Cambridge Audio's Minx sat/sub sets have been so successful that a new division of the company has been formed to exploit their successors. They include the single-driver Min11 ($95/each) and the dual-driver Min21 ($180/each). They have a tad more bass than their predecessors, at 130 and 120Hz respectively, but the big design change is in the flat diaphragms. The dual cube now has a hybrid BMR (bending mode radiator) and dynamic driver on top and a plain dynamic driver on bottom while the single cube uses a single hybrid driver. The new approach yields better power handling, longer throw, and the removal of an 8kHz spike. Crossover has also been improved. With flat-diaphragm subs of 8, 12, and 14 inches, pricing ranges from $849-1849. Cambridge also showed the Azur Stream Magic 6 network audio player which plays pretty much anything with 24/384 upsampling and is priced at $1149. Cambridge is also shipping two surround receivers shown at CES, the Azur 651R ($1899) and 751R ($2799).
Antennas Direct is really into antennas. That’s all they seem to want to talk about, which is not surprising since antennas are what the company makes. However, they may have gone too far with this prototype antenna for the person who likes to watch TV while cruising down the highway in his sidecar motorcycle. So far no one seems to make a mount suitable for use to install one of Sony’s new 84-inch 4K flat panels in the sidecar.
What’s not to love about a leather recliner with diamond stitching, a built-in cup holder for your brewski and an optional LaunchPort swivel-base that holds and charges your iPad? Your biggest challenge will be to not fall asleep during the big game. Best part: You can position the motorized backrest and footrest from a smartphone/tablet or home automation control panel from Crestron, AMX, Control4, Savant and others. Available for $5,500-$6,000 apiece with or without the stitching.
No price was announced for it today, but SIM2's Multimedia's Cinemaquattro must be that company's most pricey offering. Offering a full 4K resolution and a 3-chip DLP engine, it claims a brightness of up to 10,000 ANSI lumens from its 2kW Xenon lamp. As with all pro-derived projectors, its chassis is sold separately from its long list of available lenses. SIM2's PR maven, Lucette Nicoll, stands by to give you an idea of its size. It weighs 251 lbs.
The last model to commemorate KEF's much-celebrated 50th anniversary is an echo of its historic BBC-approved LS35A monitor. The new LS50's curved baffle includes the famous coaxial Uni-Q array, with the tweeter centered in the woofer, and the specific drivers having trickled down from the bleed-edge Blade über-tower. The ported design plays deeper than the LS35A's sealed design. Even amid the hubbub of the show floor, this was one of the best monitors we've ever heard casually demoed, and it hurts to say that it's priced per pair, at $1500, which will make odd-numbered surround configurations impractical unless you don't mind sticking an extra speaker in the closet. Shipping now.
VEFXi is a new company (to us at least) with a plan to convert 2D to 3D on your 3D HDTV set. You say your set can already to this. as most can? But not quite like this, as VEFXi clearly demonstrated with its 3D-Bee Diamond ($699); It was the most convincing conversion I've yet seen, producing a a convincing illusion of 3D popping out of the set rather than existing mostly behind the screen's frame.
The company is also working on a glasses-free 3D solution, the 3D-Bee Ultimate, but the demo showed that this still needs work to produce an acceptable, artifact-free picture.
The Paradigm Millenia CT system is a smaller 2.1-channel version of the amazing-sounding MilleniaOne 5.0 sat/sub set, which earned a rave from us when we reviewed it rather late in the game. What appears to be a single module in the pic is actually an Apple TV box sitting atop a similarly proportioned Paradigm module which accepts input from both Apple TV and your optical-digital signal source of choice. Amplification is in the sub. Pricing is $699 with sub; there is also a larger MilleniaOne CT at the same price without sub. Both ship September. Paradigm also showed a Soundtrack 2.1-channel soundbar ($799, shipping October) with two one-inch aluminum tweeters, two 4.5-inch mid-woofers, two passive radiators, and outboard eight-inch side-firing sub.
The Tannoy people say they fine-tune their systems for music first and everything else second. We think that's a good attitude. The new Definition Series features "dual concentric" driver arrays with the center physically positioned and time-aligned to the acoustic center of the mid-woofer, reducing phase issues to nil, we were told. Internal bracing uses "differential materials technology" including a free-floating structure to protect the crossover. These speakers all have dual woofers with models including the 10-inch DC-10T and 8-inch DC-8T towers, 6-inch DC-LCR, and 12-inch Definition sub. The 7.1-channel system demoed—with big towers in front, smaller ones behind, center, and sub—totals $29,600 and it sure did sound musical with the evil-singing-cockatoo clip from Rio.
