Chris Chiarella

Star Wars imitators were both inevitable and plentiful in the late 1970s. The Buster Crabbe science fiction/adventure serials of old were a strong influence on that blockbuster, and whereas Buck Rogers was destined for a television reboot, mega-producer Dino De Laurentiis had already acquired the movie rights to Flash Gordon years prior. And so the space-faring hero returned to the big screen, reimagined in a lavish international production.

Christopher Nolan completists rejoice, while a '70s exploitation flick and a(nother) found-footage scarer find their way to HD disc.

After the apparent suicide of a key player at a major investment firm, up-and-coming financier Jane Porter (Sarah Butler, 2010’s remake of I Spit on Your Grave) is racked by grief but also struck by the strange behavior of her bosses. They seem to be increasingly interested in some recent high-level investments, but also in who might know about them. Were more sinister forces at work? And if so, will she be the next employee to meet a sudden end? Tensions mount with the after-hours arrival of the company crisis manager (D.B. Sweeney, looking like Chris Cooper), whose friendly interrogation grows more insistent. The building is locked down for the night with almost no one else inside; Sarah finds herself on the run for her life but is soon trapped inside the elevator, and a twisty game of cat-and-mouse ensues.

Jump back a few years to the 22nd Century, remain in the present and let 2077 come to you, or just try to survive in a storage depot with a killer alien.