Error message

Notice: Undefined variable: admin_links in include() (line 39 of /mnt/www/sites/soundandvision_drupal/sites/all/themes/hometech/templates/views-view--taxonomy-term.tpl.php).

CEDIA 2012

Sort By: Post Date | Title | Publish Date
Filed under
Mark Fleischmann Posted: Sep 07, 2012 0 comments
One-upping Paradigm's 30th anniversary models and KEF's 50th anniversary models, Wharfedale celebrates its 80th anniversary with the Denton monitor. Audio history buffs will recognize the model name which goes back decades and decades. If that mahogany finish looks good to you (and it looked great to us) act fast because only 2000 pairs will be made. The one-inch soft dome tweeter and six-inch Kevlar woofer were made especially for this model in IAG's Shenzhen factory, which is capable of making every part, however tiny, that goes into its products. Also shown were two UPC subs including a dual 10-inch powered by 500 watts and a dual 8-inch powered by 350 watts. They come with remote control for volume, crossover, and phase and you can turn off the front panel display if it annoys you. We wish all subs were so eager to please. And we wish all speakers were so drop-dead gorgeous.
Filed under
Mark Fleischmann Posted: Sep 07, 2012 0 comments
Krell is getting back into the sub-$10K price point with the Foundation pre-pro. At $6000, it offers fully balanced output stages, as you can see from all those XLR outs. Ever conscious that the surround audiophile may also be a stereo audiophile, it supplements its eight HDMI ins and two outs with a stereo preamp mode that keeps the signal entirely in the analog domain. Add some combination of Krell's five-, three-, or two-channel power amps and you've got a compelling system.
Filed under
Tom Norton Posted: Sep 07, 2012 0 comments
Digital Projection was featuring Its D-Vision 35 LED ($39,000 with lens) and D-Vision Scope ($34,995). Both are single-chip home theater designs, identical in form factor to the photo here, but very different in their features. The D-Vision LED uses LED lighting for consistent color and long life, though with some sacrifice in brightness. The D-Vision Scope has a higher than HD resolution chip that enables projection of 2.35:1 films without an anamorphic lens and with an on-screen pixel density of 2560 x 1080. Both looked outstanding, though I favored the brightness and big screen capability of the D-Vision Scope.
Filed under
Rob Sabin Posted: Sep 07, 2012 0 comments
Speaker designer Paul Barton of PSB, who has applied his considerable skills and ears in the past year to wirless bluetooth speakers (the NAD Viso 1) and headphones (the M4U), has now bowed his answer to the powered desktop speaker system. The PSB Alpha PS1 features built-in amplification delivering 20 watts per side. The left side speaker has the volume control on the back panel, along with analog RCA and 1/8-inch inputs and an RCA subwoofer output. A clever touch is the USB power-only port, which can be used to power any third-party wireless dongle you might use to facilitate wireless streaming from a computer or source component. Price on the system will be $300 when it becomes available in October.
Filed under
Tom Norton Posted: Sep 07, 2012 1 comments
Screen Innovations has incorporated adjustable (and defeatable) backlighting at the boarders of its zero-edge, fixed-frame projection screens. Just don’t call it Ambilight! Apart from this, however, I saw a stunning, bright, and colorful image (granted, the source was Speed Racer) on the 138-inch diagonal, 2.35:1, 1.4-gain Black Diamond screen, driven by a Sony VPL-VW1000 4K projector and a standard 2K Blu-ray disc.
Filed under
Mark Fleischmann Posted: Sep 06, 2012 0 comments
As lossless surround addicts, we deplore pricey soundbars that don't support HDMI and therefore lack lossless surround compatibility. Definitive Technology does it right with the SoloCinema XTR, as you can see in the picture, with three HDMI ins and one out in addition to optical and analog. The 5.1-channel bar is the first we've heard of to feature the Dolby Volume volume-leveling and low-volume listening mode: a huge plus. Three aluminum tweeters and three pairs of three-inch convex aluminum woofers are under the hood. The outboard sub has an eight-inch woofer in a flat enclosure that can go against a wall or under a sofa, with three spacer feet. In the demo the bar produced surprisingly discernible and well-imaged surround effects to the side and slightly behind the listener. The remote's highly tactile design helps you feel around for the right button in the dark. Product started shipping in small quantities this month but won't hit its stride till October, at $1999.
Filed under
Tom Norton Posted: Sep 06, 2012 0 comments
JVC announced nine new LCOS projectors at its Thursday CEDIA press conference. As before, these fall into two lines, Procision (consumer) and Reference (pro), each of which have models that differ only in model number (with one exception, the Reference DLA-RS4810 at $5095, which does not have a Procision equivalent).

All but the base model in each line employ JVC’s e-shift2 technology, which upconverts 2D HD content to 4K, i.e. 3840 x 2160 (as last year, the projectors cannot accept a native 4K source). Further video processing then manipulates this upconverted signal to operate with the projectors’ 2K (1920 x 1080) LCOS imaging chips.

E-shift2 is an upgrade from last years e-shift. Compared to e-shift, e-shift2 is said to sample 12 times as many pixels in its processing. It also simplifies the light path for higher brightness. The new projectors are said to produce higher native contrast ratios than last year’s models, with the top of the line designs said to achieve 130,000:1. The lamps in the new lineup are also specified to 4000 hours, with more stable brightness levels with increasing hours. You can also operate the projectors from your smart phone or tablet with a downloadable application.

