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Steve Guttenberg

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Steve Guttenberg Posted: Oct 24, 2006 Published: Oct 25, 2006 0 comments
The little system that could.

Some guys fantasize about winning the Mega Millions Lottery and driving into the sunset in a $1.25-million Bugatti Veyron 16.4 supercar. Or maybe a giddy winner would fork over heaps of cash for an ultimate home theater. The market for ultrahigh-end exotica is surging, but, while I'm waiting for my big payday, I thought I'd come back down to earth and have some fun with one of Onkyo's most reasonably priced audio/video receivers, the TX-SR504 ($300), partnered with Canton's sleek Movie CD 201 speaker system ($1,999). Budgetary constraints be damned, the little system still had to sound great in my home theater and deliver the goods in a cozy bedroom, office, or den.

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Steve Guttenberg Posted: Feb 04, 2008 Published: Jan 04, 2008 0 comments
Pump it up!

Cinepro's demo at the 2007 Custom Electronic Design & Installation Association (CEDIA) show in Denver made a powerful impression on my eardrums. I'm no power-hungry audiophile—far from it—but I immediately understood what Cinepro is all about.

Steve Guttenberg Posted: Jul 14, 2006 0 comments
Classy Classés.

Even before you hear Classé's new Delta series of electronics, you'll probably want to do what I did—feel them up. This is not just because their curved aluminum-and-steel chassis are exquisite works of industrial art—your fingertips wield extraordinary control over the SSP-300 surround processor. The matching CA-5100 five-channel power amplifier will supply the muscle to make your home theater roar.

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Steve Guttenberg Posted: Feb 11, 2003 Published: Feb 12, 2003 0 comments
DVD-Audio: The long and winding road to the future of music?

DVD is a hit. Lauded as the most successful format launch since—well, I guess nothing has had this overwhelming level of acceptance in a long, long time. I wish I could say the same about DVD's younger sibling, DVD-Audio. Introduced three years ago, it's just now starting to gather some momentum. On the hardware side, DVD-Audio offerings run the gamut from saucy little $200 players to budget-busting state-of-the-art machines. New DVD-Audio titles are still just trickling out, but even a cursory glance at a typical disc's fairly lengthy production credits might explain the relative paucity of releases. I counted 13 DVD-Audio-related producers, engineers, and mixers on R.E.M.'s Reveal disc and a crew of 21 on Queen's epic A Night at the Opera. Releasing a DVD-Audio reissue or brand-new title is a labor-intensive effort.

Steve Guttenberg Posted: Dec 02, 2005 0 comments
Brothers in Arms was a monster seller of the 1980s and yielded Dire Straits' MTV anthem, "Money for Nothing." Beyond the pop successes, the band's music was coveted by audiophiles for its sweet sound; back in the day, I wore out countless Brothers in Arms LPs at my job selling high-end audio gear. Reconnecting with the music in this new 20th Anniversary Edition, remastered to DualDisc, was a total pleasure.
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Steve Guttenberg Posted: Dec 12, 2005 0 comments
All clear!

I think it's time we revived the old maxim that speakers are the most important part of an audio system. Yes, DVD players, A/V receivers, pre/pros, and power amps all play crucial roles, but speakers give you a bigger shot at personalizing your sound. Some speakers deliver exacting resolution, while others effortlessly unleash a wide range of dynamics or shake the foundation of your abode. Dynaudio speakers excel on every front and remain loyal to the sound embedded in your DVDs and CDs. So don't let the Dynaudio Focus speaker series' understated demeanor throw you off track; these speakers can get down and boogie.

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Steve Guttenberg Posted: Jun 27, 2014 1 comments
Your ears have never had it so good. From entry-level ‘buds to the state of the art, the sound quality of headphones has radically improved in recent years. Choices abound: in-, on-, or over-the-ear ’phones; open- or closed-back; noise-canceling or noise-isolating. And they all sound and feel very different from each other. Which one’s right for you? Unlike other types of audio gear, headphones are worn, so their comfort and build quality and durability are major considerations. Faced with so many options, picking the right model can be a little daunting, but I’m here to help clarify which one will best titillate your eardrums. Let’s get to it.
Steve Guttenberg Posted: Jan 26, 2007 0 comments
A systematic approach to speaker design.

As consumer electronics technologies continue to morph into ever more complex forms, convergence is key. Elan Home Systems was founded in 1989 in Lexington, Kentucky, and convergence is their raison d'tre. In the past, they have brought together wholehouse automation and touchpanel control of music, phones, lighting, intercoms, and TV functions. More recently, they acquired a high-end home theater electronics company, Sunfire. Four years ago, Elan jumped into the speaker business with a line of highly regarded in-walls. This brings us to Elan's new line of converging speakers, the aptly named TheaterPoint series.

Steve Guttenberg Posted: Dec 04, 2013 0 comments

Performance
Build Quality
Value
PRICE $3,345

AT A GLANCE
Plus
Big sound with undistorted, low bass
Separate, built-in amplifiers for the woofer and tweeter
Controls for fine-tuning bass and treble
Rock-solid MDF cabinetry
Minus
Requires interconnects and power to each speaker

THE VERDICT
A remarkably dynamic system with solid bass, airy highs, and wide imaging—with no amplifiers needed.

At first I wasn’t sure about the prospects for reviewing Emotiva Pro’s new Stealth speakers, if only because they’re bona-fide studio monitors. But after conferring with Dan Laufman, the designer and CEO, I was eager to try them. Turns out the Stealths are easily domesticated, and since they’re internally biamplified—there’s one amp for the tweeter and another for the woofer—I didn’t need to use a receiver, power amp, or surround processor for this review.

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Steve Guttenberg Posted: Mar 10, 2008 2 comments
I'm a big Samuel L. Jackson fan, but I didn't totally buy his performance in Black Snake Moan. Jackson plays a righteous old man who takes in a trashy nymphet (Christina Ricci) to set her straight. I was especially intrigued with the story because Jackson's character was loosely based on R.L. Burnside, who didn't just sing the blues, he lived them. Up to the point where Jackson picked up his guitar, he was perfectly fine. But when he started to sing, his performance didn't ring true. It comes down to authenticity. Acting is one thing; singing with a voice that sounds so rough it bleeds is something else. Come to think of it, I could say the same about great speakers. It's one thing to design a speaker that measures well, but that doesn't necessarily make for a great-sounding speaker.

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