Shown here is the current top-of-the-range Revel F308 floorstander ($4500/pair). A bigger, somewhat higher-priced model that's otherwise similar but has three 8-inch woofers rather than the F308's two) is expected in the fall. All of the Performa models use similar aluminum-coned woofers and identical, aluminum dome, waveguide-loaded tweeters. While the listening environment in the Revel rooms was not ideal, brief auditions of both the largest bookshelf and the F308 sounded very promising.
Kogeto’s Dot is a super-clever add-on lens for Apple iPhone 4/4S that lets you take 360-degree videos just by holding the phone horizontally. A free app (Looker) from Kogeto let’s you view the videos. In regular mode, you can pan through the video from side to side by swiping your finger across the screen; or you can watch the entire 360-degree field of view in panorama mode. Videos can be emailed or shared via Facebook and Twitter. Dot kits are available in four different colors (black, red, pink, and green) for $79/each.
The Paradigm people unveiled their new Paradigm SHIFT brand at CES 2011. At CES 2012 they showed the Paradigm SHIFT soundbar—not the company's first, but the first under the new moniker. It includes a wireless sub and will sell for $799 starting this summer. Paradigm also showed new in-ceiling speakers with magnetic grilles and noted that the magnets are embedded in the speaker, not merely glued on. That's the kind of thing you can do when you control your manufacturing. Also shown was a $59 Bluetooth dongle to go with active speakers. Having trouble routing your earbud cables? Paradigm is introducing a $12 ear hook to take care of that problem. On the Anthem side, the M1 mono-block amp ($3499) was being demoed to good effect and the brand's two pre-pros, AVM 50v and D2v, are being updated for 3D.
It may have been one of the less dramatic introductions at CES, but Sony's new, lightweight active 3D glasses will be welcomed by those of us with red bumps decorating the bridge of our nose after every 3D movie.
Like most cable manufacturers these days, Kimber Kable's top speaker cables sell at "If you have to ask" prices. Shown here is how they are internally constructed, which looks like a braided mesh of cables over a flexible inner core.
This metal grille has a lotus pattern that is said to be acoustically transparent. You'll find it in Morel's new Sopran tower ($12,000/pair) and Octave 6 ($6500/pair for the tower, $3500/pair for the monitor).
TAD was again showing its high-end speakers and electronics. But there's been a new delivery to the family, the E1 floorstander (the smaller of the two shown in the picture). For TAD, it's now the company's "entry level" consumer mode. Like all TAD speakers, it exhibited a tremendous dynamic range—which you should expect for those bucks but don't always get.
In an adjoining room, Thiel was demonstrating the new CS1.7 (estimate $5500/pair, available early in 2012), a replacement for the well-received CS1.6. They use the same woofers as the MCS1.2, below, and sounded superb driven by Bryston electronics. But I might add that Thiel has used this same room for the last three CESs, and it hasn't produced anything short of audio magic there yet.
PSB's Imagine T2 tower can be mentioned in the same breath as the brand's world-beating Synchrony line. The titanium tweeter and polypropylene midrange are backed up with three polypropylene woofers crossed over at 500Hz, 250Hz, and 80Hz, making this a five-way speaker. All drivers live in separate chambers to prevent them from interfering with one another. The result of all that scrupulous construction and ingenuity is a genuinely fantastic sounding speaker with powerful bass, a musically adept midrange, and just the right amount of top end. The number of audio demos at the show that came close can be counted on the fingers of one hand. Price is $3500/pair in veneer or $3850/pair in gloss white or black.
Cambridge Audio has always made fine-sounding a/v receivers but in past years the British brand has had trouble keeping up with the latest features, as often happens with smaller manufacturers competing in the feature-frenetic a/v receiver space. But Cambridge is catching up with 3D and other must-haves with three new models. The Azur 751R has 200 watts times seven, Anchor Bay video processing, an extra sub-out for zone two, and Audyssey 2EQ auto setup and room correction (note that it does not equalize the sub channel). The Azur 651R is similarly equipped with 175 watts times seven ($2200). The Azur 551R ($1200) has 110 watts times seven, Faroudja video processing, and proprietary CAMCAS auto setup but no room correction. Note that these power ratings are into six ohms, so the more customary eight-ohm ratings would be a bit lower (for instance, 120 times seven in the top model). Still, the six-ohm ratings suggest how the receivers will perform with slightly more demanding speakers. And these receivers are far from underbuilt. All have heavy damped metal chassis with large toroidal power transformers and an X-tract heat control system involving a large central heat sink and cooling fans, allowing high performance in a not-too-tall form factor.