MK celebrates its 40th anniversary with three new THX-certified subs, all with dual drivers in a push-pull configuration that has the front-firing driver operating in phase and the bottom driver operating out of phase, as shown in the brochure we photographed on our hotel room bed. Each driver is in a separate chamber with electronics in a third one. Driver sizes are reflected in the models numbers: X12 ($3200), X10 ($2600), and X8 ($1900). Rated power is 400 watts RMS and 700 watts peak for the X12, 350-650 for the X10, and 300-600 for the X8. Shipping between February and April depending on model. Fans of the venerable MK 150 might want to given a listen to its new tweeter.
When I asked if the Polk Woodbourne one-piece audio system, discussed earlier here, can be used as a soundbar, the answer was yes,since it includes at least one digital input and can decode Dolby Digital. At it's $599 price, that's a bonus likely to be useful to the right customers. The white grille cloth, however, might be better in black in that application.
If you want your floorstanding speakers to have Bluetooth, the Crystal Matrix Tower does it with a small module that plugs into the back and a separate transmitter with 30-pin, USB, and mini jacks. Also interesting is the way the half-dozen tweeters are divided into two groups of three, each group aimed outward at a slightly different angle, to ensure wide dispersion. Pricing is $3000/pair.
The upcoming Samsung OLED was discussed earlier in this report (scroll further down) but the flat version, at least (a Samsung curved OLED is shown here) may sport a unique feature. It can display two totally different 3D programs on the screen simultaneously. These images are then separated out by using 3D-like active glasses that pass only the program the individual wants to watch. But how can it do this and still maintain full 1920 x 1080 resolution? Because the glasses alternate twice as fast as they normally would. That means that the images must flash on the screen twice as fast as on an ordinary 3D set. They can only do this because OLEDs can switch blindingly fast. The demo we saw worked flawlessly,though the issue of isolating the sound effectively is still open. This means that in addition to brilliant color, inky blacks (the light from the OLEDs can switch off instantaneously at the pixel level when required), and off-axis performance equal to plasma, there should be no more motion blur on an OLED HDTV than is present in the source.
There weren't many surround receivers on the floor of the Las Vegas Convention Center, but Sherwood was a hardy exception, showing a half-dozen new ones shipping between April and May. The top-line model is the R-977 with a rated 145 watts times seven into six ohms. It features Anchor Bay video processing, internet radio with vTuner, DLNA, direct USB connection of iOS devices, and a phono input. Perhaps more interesting is what's missing: Sherwood is no longer the lone receiver brand supporting innovative Trinnov room correction, a prominent feature of the old (and more costly) R-972. Instead it is relying on the proprietary SNAP room correction that it has also used previously. Price is $1000. At the opposite end of the line is the 5.1-channel RD-5405, selling for a mere $170.
Bucking the trend of “smaller is better”, HP brought what’s probably the largest Ultrabook to CES. I know personal health is a big deal at CES this year, with companies such as Omnimount promoting easy ways of making changes to our largely sedentary lifestyles through the use of the company’s full-motion TV mounts and fitness-promoting, adjustable workstations. But maybe the JustStand.org “Wellness Uprising” has gone a little too far. Typing up a 200-word blog post with your feet will definitely give you a good workout, but getting the ultra-Ultrabook to fit under your seat on the airplane is going to be much harder. And I, for one, certainly don’t want to have to lug around the Smart Car-sized power supply…
I hate – no, I loathe – headphone cords. Maybe it’s because I was traumatized as a child by a menacing coiled cord on an old landline phone that was mounted on the wall in our home. I can’t tell you how many times the handset was yanked out of my hand when I reached the outer limits of the coiled cord’s length. Nor can I tell you how many times I’ve had one or both earbuds forcibly ejected from my ears after I’ve gotten the headphone cord caught on something. In fact, I’ve broken more than one pair of earbuds that way… So you can understand my appreciation of CordCruncher’s new Earbud Headphones that come with a unique, tangle-free, "crunchable" headphone cord. There are two main aspects to the CordCruncher Cord Management System. The first is the special kinked-cord design that allows the cord to resist tangling as well as compress when not in use, in some ways similar to the way a coiled cord functions. The second component of the system is an elastic sleeve that covers the all or as much of the crunched headphone cord as you wish. The sleeve covers the cord and keeps it from tangling when you’re finished listening to music and have thrown the earbuds in your briefcase, purse, or on your desk. The 3.5 mm headphone jack can be inserted into the other end of the elastic sleeve to create a necklace or, when doubled up, a wrist band. Currently the CordCruncher Earbuds are available in Glo Orange, Matte Black, and Pearl Blue color options for $24.99 each. Unfortunately, the CordCruncher cord/sleeve combo isn’t available in a universal version to use with other brands of earbuds and headphones. (The sleeve, by the way, is made from 95% protein-free, medical-grade latex rubber, so people who are allergic to latex may want to look for some other type of cord management system.)
Harman Kardon, the company that brought us the world’s first audio receiver nearly 60 years ago, unveiled two affordable, forward-looking A/V receivers at CES. Both models have wireless connectivity via AirPlay, Wi-Fi and DLNA and include a vTuner for access to thousands of Internet Radio stations. Other common highlights include 4K upscaling for all inputs, Dolby TrueHD and DTS-HD Master Audio decoding, multizone capability for simultaneously playing two audio sources in two rooms, an eco-friendly digital-power supply, Harman’s EzSet/EQ system and multiple HDMI inputs, including those for 3D playback, CEC and Deep Color.
The 7.1-channel AVR 2700 ($799) is rated to deliver 100 watts per channel, while the 7.2-channel AVR 3700 ($999) is rated at 125 watts per channel and provides two subwoofer outputs and a remote control for the second zone.
Both models are slated to hit stores over the next couple months and are compatible with Harman's free remote control app for Apple and Android mobile devices.
Amid enough high-end audio components at the Venetian Hotel (the CES venue for specialty audio) to wear down the sternest poker face when confronted with the price tag, the CWT 1000 from T+A Electroakustik (based in Germany, doncha know) produced a sound that almost might justify a per pair price sufficient to buy a nicely equipped Mercedes or BMW. It has six 120mm midranges and a 920mm long electrostatic tweeter, both in side-by-side line arrays, and four 8-inch woofers. There's also a larger CWT 2000 weighing 263 lbs.