Technicolor showed off M-Go, the robust new media app for TVs, tablets, smart phones and computers that makes it possible to access anything you want to watch on the device or thrown to your TV. Through a simple menu on your mobile device or computer you can get to your desired movie or TV show without the need to navigate to each service, comb through the TV program guide or scroll through your DVR to find it.
Las Vegas was built, in large part, on the acquiring and spending of golden nuggets. Today, of course, golden nuggets (in the form of dollar bills) are handed over to the casinos in enormous quantities. There was a huge golden nugget, however, to be found in the GoldenEar suite at the Venetian - and this one didn’t get put on the closest gaming table. Sandy Gross and team have put together an absolutely unbelievable LCR soundbar that’s so flipping good, it was THE most exciting audio product I heard the entire Show. Somehow this amazing 49-inch wide soundbar sounded as if it were more like 15 feet wide; and combined with two of GoldenEar’s ForceField 3 subwoofers ($499/each), the $999 SuperCinema 3D Array was easily one of the best sounding soundbars I’ve ever heard in just about any price range, especially when it came to reproducing two-channel music - a task most soundbars fail abysmally at. Thankfully, in this case, what happens in Vegas isn’t staying in Vegas - and we’ll be getting one of the first samples for review in the next few months. Stay tuned...
Once a bustling center of earth-changing activity, the CES2012 Press Room at the Las Vegas Convention Center looked dull and dismal (well, more so than it did earlier during CES) fifteen minutes before closing time on Friday. Gone is the jovial camaraderie, the fighting for seats, the wrestling matches for the last (free) press lunch, and the incessant questioning. (It’s usually one of two: “Are there any lunches left?” or “What’s the login and password for the Press Room WiFi?”) I was one of the last few stragglers to inhabit the large conference room that’s housed the CES press for as long as I can remember - which, considering the state of my mind at the end of CES, is not too long - Friday, showing just how dedicated I am (and what a loser I am, too). The most important journalist question I asked during the CES grind? “Where are the f’ing free cookies and brownies that they used to give us?”
(On a brighter note, that’s the Griffin HELO TC iOS-device-controlled helicopter I convinced the Griffin booth guy to allow me to leave with.)
In case you thought 3D was dying out, LG’s booth was proof that 3D is alive and well, and expanding. As you walked into the LG booth, you were urged to grab passive 3D glasses.
Once in the booth almost every TV was set to show 3D content. Most visitors of the booth who donned the new stylish LG glasses were treated to butterflies floating in mid-air, baseballs soaring toward home plate and other fantastic 3D images.
LG showed also showed off their 3D mobile phones that come equipped with 3D cameras to shoot photos and videos that can be transferred for viewing on LG’s 3D TVs.
One of the best parts of CES is the intellectually stimulating entertainment you’ll find at the various booths. Instead of the traditional scantily clad young women with heels so high they can barely walk, this booth chose to use a slightly different type of bird to draw attention.
Sometimes you wonder how some companies get involved in seemingly unrelated product categories. Amidst more traditional iPod/iPhone/iPad add-ons, accessory manufacturer Griffin was showing off a pair of IR-controlled helicopters that you pilot using your iOS touchscreen device. The $49.95 current model (HELO TC) will be joined soon by a $59.95 version (HELO TC Assault) that was shooting small plastic “missiles” at unsuspecting CES booth gawkers. Although a little tricky to fly at first, the helicopters were a lot of fun to fly using the included iOS app. Movement is controlled either with a virtual joystick or by tilting the iOS device. When asked how Griffin got involved selling remote-controlled helicopters, I was told the “unofficial” story: the staff all like flying them at the office.
New at CES from Wolf Cinema is the SDC-10 3D D-ILA projector ($10,000), affectionately known as the Pup. The spec'd contrast ratio is 70,000:1, and that's without a dynamic iris! It offers three lens memories that let you preset the zoom and focus for different aspect ratios, and it can accommodate an anamorphic lens as well. The demo was BBC's Life in 2D and Legend of the Guardians in 3D shown on a 120-inch-wide Stewart Reflection 170 screen, and it looked spectacular.
Some audiophiles cherish tubes, and even modestly powered tube amplifiers. From Napa Acoustics (which appears to hail from China, not a valley in California) comes the 40 watts per channel MM4 hybrid integrated amp (tube input stage, solid state output stage), at the amazingly low price (for those who know how much these things can cost) of $699. A larger, 35wpc all tube MT34 will set you back $1199.
GenAudio astounded me at last year's CES with its AstoundSound 3D audio system, which creates a convincing spherical soundfield from two speakers. This year, the company announced that its launching AstoundSound for CE, an application that manufacturers can include in their products, such as iPod speakers, soundbars, and TVsin fact, GenAudio is partnering with Analog Devices and other DSP makers to include the algorithm in their chips.
I heard a clip from Kitaro's Earth in Bloom that was downmixed from 5.1 to 2 channels and then expanded by AstoundSound in real time played first on a $12,000 pair of Gheithain pro studio monitors and then on a $300 2.1 Panasonic soundbar, and the result was remarkable, with various sounds flying all around the room, including overhead. Of course, the studio monitors had better sound quality, but the effect was quite pronouncedand enjoyablefrom both.
If you have any TVs or monitors with a vertical HDMI connection where the HDMI cable comes loose and wriggles itself out, you’ll appreciate the locking HDMI cables being shown by Perfect Path.
The cable locks into place because its end cover slides back and forth to lock or release the cable.