CEDIA 2012

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Tom Norton Posted: Sep 06, 2012 0 comments
Stewart Filmscreen has long been known for top quality projection screens, available in a blistering variety of screen materials. But they aren't exactly Blue Light specials. To attract more consumers to the benefits of a projection setup, Stewart has introduced a line of screens more affordable than its other offerings. Called the CIMA line, these screens will all be 16 x 9, fixed frame, and available in a range of standard sizes. Two materials will be available: grey with a gain of 0.9 and White with a gain of 1.1.

For those who have the spare cash, Stewart also demonstrated the latest version of its Director's Choice screen, offering an almost infinite variety of aspect ratios, settable and selectable by motorized masking at the touch of a button. The 15-foot wide model shown retails at just short of $60,000.

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Darryl Wilkinson Posted: Sep 06, 2012 0 comments
Arthur C. Clarke famously said, “Any sufficiently advanced technology is indistinguishable from magic.” Some of the automation systems on display at CEDIA are so technologically advanced that they certainly do seem like magic. But not far from the convention center, I found a clue to what’s really going on. If there’s an entire area just for elves to park their cars, what other fantastical creatures might be working behind the scenes? Leprechauns? Fairies? Now I understand why so many of the presenters talk about using wizards to program their systems.

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Bob Ankosko Posted: Sep 06, 2012 0 comments
Just what the world needs, another A/V receiver, I thought as I approached the Sherbourn booth. But the new SR-8100 (7 x 80 watts) and SR-8200 (7 x 125 watts) receivers---the company's first---have a refreshingly uncluttered look and low-profile design, support Bluetooth streaming and are covered by a generous 10-year warranty. Other goodies include multiple HDMI 1.4 inputs (seven and four, respectively), automatic room correction and an audiophile-oriented Class AB amplifier section. The $999 SR-8100 is expected to be available by the end of the year while the $1,999 SR-8200 is slated to ship in early 2013.

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Tom Norton Posted: Sep 06, 2012 0 comments
It seems that every screen maker these days is offering a 2.35:1, curved screen. The advantage to such a screen is its cinematic look. The disadvantages are possible geometry issues, cost, the fact that it can't be retracted, and possible audio concerns (a concave surface near your speakers isn't a plus). Elite joins the parade with its Lunette curved screens, available with several different screen materials, including a new woven acoustically transparent design (with an effective gain of under 0.9) and the company's 1.1 gain non-perf white.

The surprise here is the price structure. In a world where some curved screens command five-figure price tags, a 103-inch diagonal Lunette will set you back about $1500. Other sizes are available. Unfortunately, the woven, acoustically transparent screen will almost double that price. That's because while Elite screens are made in China, the woven material is available only in the U.S.

