OK, the wording should be One Adam 12, but if you know the reference you’ve been on the planet and watching TV for far too long. But Adam Audio GmbH, of Germany, was one of several manufacturers (including KEF, Totem, and Wharfedale) attempting to make music on the open show floor. The strikingly styled Tensor Gamma Mk2 shown here is the smallest model in Adam’s top of the line Tensor Mk2 Series.
Remote control and home automation company URC introduced two brand new remote controls to CEDIA. Yawn…I know. The world needs another remote control as much as it needs another set of $20 earbuds. But the URC TRG-100 and TRG-200 have built-in gyroscopes and use motion-based technology so all you have top do is move and point the handheld remote to control the cursor directly on the TV screen. The basic TRG-100 has a minimalist design with very few buttons. The TRG-200 has direct numeric keys along with other direct function buttons. The new remotes are designed to work with URC’s Total Control whole-house systems with the company’s new MRX-20 Advanced Onscreen Network System Controller.
The MRX-20 offers a simple as well as a more elaborate on-screen user interface that is very cleanly overlayed on top of the HD picture on the TV so the user can summon direct TV controls – or, more interestingly because it’s done so unobtrusively, access controllable features provided by other URC control devices throughout the house. Pricing and availability for the new TRG remotes and the MRX-20 have not been announced.
Wow, was my first thought when I heard Jennifer Warnes’ mellifluous voice floating between a pair of SP-BS22-LR bookshelf speakers , one of four models in Pioneer’s new budget line of “home theater and music” speakers introduced at CEDIA Expo. Budget in price, not sound. The handiwork of chief speaker designer Andrew Jones who also happens to be director of engineering for high-end speaker maker TAD, the $130-a-pair bookshelf model is joined by the SP-C22 center speaker ($99), the floor-standing SP-FS52 ($130 each) and the SW-8MK2 subwoofer ($160). Design highlights include a sophisticated multi-element crossover that you just don’t find in this price range. The deal gets even sweeter if you opt for a complete home theater package: $499 for a system with four bookshelf speakers, a center-channel and sub or $629 if you go with a pair of mini towers for the front channels. The mission behind the new line is to engage younger consumers by offering high-quality sound at affordable prices, Jones said.
Onkyo’s RBX-500 iLunar Dock Music System is a mini-system that’s designed to give you the sonic runaround thanks to six full-range drivers positioned above a down-firing subwoofer and a special processing chip from Sonic Emotion that creates the impression of stereo sound regardless of the listener’s position in the room. The RBX-500 includes a top-mounted iPod/iPhone recharging dock plus a USB port for charging other types of portable devices. The system is also Bluetooth enabled for wireless streaming from those portable devices, too. The iLunar is anticipated to be available in October for $249 MSRP.
The wiggling-needle volume meters that are synonymous with McIntosh are now equally pleasing-to-look-at LEDs. The MC8207 seven-channel amp ($6000) on which they blink boasts 200 watts per channel into both eight and four ohms. McIntosh also showed two pre-pros, one of which was making its debut at CEDIA. That was the MX121 and it brings AirPlay and music streaming from Pandora and the like. Price is $6500. Both shipping now.
Crimson AV primarily makes mounts for big flat-panel TVs and projectors. And while I was impressed by the company’s attention to even the smallest details of the largest mounts, one of Crimson AV’s smallest devices was getting the largest attention. The $39.95 pocket-eAzl is a cleverly designed stand for iPads and other tablets that folds up into a small brick-like package that’s about the height and depth of an iPhone but only half the width, so it easily fits in a shirt, pants, or jacket pocket when not in use.
Mozaex founder Douglas Kihm has been thinking about building a pair of super headphones since he was a kid, a dream he has finally realized with the BluWavs, which he is billing as the "world's first 7.1 discrete HD headphones." Each of the bulbous earcups contains five mini drivers, including what he calls a "vibration subwoofer" that literally shakes your head for a tactile experience. Each set of headphones comes with the Blender Console, which looks like a '70s-era equalizer and is available in analog and digital versions. In addition to a 15-band EQ for the front L/R channels, the blender has discrete level controls for each channel so you can really screw up...er, personalize the sound.
The 7.1-channel surround field was impressive while listening to DTS HD Master versions of the soundtrack for Tron Legacy, Peter Gabriel's Growing Up Live and Omar Hakim's Listen Up live jazz jam. Package prices range from $1,295 to $2,595, depending on the version of the Blender.
Epson's long delayed LCOS (reflective LCD) projector caused quite a ruckus when it was demonstrated at the 2010 CEDIA. But it was never released and has now gone back to the drawing board. So don't look for it any time soon.
But there is a new Epson LCD in town, the PowerLite Pro Cinema 6020. The claim of 2400 lumens and a peak contrast ratio of 320,000:1 would, if realized, be industry highs. The refresh rate of 480Hz is said to increase the 3D brightness. At under $4000 when available in November, the projector will come with 2 pair of active 3D glasses, a spare lamp, and a guarantee of an exchange if, on delivery, there is even one dead pixel.
It's about time KEF offered a product specifically for the growing computer-speaker audience. Though the X300A's ship date is not imminent, the preview demo made us want a pair right away, with the tight imaging we expect of a Uni-Q speaker and good top-to-bottom proportioning. It's KEF's first self-powered speaker, with powerful Class AB amplification and USB bridging the gap from one speaker to another, and each one having its own separate digital-to-analog converter. You might see it in December for $799/pair.
