Chris Lewis

It's easy to find your eyes dazzled, and your mind befuddled, by the outpouring of new speakers over the last few years, particularly those of the nontraditional variety. In-walls, plasma-friendly speakers, and even flat-panel speakers are all the rage with the general public. This is hardly a bad thing—anything that can get people to recognize that the speaker realm extends far beyond the two-dollar paper drivers in their televisions serves a valuable purpose. Many of these people may also come to realize that, at this point, most of these recent unconventional designs embody some degree of compromise, and they hopefully won't fall victim to the dreaded anything-that-is-new-is-better philosophy. It is true that manufacturers are getting more out of unconventional designs than ever before. But, generally speaking, the best speaker sound still comes out of old-fashioned cone drivers and dome tweeters in cabinets with the proper interior and exterior qualities, along with the proper space for them to do their work.

How pleased am I that the trickle of combination SACD/DVD-Audio players has quickly reached a full flow? Visitors to my whiskey cellar (all right, my whiskey cabinet) may notice recently cracked seals on more than one of my special-occasion bottles of rare Wild Turkey. I've been on the soapbox about this issue. While no one needed a crystal ball to predict that the market would kick-start once Pioneer released their combi player, I still had my doubts. After all, this SACD/DVD-Audio format war started out as nasty as any of them. But then, I always took solace in precedent. Dolby and DTS didn't exactly exchange Christmas cards at first, either (and they still don't); now, however, you'd be hard-pressed to find applicable hardware that doesn't accommodate both formats. Deep down, I suppose I always knew that high-resolution combi players would ultimately be the norm, but I doubted that it would happen this quickly—and besides, it was more fun to do a bit of preaching.

Odd as it may seem for a speaker review, I must begin with my first visual impression of Paradigm's new Reference Signature speakers. Granted, I usually stress that a speaker's physical appearance means little—after all, we don't buy speakers to look at them. If the current trend is any indication, though, many people don't agree, as evidenced by the proliferation of smaller, prettier, and more aesthetically sensitive speakers.

My curiosity was naturally piqued a few years ago when I heard that Parasound was going upscale with their look. This was a company that had become virtually synonymous with performance plus value, facilitated somewhat by forgoing aesthetic flair, and I wondered where the decision to go uptown with the finish in the Halo line would lead. The first good sign was the Halos' higher price tags. It costs a lot more to make boxes look that good, and this told me that they weren't taking resources away from performance to do so. What ultimately satisfied my curiosity, though, was how good the Halo models sounded. Yet, there are still those who want Parasound performance, have less to spend, and don't mind—or maybe even appreciate—Parasound's rugged, utilitarian old style. The New Classic line is exactly what they're looking for.