CEDIA 2011

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Scott Wilkinson Posted: Sep 08, 2011 5 comments
In addition to its mainstream consumer plasmas, Panasonic makes a line of professional models for broadcast monitoring and high-end custom installations. New from the company's pro division at CEDIA is the 65-inch TH-65VX300, which boasts over 12,000 steps of gradation and the ability to reproduce the DCI color gamut as well as Rec.709, SMPTE-C, and EBU. It provides circuit-board slots to customize the input complement, and its internal scaler can be bypassed if you have a better outboard processor. It looked quite good under less-than-ideal conditions—which it should for $6250.
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Tom Norton Posted: Sep 08, 2011 0 comments
Mitsubishi has been busy this year. First was its 92", DLP rear projection set shown at last January's CES. Now they've also re-launched their Laserview RPTV—the $6000, 75", 16" deep, L75A94. I don't think the latter was being shown to best advantage, located as seen in the photo (the set against the wall on the left is the 92" DLP, the Laserview is further to the right, in the upper center of the shot), but it will be interesting to see if MItsubish can make more of a go of it than the first time it was launched several years ago.
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Tom Norton Posted: Sep 08, 2011 0 comments
JVC opened the show with a bang, introducing eight new projectors. Six of them are further refinements of last year's models, with some significant new features. As last year, they are paired in sister designs, the Reference models (DLA-RS65 at $12,000, DLA-RS55 at $8000, DLA-RS45 at $3500—the latter a $1000 price drop from last year's corresponding model!) and the Procision models (DLA-X90R, DLA-X70R, and DLA-X30R—at the same respective price points as the Reference models) The respective Reference and Procision models are identical in features and differ only in minor cosmetic details and their sales channels (the Reference models are sold through Pro dealers).

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Tom Norton Posted: Sep 08, 2011 0 comments
On the day before the show opened, the isles were clogged with crates, ladders, and fork lifts doing the Indy 500 shuffle. For how it all looked when the crowds rolled in, scroll down until you get to the beauty shot taken on Thursday morning, opening day. Viewing the chaos on the day before, you never think they'll be ready to open on time. They always are. Kudos to the dozens of behind the scenes "stagehands" without whom there wouldn't even be a show.
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Darryl Wilkinson Posted: Sep 08, 2011 0 comments
Although the claim that it’s “the only wireless whole house music system specifically engineered for music” may engage in a bit of hyperbole, Proficient’s ZERO wireless multizone audio system is designed to transmit audio up to 90 feet throughout a home using 2.4 GHz RF technology. ZERO transmitters support up to 8 receivers and have connections for three analog audio channels plus an optical audio input – and can transmit all channels simultaneously. Proficient says that transmitting all inputs enables the use of one transmitter to send “left and right” audio for “Zone 2” or “rear surrounds” (without latency being an issue) as well as audio to a subwoofer for a home theater system.
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Mark Fleischmann Posted: Sep 08, 2011 0 comments
James Loudspeaker's 63SA-7 in-wall or in-ceiling speaker builds a pipe-shaped speaker three inches in diameter into a much larger back box. What if something goes wrong after the box is sealed into the wall? Just pull out the cylinder, detach its RK-45 connector, and pop in a new one. CTO Michael Park has earned the gratitude of CIs and their clients.
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Tom Norton Posted: Sep 08, 2011 2 comments
The magic behind the curtain for the Future Technology Pavilion's big rear projection screen (above) consisted of six Digital Projection D-Vision 30-1080 DLP projectors, each responsible for filling one sixth of the image, combined with edge blending to hide the transitions from one projector to the other. These projectors offer a short throw, permitting a short, 9-foot distance from projector to screen.

Once you divide the high definition source image into six segments, each of those segments will be far smaller in pixel count. Each of these segments must therefore be upconverted to match the projector's native resolution. The processing is further complicated by the fact that the screen used here is 2.35:1, not the 16:9 that would be a direct multiple of the six projectors' native resolutions. In addition, allowance must be made for overlap where the images meet. An overlap of about 13% is needed to provide for the edge blending. And the edge blending itself requires major processing power.

