Sort By: Post Date | Title | Publish Date
Filed under
Chris Chiarella Posted: Sep 09, 2016 1 comments
Picture
Sound
Extras
Truly, right from the opening credits, Deadpool lets the audience know that it is like no other comic book movie that has come before it. First-time director Tim Miller’s visual style is undeniably bold, while the humor tackles head-on virtually every cliché of the genre… then sets it on fire and pees it out. After the title character’s big-screen debut in the misfire X-Men Origins: Wolverine seven years ago, a complete overhaul was in order. The cinematic Deadpool is now a vastly more accurate embodiment of his persona from the page: irreverent, ruthless, yet possessing at least a little gold in that self-repairing heart.
Chris Chiarella Posted: Mar 22, 2007 Published: Feb 22, 2007 0 comments
The universe is still expanding.

People seem to love bashing the last great format war—SACD versus DVD-Audio—in which, of course, there was no real winner. My personal opinion has always been a little different. I consider it a unique pleasure to bask in the warm embrace of 5.1 high-resolution channels of some of the best popular music ever. I continue to do this, as I always have, by way of an affordable universal disc player, as one could fairly call it in the days before HD DVD and Blu-ray. I'm glad to see that manufacturers are still supporting the high-resolution audio formats, helping the consumer take advantage of all the great software currently available, much of it heavily discounted in the aftermath of the conflict.

Chris Chiarella Posted: Jun 05, 2007 Published: May 06, 2007 0 comments
What's the key to portable video? Lots of slots.

The problem with a moniker like Picture Porter Elite, classy sounding or not, is that it conjures up notions of a digital bucket of sorts, compatible primarily with still photos. That is far from true for this well-rounded portable media player. Its roots are in the realm of the memory-card reader, which began its life as a PC accessory and later became a freestanding device with its own onboard data storage. You could insert cards while out in the field and safely archive their contents onto the unit's built-in hard drive, thereby freeing up the precious removable media real estate so you could snap new pictures and/or lens new video. A small LCD let you interface with your multimedia content. To expedite the transfers, it displayed file names, file types, and so on. The Piture Porter Elite uses a bigger color screen and has the necessary decoding so you can view your images and movies. Throw in music playback just because everyone everywhere is listening to MP3s, and you begin to formulate a sense of what this device can do. It also connects to a video source and records content to play back on the go later. Or you can park the Picture Porter Elite next to an audio/video system, patch it in with the included cables, and view all of the content on your TV. You can zoom, pan, and rotate your photos or easily print them via a simple USB connection to a PictBridge-compliant printer. The FM radio has a bold, clever graphic user interface and is a nice bonus. (The included headphones serve double duty as an antenna.) There's even a voice recorder with an embedded microphone and a pre-loaded game: It's Tetris, even though they call it Matrix.

Filed under
Chris Chiarella Posted: May 27, 2013 3 comments
Picture
Sound
Extras
Interactivity
The antebellum South returned to modern screens by way of ’60s/’70s-style Blaxploitation in Quentin Tarantino’s electric Django Unchained. A surprisingly good-hearted, forward-thinking bounty hunter (Christoph Waltz, Oscar'd again here) purchases and frees the slave of the title (Jamie Foxx) in exchange for his help in tracking down three big-ticket wanted men.
Chris Chiarella Posted: Jan 08, 2008 1 comments
At the Dolby booth, this prototype of the first-ever audio/video receiver with the new Dolby Volume technology was on display outside their mini-theater. Onkyo, with a tradition of early integration of new audio technologies, won the honor of debuting the new process which organically rejiggers the loud and quiet parts of a soundtrack within a scene, such as hard-to-hear dialogue amid background sound effects, as well as equalizing the levels between two different programs when we change channels or go to commercial, with very enjoyable results in all of the demo I've heard in the past year. Clearly this is something that consumers have been demanding, one of those seemingly simple problems that's a bear to solve (otherwise everyone would do it!)
Filed under
Chris Chiarella Posted: Feb 28, 2006 0 comments
Dual-core and other Intel technologies are a boon to heavy users of multimedia PCs.

One wife, two kids, and one cat later, it hit me: There are just not enough hours in the day. My leisure hours, like work, have become a matter of multitasking—watching a DVD in one window as I write a review in the other, downloading photos, and sending e-mails. I can no longer use the "I'm already busy" excuse since, frankly, I'm expected to walk and chew gum at the same time around here. And what of my poor PC, which is charged with performing all of the above and more? At least I know I'm not alone, here at wit's end, as the fundamental usage model has evolved and one-thing-at-a-timers have gone the way of the Timex Sinclair.

Filed under
Chris Chiarella Posted: Apr 24, 2005 0 comments
Filed under
Chris Chiarella Posted: Mar 12, 2013 0 comments
Picture
Sound
Extras
Interactivity
Within the first few minutes of E.T., old-timers like me who remember seeing it on the big screen 30 years ago can’t help but recall why this movie was a bona fide cultural event, the likes of which we seldom see anymore. Oft copied, never equaled, it is an exquisitely crafted piece of cinema by a virtuoso at the top of his game. E.T. tells the tale of a lost, lonely visitor and his equally lonely host, an ordinary boy named Elliott. It celebrates the universal childhood fantasy of a secret best friend…and that other one about the flying bicycles. Rough around the edges though it may seem by today’s standards, this 1982 original version remains one of the most profoundly moving films most people will ever see.
Filed under
Chris Chiarella Posted: Sep 23, 2004 0 comments
The size of a deck of cards, Verbatim's new 2.1-gigabyte Store 'n' Go HD Drive offers the blazing speed of a USB 2.0 connection (which also powers the little guy), meaning that even enormous MPEG video files can be transferred fast. The vast capacity of the one-inch, 4,200RPM hard disk puts it in a class above the popular flash memory drives, to hold almost half a DVD's worth of video... or music or photos or any other files you care to drag and drop. The Store 'n' Go is plug-and-play for Windows ME or better--Win98SE users, keep that driver CD handy--and is also Mac- and Linux-ready. The built-in USB cable means you never need to search for it, although an extension cable is also included, and at under two ounces this drive is light enough to carry around your neck, with a lanyard and protective carrying pouch supplied for that very purpose.
Filed under
Chris Chiarella Posted: Mar 19, 2014 1 comments
Picture
Sound
Extras
Interactivity
Neill Blomkamp’s follow-up to his justly acclaimed District 9 is Elysium, another social commentary set in a strangely relatable future. This time he contrasts the lives of the wealthy against those of the downtrodden, with all of Earth having become a decrepit, overcrowded hellhole. A former criminal (Matt Damon) is trying to stay on the straight and narrow, but when he becomes collateral damage of the rich getting richer, his only hope for survival is to infiltrate that utopian space station of the title.

Pages

X