With nine amp channels and 11.4-channel preamp outs, the Integra DTR-70.4 is armed for nine to eleven bears. Theoretically you could add a stereo amp and get 11.1 channels of joy out of the DTS Neo:X height and width enhancement mode, but that may be the least of this receiver's achievements. It is certification-studded with THX Ultra2 Plus, ISF video calibration for the dual-core video engine, and—a personal favorite of ours—Audyssey MultEQ XT32 auto setup and room correction. We've tried the latter with another product (the similarly featured Onkyo TX-NR3010) and the extra filter resolution makes a notable improvement: the room-corrected sound is less hard and fatiguing and it images better. Plug an Android smartphone into the MHL-HDMI input. Get a look at several HDMI sources simultaneously with InstaPrevue. This being Integra, there are niceties a custom installer would appreciate such as extra 12-volt triggers and IR jacks, and—well, we'd like to go on, but we're tired now.
Black gloss has been the default finish for speakers for ages so when I saw a home theater suite of white-gloss speakers I stopped for a closer look. Adam Professional Audio, a German company known for its studio monitors, launched the ARTist Series line of consumer speakers speakers at CEDIA Expo with five powered models: the ARTist 3 and ARTist 5 bookshelf models with 2 x 25 and 2 x 50 watts of power, the ARTist 6 mini tower with 3 x 35 watts, the ARTist 6H center speaker with 3 x 35 watts and the ARTist Sub with 140 watts driving a 7-inch woofer.
The system's sonic character is defined by Adam's smooth sounding X-ART (eXtended Accelerating Ribbon Technology) tweeter, which improves on the Heil Air Motion Transformer concept developed in the '70s. Instead of the piston motion of conventional tweeters, a pleated diaphragm produces sound by squeezing air out like the bellows of an accordion, which is said to avoid distortion and dynamic limiting. Each speaker has RCA and XLR inputs and the bookshelf models also have USB and minijack connections.
The ARTist system shown (ARTist 5s are used as surrounds) sells for $5,100 and, yes, the speakers are also available in black gloss.
TV bling? Who knew. Séura, the master of TVs that morph into mirrors and mirrors that turn into TVs, is showcasing the Crystal Frame Vanishing Television Mirror at CEDIA Expo. Incredibly, all that glitters around that 55-inch screen is not gold but a gazillion tiny Swarovski crystals. Really. How much will Crystal set you back? How's $16,500 sound? Séura offers more than 100 vanishing TV options with screens ranging in size from 10 to 75 inches with prices from $2,000 to $35,000.
The company is also introducing the Storm 1080p outdoor television with LuminOptics technology, which is said to ensure a bright, clear picture even on those sunny days when you're lounging poolside. Highlights include an anti-reflective tempered safety glass cover, an airflow system to control moisture brought about by extreme changes in temperature, an O-ring system that keeps water and other contaminants at bay, aircraft-grade aluminum construction and the ability to withstand temperatures as low as 30 below zero or as high as a scorching 140 degrees. Available in 42-, 47- and 55-inch screen sizes.
Arthur C. Clarke famously said, “Any sufficiently advanced technology is indistinguishable from magic.” Some of the automation systems on display at CEDIA are so technologically advanced that they certainly do seem like magic. But not far from the convention center, I found a clue to what’s really going on. If there’s an entire area just for elves to park their cars, what other fantastical creatures might be working behind the scenes? Leprechauns? Fairies? Now I understand why so many of the presenters talk about using wizards to program their systems.
Stewart Filmscreen has long been known for top quality projection screens, available in a blistering variety of screen materials. But they aren't exactly Blue Light specials. To attract more consumers to the benefits of a projection setup, Stewart has introduced a line of screens more affordable than its other offerings. Called the CIMA line, these screens will all be 16 x 9, fixed frame, and available in a range of standard sizes. Two materials will be available: grey with a gain of 0.9 and White with a gain of 1.1.
For those who have the spare cash, Stewart also demonstrated the latest version of its Director's Choice screen, offering an almost infinite variety of aspect ratios, settable and selectable by motorized masking at the touch of a button. The 15-foot wide model shown retails at just short of $60,000.
Just what the world needs, another A/V receiver, I thought as I approached the Sherbourn booth. But the new SR-8100 (7 x 80 watts) and SR-8200 (7 x 125 watts) receivers---the company's first---have a refreshingly uncluttered look and low-profile design, support Bluetooth streaming and are covered by a generous 10-year warranty. Other goodies include multiple HDMI 1.4 inputs (seven and four, respectively), automatic room correction and an audiophile-oriented Class AB amplifier section. The $999 SR-8100 is expected to be available by the end of the year while the $1,999 SR-8200 is slated to ship in early 2013.