Though not exhibiting at the 2012 CEDIA Expo, LG Electronics took space in a local restaurant in Indianapolis on Thursday night to announce pending availability of its new 84-inch 4K-resolution flat-panel HDTV. According to Jay Vandenbree, senior VP of Home Electronics, the 3840 x 2160-pixel display will be sold by a limited selection of U.S. retailers starting in October. Manufacturer’s suggested retail pricing has been set at $19,999, about $5,000 less than Sony plans to charge for it’s own 84-inch 4K panel announced for the U.S market on Wednesday. That HDTV should be available in November. Of course, there’s no real 4K content available to view on these televisions, nor any medium to deliver it, so buyers will be viewing upscaled 1080i from their cable boxes or 1080p from their Blu-ray players for the foreseeable future. Both sets are said to accept a 4K signal, though, so viewers will not only be future-proofed but should also be able to use other 3rd party scalers to achieve the best image quality with existing 2K content.
As lossless surround addicts, we deplore pricey soundbars that don't support HDMI and therefore lack lossless surround compatibility. Definitive Technology does it right with the SoloCinema XTR, as you can see in the picture, with three HDMI ins and one out in addition to optical and analog. The 5.1-channel bar is the first we've heard of to feature the Dolby Volume volume-leveling and low-volume listening mode: a huge plus. Three aluminum tweeters and three pairs of three-inch convex aluminum woofers are under the hood. The outboard sub has an eight-inch woofer in a flat enclosure that can go against a wall or under a sofa, with three spacer feet. In the demo the bar produced surprisingly discernible and well-imaged surround effects to the side and slightly behind the listener. The remote's highly tactile design helps you feel around for the right button in the dark. Product started shipping in small quantities this month but won't hit its stride till October, at $1999.
JVC announced nine new LCOS projectors at its Thursday CEDIA press conference. As before, these fall into two lines, Procision (consumer) and Reference (pro), each of which have models that differ only in model number (with one exception, the Reference DLA-RS4810 at $5095, which does not have a Procision equivalent).
All but the base model in each line employ JVC’s e-shift2 technology, which upconverts 2D HD content to 4K, i.e. 3840 x 2160 (as last year, the projectors cannot accept a native 4K source). Further video processing then manipulates this upconverted signal to operate with the projectors’ 2K (1920 x 1080) LCOS imaging chips.
E-shift2 is an upgrade from last years e-shift. Compared to e-shift, e-shift2 is said to sample 12 times as many pixels in its processing. It also simplifies the light path for higher brightness. The new projectors are said to produce higher native contrast ratios than last year’s models, with the top of the line designs said to achieve 130,000:1. The lamps in the new lineup are also specified to 4000 hours, with more stable brightness levels with increasing hours. You can also operate the projectors from your smart phone or tablet with a downloadable application.
The top two models in each line carry ISF and (pending) THX 3D certification. E-shift2 now extends down to a new $5000 price point with the DLA-X55R (Procision) and DLA-RS48 (Reference). The top models are the DLA-X95R and DLA-RS66, each at $11,999. The popularly priced DLA-X35 and DLA-RS46, which do not have e-shift, will retail for $3500. 3D glasses and a 3D transmitter are optional. Delivery of these new models is expected before the end of the year.
The long-awaited debut of the Atlantic Technology H-PAS PowerBar 235 will come in about two weeks, when it will finally ship, offering the most extended bass you can get in a bar thanks to ingenious multi-chambered enclosure design. Numerous tweaks over the last few months include the addition of DTS decoding, and Atlantic makes a big point of having on-board Dolby Digital decoding as well, as opposed to counting on a conversion to PCM (which we're told some new LG TVs won't do). More tweaks: vocal enhancement to push dialogue forward, left-minus-right surround expansion, a less aggressively illuminated display that fades to black after confirming setting changes, and replacement of the see-through grille for something more discreet.
Cambridge Audio's Minx sat/sub sets have been so successful that a new division of the company has been formed to exploit their successors. They include the single-driver Min11 ($95/each) and the dual-driver Min21 ($180/each). They have a tad more bass than their predecessors, at 130 and 120Hz respectively, but the big design change is in the flat diaphragms. The dual cube now has a hybrid BMR (bending mode radiator) and dynamic driver on top and a plain dynamic driver on bottom while the single cube uses a single hybrid driver. The new approach yields better power handling, longer throw, and the removal of an 8kHz spike. Crossover has also been improved. With flat-diaphragm subs of 8, 12, and 14 inches, pricing ranges from $849-1849. Cambridge also showed the Azur Stream Magic 6 network audio player which plays pretty much anything with 24/384 upsampling and is priced at $1149. Cambridge is also shipping two surround receivers shown at CES, the Azur 651R ($1899) and 751R ($2799).
Antennas Direct is really into antennas. That’s all they seem to want to talk about, which is not surprising since antennas are what the company makes. However, they may have gone too far with this prototype antenna for the person who likes to watch TV while cruising down the highway in his sidecar motorcycle. So far no one seems to make a mount suitable for use to install one of Sony’s new 84-inch 4K flat panels in the sidecar.