No price was announced for it today, but SIM2's Multimedia's Cinemaquattro must be that company's most pricey offering. Offering a full 4K resolution and a 3-chip DLP engine, it claims a brightness of up to 10,000 ANSI lumens from its 2kW Xenon lamp. As with all pro-derived projectors, its chassis is sold separately from its long list of available lenses. SIM2's PR maven, Lucette Nicoll, stands by to give you an idea of its size. It weighs 251 lbs.
VEFXi is a new company (to us at least) with a plan to convert 2D to 3D on your 3D HDTV set. You say your set can already to this. as most can? But not quite like this, as VEFXi clearly demonstrated with its 3D-Bee Diamond ($699); It was the most convincing conversion I've yet seen, producing a a convincing illusion of 3D popping out of the set rather than existing mostly behind the screen's frame.
The company is also working on a glasses-free 3D solution, the 3D-Bee Ultimate, but the demo showed that this still needs work to produce an acceptable, artifact-free picture.
The last model to commemorate KEF's much-celebrated 50th anniversary is an echo of its historic BBC-approved LS35A monitor. The new LS50's curved baffle includes the famous coaxial Uni-Q array, with the tweeter centered in the woofer, and the specific drivers having trickled down from the bleed-edge Blade über-tower. The ported design plays deeper than the LS35A's sealed design. Even amid the hubbub of the show floor, this was one of the best monitors we've ever heard casually demoed, and it hurts to say that it's priced per pair, at $1500, which will make odd-numbered surround configurations impractical unless you don't mind sticking an extra speaker in the closet. Shipping now.
The Paradigm Millenia CT system is a smaller 2.1-channel version of the amazing-sounding MilleniaOne 5.0 sat/sub set, which earned a rave from us when we reviewed it rather late in the game. What appears to be a single module in the pic is actually an Apple TV box sitting atop a similarly proportioned Paradigm module which accepts input from both Apple TV and your optical-digital signal source of choice. Amplification is in the sub. Pricing is $699 with sub; there is also a larger MilleniaOne CT at the same price without sub. Both ship September. Paradigm also showed a Soundtrack 2.1-channel soundbar ($799, shipping October) with two one-inch aluminum tweeters, two 4.5-inch mid-woofers, two passive radiators, and outboard eight-inch side-firing sub.
Surprisingly big sound from a tiny box is what you can expect from the Bluetooth-enabled ClarityHD Micro Speaker Monster introduced at CEDIA Expo. The concept: Instead of suffering through the tinny sound you get from your smartphone, tablet or PC, stream the audio to a portable speaker that easily fits in a briefcase or backpack.
CSR’s aptX audio coding is employed to deliver CD-quality sound and functions such as playing music, answering calls and Bluetooth pairing are handled by simple voice commands. Operating range is 30 feet and the speaker’s lithium-ion battery is said to last 5 hours on a single charge. Available in black and white, the ClarityHD sells for $220 and has a minijack input for use with non-Bluetooth devices.
Sony introduced three new AV receivers. The claim to fame of both the STR-5800ES (130 Watts per channel) and STR-2800ES (100 WPC) is that they may be directly integrated with the popular Control4 home automation system. They may also be used with a variety of other automation systems. The third model, the STR-DA1800, does not have Control4 built-in. All three offer 4K upconversion, full WiFi, Bluetooth, Airplay, and Internet access features.
Cary Audio has made a distinguished contribution to the headphone craze sweeping across the consumer electronics industry with the HH-1 headphone amp. Introduced at CEDIA Expo, the amp is designed and built in the U.S. and teams a tube preamp stage with a solid-state MOSFET output stage, chosen for its tube-like sonic characteristics. Featuring Class A operation at all output levels and a 30-second muting circuit to prevent annoying turn-on pops, the amp sports a pair of RCA inputs with loop-through outputs and is designed to drive headphones with impedances between 30 and 600 ohms. Price: $1,595.
Though outwardly similar to last year’s VPL-HW30ES, Sony’s new VPL-HW50ES (available in October) is an updated design. It incorporates the same Reality Creation processing as the company’s flagship VPL-VW1000 4K projector, scaled down here for 2K operation. There’s a new Iris 3 algorithm for the projector’s advanced dynamic iris, for a claimed dynamic contrast ratio of 100,000:1. The light output is also said to be increased by 30% to 1700 lumens. The 3D transmitter is internal, and the 240Hz panel is claimed to reduce 3D crosstalk. There’s also a 2D-to-3D conversion mode and a 244-zone panel alignment feature to insure convergence.
While at $4000 the VPL-HW50ES is more expensive than the HW30ES (which remains available at a reduced price of $3000), the new projector’s price includes 2 pair of active 3D glasses and a spare projection lamp.
Sony’s launched its new XBR-84X900 84-inch diagonal LED edge-lit LCD set at its CEDIA EXPO 2012 press conference. With a native 4K resolution (3840 x 2160), it can display native 4K material at 24Hz or 30Hz, or upscale 2K sources to 4K. With its passive 3D glasses, it can also produce a full 2K 3D resolution to each eye (passive glasses in a 2K 3D set reduce the resolution of a 1920 x 1080 source to 1920 x 540). The set looked spectacular and will be available at selected Sony stores in November for $25,000.
Sony also announced two new flagship XBR-HX950 LCD flat panels: 55-inches ($4500) and 65-inches ($5500). The sets offer full LED backlighting with local dimming and are available now.
At the CEDIA Media Preview, for 90 feverish minutes, several dozen exhibitors showed their wares to media personnel walking through a single large room. Here are some audio highlights relating to speakers:
I go into every major audio/video trade show thinking I won’t hear much in the way of new speakers, yet every time I encounter new designs that leave me surprised at least and sometimes downright shocked. This year at the CEDIA Expo, I heard what is certainly one of the best audio demos I’ve ever heard — and maybe even the best.