classically handsome, custom-installer-savvy contender, the AVR7120. To keep it all in the family, I checked out the receiver with a contingent of Boston VR Series speakers.

Steve Guttenberg Posted: Aug 06, 2007 Published: Jul 06, 2007 0 comments
Take it to the limit.

I've come to appreciate that, when it comes to evaluating speakers, first impressions count—big time. Immediate gut reactions typically run from, "I like them," to, "Yuck, turn them off." The latter tend to instantly put the kibosh on any prospective speaker purchase, but initial positive responses usually get revised as you hear different kinds of music and movies—something along the lines of, "Wow, the bass is amazing," or, "The imaging is spectacular." My first brush with Boston Acoustics' new Reference E Series E70 speakers took place at D&M Holdings' facility in Mahwah, New Jersey. (D&M is the parent company of Boston Acoustics, Denon, and Marantz, along with McIntosh, ReplayTV, Snell Acoustics, and a few other brands.) I saw and heard a lot of cool products that day, but I was instantly smitten with the E Series' transparent sound and sleek good looks. The E Series lineup includes the flagship E100 tower speakers ($2,500 each); two L/C/Rs, the E70 ($800 each) and E50 ($500 each); and two monitors, the E60 ($600 each) and E40 ($400 each).

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Steve Guttenberg Posted: Apr 08, 2015 0 comments

Performance
Features
Comfort
Value
PRICE $180

AT A GLANCE
Plus
Bright and clear sound
All-new 9.2mm drivers
Bowers & Wilkins design flair
Minus
The C5 S2’s cable may rub against your ears

THE VERDICT
Bowers & Wilkins’ engineers revised and tweaked C5 Series 2 in-ear headphone sounds better than ever.

I doubt the original Bowers & Wilkins C5 that debuted in 2011 was ever confused for any other headphone. I loved its sharply angled, cylindrical aluminum earpieces and looped cables: They marked the C5 as a true original. The new C5 Series 2 doesn’t look much different. The biggest change is one you can’t see: The 9.2mm drivers are all new. The headphones’ silicone ear tips now provide a snugger fit, and the old silver/gray cable has been replaced with a black one. The new inline mic/remote has a better tactile feel. You can take calls on Androids and iPhones, but the remote only works with iPhones. Bowers & Wilkins’ headphone carry cases are classier than most, and the suede-like one that comes with the C5 S2 looks sharp.

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Steve Guttenberg Posted: Apr 11, 2014 0 comments

Performance
Features
Comfort
Value
PRICE $400

AT A GLANCE
Plus
Bowers & Wilkins’ first over-the-ear headphone
Unique styling
Lavish build quality
Minus
Not quite as graceful looking as B&W’s onear models

THE VERDICT
The Bowers & Wilkins P7 continues B&W’s evolution as a world-class headphone manufacturer.

Over the last few years, we’ve seen quite a few speaker companies dip their toes into the headphone market, with inconsistent results. Sure, it’s easy to slap your logo on a pair of generic headphones, but Bowers & Wilkins didn’t do that. Their elegant design sense was immediately apparent with their very first headphone—the P5—and the sound was what you’d expect from Bowers & Wilkins. No wonder that headphone attracted a sizable cognoscenti following and turned on countless newbies to the glories of audiophile headphone sound.

Steve Guttenberg Posted: Oct 24, 2006 Published: Oct 25, 2006 4 comments
The little system that could.

Some guys fantasize about winning the Mega Millions Lottery and driving into the sunset in a $1.25-million Bugatti Veyron 16.4 supercar. Or maybe a giddy winner would fork over heaps of cash for an ultimate home theater. The market for ultrahigh-end exotica is surging, but, while I'm waiting for my big payday, I thought I'd come back down to earth and have some fun with one of Onkyo's most reasonably priced audio/video receivers, the TX-SR504 ($300), partnered with Canton's sleek Movie CD 201 speaker system ($1,999). Budgetary constraints be damned, the little system still had to sound great in my home theater and deliver the goods in a cozy bedroom, office, or den.

Steve Guttenberg Posted: Apr 29, 2016 1 comments
I met singer-songwriter Amber Rubarth when she was recording her first Chesky Records album, Sessions From the 17th Ward, back in 2012. I instantly fell in love with her music and the sound of her voice, but more than that, I was amazed by how relaxed she was making an entire album in just two days. Most of the tunes were hers, and they were consistently good, but her covers of Tom Waits’ “Hold On” and Bob Dylan’s “Just Like a Woman” blew me away. No wonder legendary record producer Phil Ramone said Rubarth was “part of the new old-soul generation.”
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Steve Guttenberg Posted: Feb 04, 2008 Published: Jan 04, 2008 0 comments
Pump it up!

Cinepro's demo at the 2007 Custom Electronic Design & Installation Association (CEDIA) show in Denver made a powerful impression on my eardrums. I'm no power-hungry audiophile—far from it—but I immediately understood what Cinepro is all about.

Steve Guttenberg Posted: Jul 14, 2006 0 comments
Classy Classés.

Even before you hear Classé's new Delta series of electronics, you'll probably want to do what I did—feel them up. This is not just because their curved aluminum-and-steel chassis are exquisite works of industrial art—your fingertips wield extraordinary control over the SSP-300 surround processor. The matching CA-5100 five-channel power amplifier will supply the muscle to make your home theater roar.

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Steve Guttenberg Posted: Feb 11, 2003 Published: Feb 12, 2003 0 comments
DVD-Audio: The long and winding road to the future of music?

DVD is a hit. Lauded as the most successful format launch since—well, I guess nothing has had this overwhelming level of acceptance in a long, long time. I wish I could say the same about DVD's younger sibling, DVD-Audio. Introduced three years ago, it's just now starting to gather some momentum. On the hardware side, DVD-Audio offerings run the gamut from saucy little $200 players to budget-busting state-of-the-art machines. New DVD-Audio titles are still just trickling out, but even a cursory glance at a typical disc's fairly lengthy production credits might explain the relative paucity of releases. I counted 13 DVD-Audio-related producers, engineers, and mixers on R.E.M.'s Reveal disc and a crew of 21 on Queen's epic A Night at the Opera. Releasing a DVD-Audio reissue or brand-new title is a labor-intensive effort.

Steve Guttenberg Posted: Dec 02, 2005 0 comments
Brothers in Arms was a monster seller of the 1980s and yielded Dire Straits' MTV anthem, "Money for Nothing." Beyond the pop successes, the band's music was coveted by audiophiles for its sweet sound; back in the day, I wore out countless Brothers in Arms LPs at my job selling high-end audio gear. Reconnecting with the music in this new 20th Anniversary Edition, remastered to DualDisc, was a total pleasure.

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