The top two models in each line carry ISF and (pending) THX 3D certification. E-shift2 now extends down to a new $5000 price point with the DLA-X55R (Procision) and DLA-RS48 (Reference). The top models are the DLA-X95R and DLA-RS66, each at $11,999. The popularly priced DLA-X35 and DLA-RS46, which do not have e-shift, will retail for $3500. 3D glasses and a 3D transmitter are optional. Delivery of these new models is expected before the end of the year.

Filed under
Mark Fleischmann Posted: Sep 06, 2012 0 comments
The long-awaited debut of the Atlantic Technology H-PAS PowerBar 235 will come in about two weeks, when it will finally ship, offering the most extended bass you can get in a bar thanks to ingenious multi-chambered enclosure design. Numerous tweaks over the last few months include the addition of DTS decoding, and Atlantic makes a big point of having on-board Dolby Digital decoding as well, as opposed to counting on a conversion to PCM (which we're told some new LG TVs won't do). More tweaks: vocal enhancement to push dialogue forward, left-minus-right surround expansion, a less aggressively illuminated display that fades to black after confirming setting changes, and replacement of the see-through grille for something more discreet.
Filed under
Mark Fleischmann Posted: Sep 06, 2012 0 comments
Cambridge Audio's Minx sat/sub sets have been so successful that a new division of the company has been formed to exploit their successors. They include the single-driver Min11 ($95/each) and the dual-driver Min21 ($180/each). They have a tad more bass than their predecessors, at 130 and 120Hz respectively, but the big design change is in the flat diaphragms. The dual cube now has a hybrid BMR (bending mode radiator) and dynamic driver on top and a plain dynamic driver on bottom while the single cube uses a single hybrid driver. The new approach yields better power handling, longer throw, and the removal of an 8kHz spike. Crossover has also been improved. With flat-diaphragm subs of 8, 12, and 14 inches, pricing ranges from $849-1849. Cambridge also showed the Azur Stream Magic 6 network audio player which plays pretty much anything with 24/384 upsampling and is priced at $1149. Cambridge is also shipping two surround receivers shown at CES, the Azur 651R ($1899) and 751R ($2799).
Filed under
Darryl Wilkinson Posted: Sep 06, 2012 0 comments
Antennas Direct is really into antennas. That’s all they seem to want to talk about, which is not surprising since antennas are what the company makes. However, they may have gone too far with this prototype antenna for the person who likes to watch TV while cruising down the highway in his sidecar motorcycle. So far no one seems to make a mount suitable for use to install one of Sony’s new 84-inch 4K flat panels in the sidecar.
Filed under
Bob Ankosko Posted: Sep 06, 2012 0 comments
What’s not to love about a leather recliner with diamond stitching, a built-in cup holder for your brewski and an optional LaunchPort swivel-base that holds and charges your iPad? Your biggest challenge will be to not fall asleep during the big game. Best part: You can position the motorized backrest and footrest from a smartphone/tablet or home automation control panel from Crestron, AMX, Control4, Savant and others. Available for $5,500-$6,000 apiece with or without the stitching.

Filed under
Tom Norton Posted: Sep 06, 2012 0 comments
No price was announced for it today, but SIM2's Multimedia's Cinemaquattro must be that company's most pricey offering. Offering a full 4K resolution and a 3-chip DLP engine, it claims a brightness of up to 10,000 ANSI lumens from its 2kW Xenon lamp. As with all pro-derived projectors, its chassis is sold separately from its long list of available lenses. SIM2's PR maven, Lucette Nicoll, stands by to give you an idea of its size. It weighs 251 lbs.
Filed under
Mark Fleischmann Posted: Sep 06, 2012 0 comments
The last model to commemorate KEF's much-celebrated 50th anniversary is an echo of its historic BBC-approved LS35A monitor. The new LS50's curved baffle includes the famous coaxial Uni-Q array, with the tweeter centered in the woofer, and the specific drivers having trickled down from the bleed-edge Blade über-tower. The ported design plays deeper than the LS35A's sealed design. Even amid the hubbub of the show floor, this was one of the best monitors we've ever heard casually demoed, and it hurts to say that it's priced per pair, at $1500, which will make odd-numbered surround configurations impractical unless you don't mind sticking an extra speaker in the closet. Shipping now.
Filed under
Tom Norton Posted: Sep 06, 2012 0 comments
VEFXi is a new company (to us at least) with a plan to convert 2D to 3D on your 3D HDTV set. You say your set can already to this. as most can? But not quite like this, as VEFXi clearly demonstrated with its 3D-Bee Diamond ($699); It was the most convincing conversion I've yet seen, producing a a convincing illusion of 3D popping out of the set rather than existing mostly behind the screen's frame.

The company is also working on a glasses-free 3D solution, the 3D-Bee Ultimate, but the demo showed that this still needs work to produce an acceptable, artifact-free picture.

Filed under
Mark Fleischmann Posted: Sep 06, 2012 1 comments
The Paradigm Millenia CT system is a smaller 2.1-channel version of the amazing-sounding MilleniaOne 5.0 sat/sub set, which earned a rave from us when we reviewed it rather late in the game. What appears to be a single module in the pic is actually an Apple TV box sitting atop a similarly proportioned Paradigm module which accepts input from both Apple TV and your optical-digital signal source of choice. Amplification is in the sub. Pricing is $699 with sub; there is also a larger MilleniaOne CT at the same price without sub. Both ship September. Paradigm also showed a Soundtrack 2.1-channel soundbar ($799, shipping October) with two one-inch aluminum tweeters, two 4.5-inch mid-woofers, two passive radiators, and outboard eight-inch side-firing sub.

Pages

X
Enter your Sound & Vision username.
Enter the password that accompanies your username.
Loading