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Mark Fleischmann Posted: Sep 06, 2012 0 comments
Paradigm is greeting its 30th anniversary with two extraordinary limited-edition speakers, the monitor-size Inspiration (only 300 to be made) and the Tribute tower (only 200 to be made). The camera flash made their dark gloss cherry enclosures gleam red though under ordinary lights they were duskier. Under the surface are seven layers of medium-density fiberboard. The tweeters are pricey beryllium and the seven-inch woofers are C-PAL carbon-anodized pure aluminum. The demo featuring the tower wowed us with awesome, effortlessly extended bass, sweet tangy brass, and a close-up and personal vocal perspective. While a companion center was not shown, there's probably something suitable in the Reference line, so there's no reason not to contemplate using these babies in a surround system. The monitor and tower ship in late October for $1299/each and $2999/each respectively. Get 'em while you can.
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Tom Norton Posted: Sep 06, 2012 0 comments
First impressions on the first day included the absence of some major players (Samsung, Panasonic, and apart from a small off-site event to launch its 4K, 84-inch HDTV, LG) leaving Sony the only heavy hitter in the flat panel business present. Many booths were smaller. Bowers&Wilkins/Classe/Rotel were hardly the only ones to downscale their square footage on the show floor-though in their case they have also set up shop at an off-site hotel.
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Mark Fleischmann Posted: Sep 06, 2012 0 comments
This is the new Definition Technology logo. The period after the big D is what makes it cool.
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Mark Fleischmann Posted: Sep 06, 2012 0 comments
We always regret having to resort to torture, but with bamboo under the fingernails and a threat of the iron maiden we finally convinced Revel to start shipping its long-awaited Performa3 speakers starting in two weeks (and if it doesn't happen, we've got thumbscrews). The line features two of everything: towers, monitors, centers, sub, and a single bipole surround. Gloss walnut and black finishes are supervised by Italian craftsmen and the speakers are produced at an Indonesian facility that has air conditioning—it's nice to run across a star designer (Kevin Voecks) who refuses to accept the torturing of workers. All drivers are proprietary aluminum cones or domes. Priced per speaker, the towers go for $2500 and $1750, the monitors for $1000 and $750, the centers for $2000 and $1000, the subs for $3000 and $2000, and the bipole is $900. The top-of-the-line F208 tower and C208 center have both tweeter and boundary level controls for extra flexibility in acoustically difficult spaces. Revel also introduced the 2-Series of four in-ceiling and three in-wall speakers including the home theater worthy W253L LCR with 1-inch tweeter and dual 5-1/4-inch woofers.
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Mark Fleischmann Posted: Sep 06, 2012 0 comments
After yesterday's Media Preview appearance, the GoldenEar SuperCinema 3D Array soundbar offered smooth performance with dynamically challenging movie material and the broad on- and off-axis imaging afforded by its folded ribbon tweeter. We'd say it's worth the $999 pricetag.
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Mark Fleischmann Posted: Sep 06, 2012 0 comments
Focal's Sub Utopia EM earns its $13,999 pricetag with the use of an electromagnetic active voice coil, pictured to the right of the sub. This affords its 13-inch driver a degree of control and damping not possible with a conventional passive voice coil. Outboard amp required, 500 to 1000 watts recommended. Focal also showed three multimedia speakers: the Little Bird, the Bird, and the Super Bird, hence the headline. The cool thing is the flat box that goes with them. It combines the functions of a stereo integrated amp, headphone amp, DAC, and active sub, with wireless connectivity for iOS devices. Pricing is $995, $1199, or $1499 for the package depending on size of fowl. Add another $99 for an iOS or USB dongle.
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Darryl Wilkinson Posted: Sep 06, 2012 0 comments
Crimson AV primarily makes mounts for big flat-panel TVs and projectors. And while I was impressed by the company’s attention to even the smallest details of the largest mounts, one of Crimson AV’s smallest devices was getting the largest attention. The $39.95 pocket-eAzl is a cleverly designed stand for iPads and other tablets that folds up into a small brick-like package that’s about the height and depth of an iPhone but only half the width, so it easily fits in a shirt, pants, or jacket pocket when not in use.
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Bob Ankosko Posted: Sep 06, 2012 0 comments
Mozaex founder Douglas Kihm has been thinking about building a pair of super headphones since he was a kid, a dream he has finally realized with the BluWavs, which he is billing as the "world's first 7.1 discrete HD headphones." Each of the bulbous earcups contains five mini drivers, including what he calls a "vibration subwoofer" that literally shakes your head for a tactile experience. Each set of headphones comes with the Blender Console, which looks like a '70s-era equalizer and is available in analog and digital versions. In addition to a 15-band EQ for the front L/R channels, the blender has discrete level controls for each channel so you can really screw up...er, personalize the sound.

The 7.1-channel surround field was impressive while listening to DTS HD Master versions of the soundtrack for Tron Legacy, Peter Gabriel's Growing Up Live and Omar Hakim's Listen Up live jazz jam. Package prices range from $1,295 to $2,595, depending on the version of the Blender.

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Tom Norton Posted: Sep 06, 2012 0 comments
Epson's long delayed LCOS (reflective LCD) projector caused quite a ruckus when it was demonstrated at the 2010 CEDIA. But it was never released and has now gone back to the drawing board. So don't look for it any time soon.

But there is a new Epson LCD in town, the PowerLite Pro Cinema 6020. The claim of 2400 lumens and a peak contrast ratio of 320,000:1 would, if realized, be industry highs. The refresh rate of 480Hz is said to increase the 3D brightness. At under $4000 when available in November, the projector will come with 2 pair of active 3D glasses, a spare lamp, and a guarantee of an exchange if, on delivery, there is even one dead pixel.

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Mark Fleischmann Posted: Sep 06, 2012 0 comments
It's about time KEF offered a product specifically for the growing computer-speaker audience. Though the X300A's ship date is not imminent, the preview demo made us want a pair right away, with the tight imaging we expect of a Uni-Q speaker and good top-to-bottom proportioning. It's KEF's first self-powered speaker, with powerful Class AB amplification and USB bridging the gap from one speaker to another, and each one having its own separate digital-to-analog converter. You might see it in December for $799/pair.
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Rob Sabin Posted: Sep 06, 2012 11 comments
Though not exhibiting at the 2012 CEDIA Expo, LG Electronics took space in a local restaurant in Indianapolis on Thursday night to announce pending availability of its new 84-inch 4K-resolution flat-panel HDTV. According to Jay Vandenbree, senior VP of Home Electronics, the 3840 x 2160-pixel display will be sold by a limited selection of U.S. retailers starting in October. Manufacturer’s suggested retail pricing has been set at $19,999, about $5,000 less than Sony plans to charge for it’s own 84-inch 4K panel announced for the U.S market on Wednesday. That HDTV should be available in November. Of course, there’s no real 4K content available to view on these televisions, nor any medium to deliver it, so buyers will be viewing upscaled 1080i from their cable boxes or 1080p from their Blu-ray players for the foreseeable future. Both sets are said to accept a 4K signal, though, so viewers will not only be future-proofed but should also be able to use other 3rd party scalers to achieve the best image quality with existing 2K content.

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