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Mark Fleischmann Posted: Sep 08, 2011 0 comments
Each of these three in-ceiling models has a concealed woofer mounted at a diagonal. It fires through apertures at the front, where there are also tweeter and midrange drivers. Prices range from $400-1000/pair with ascending woofer sizes from 6 to 8.6 inches. Two buttons tailor the speaker to the space. They include a notch filter and a circuit that adjusts for room reflections.
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Mark Fleischmann Posted: Sep 08, 2011 0 comments
The Talking Heads movie Stop Making Sense was crackling and rocking at the Induction Dynamics booth, benefiting from the dARTS DSP-based room correction developed by stablemate Phase Technology. The system with S1.8Td tower, C1.8d center, S1.8Sd surround, and SW2 sub totaled $55,000-60,000 depending on finish and config. The demo system pictured was in basic black but I loved the gloss rosewood shown in front of the booth. Are 63 different grille colors enough?
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Mark Fleischmann Posted: Sep 08, 2011 1 comments
The Integra DTR-80.3 nine-channel receiver ($3000) and DHC-80.3 pre-pro ($2600) and their Onkyo equivalents are the only receiver/pre-pro that upscale to 4K by 2K. That they can be ISF-calibrated for each source component is just as unusual and even more impressive. Pictured: Ten reasons why custom installers like to do business with Integra.
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Scott Wilkinson Posted: Sep 08, 2011 0 comments
Projectors are always big at CEDIA, and Panasonic has two new models on display. I already covered the PT-AE7000U in a previous post, but new at the show is the PT-AR100, an entry-level, 1920x1080 LCD model spec'd with 2800 lumens of light output and a dynamic contrast ratio of 50,000:1. Features include a 2x zoom lens, lockable joystick to adjust the horizontal and vertical lens shift, and the ability to change the lamp and filter without unmounting the unit. It will be available by the end of October for a list price of $1999.
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Darryl Wilkinson Posted: Sep 08, 2011 0 comments
It’s been a long year since CEDIA 2010 when Emotiva Pro first showed a high-performance pre/pro with a fully integrated Control4 controller built in. In the meantime, Emotiva Pro morphed/merged/acquired/became Sherbourn; and the new/old company says the PT-7020C4 media processor/controller should be ready to roll in just a few weeks. The PT-7020C4 is a full-blown pre/pro with 5 HDMI 1.4 ports that’s “fully 3D compatible” and “offers a true hardware bypass for direct, unprocessed 3D streams to the video monitor” in addition to having a Genesis/Torino scaling engine. The PT-7020C4 also features dual 32-bit DSPs, balanced XLR connections, and full Ethernet control.
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Darryl Wilkinson Posted: Sep 08, 2011 1 comments
Surge protection is great and – take it from someone whose equipment recently suffered from the effects of a wayward bolt of lightning – really, really, really important. Unfortunately, most of the serious surge suppression components on the market have the bad habit of taking up valuable rack space. SurgeX’s new XC series separates the protection from the plug, giving you the ability to mount a strip of 18 or 24 outlets vertically along the back of your AV rack (or elsewhere) whilst the serious surge-suppressing circuitry (with SurgeX patented Advanced Series Mode protection technology, a remote interface, an Over/Under Voltage Protection LED, a Power On/Off LED, and a highly interactive Self-Test LED) sits separately. SurgeX says the company’s XC series are built to withstand a 6,000V, 3,000AMP AC power surge at least 1,000 times without failing. (They’re probably telling the truth, although since I had to leave after the 965th surge, I can’t say I saw it with my own eyes…) They’re also backed by an 11-year warranty and are built in the USA.
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Tom Norton Posted: Sep 08, 2011 0 comments
DNP Denmark may not be the most well known name in screens, but it makes some unique products. Hidden behind the bobble heads in the darkened area to the right of center here is the DNP Supernova Epic, a 132" diagonal, 2.35:1, 0.8 gain model with side masking. Made in Scandinavia, so you know it's expensive. All yours for $20,000.

DNP was using projectors from projectiondesign, and while that company has no booth at CEDIA this year, I was told to watch out for press releases. We will.

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Tom Norton Posted: Sep 08, 2011 0 comments
The Day After, the detritus is gone and the fork lifts are back in their garage, awaiting the inevitable tear-down day.

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