Carver's assets have been bought from their previous owner by the Carver Holding Group and many of the company's world-beating products will be reintroduced in early 2012. That will include amps of seven, five, and two channels, not to mention mono-blocks. What caught our eye was a new product, the CSB-601 2.1-channel soundbar. In development is a surround pre-pro. Welcome back.
The so-called Future Technology Pavilion was open for a press tour on Wednesday, press conference/setup day (the show formally opens on Thursday September 8). Much of the content here was of limited A/V interest, but will be of interest to custom installers who often add home automation and similar services to their repoitoire. The most interesting features here were those that offer a wide range of medical monitoring facilities, providing health and well-being warnings that can be transmitted to the appropriate agencies and individuals if needed. In other words, just the ticket for a granny-friendly house.
We didn't hear much of what Noah Kaplan said during the Leon Speakers press event -- too many people, not enough decibels. But his Living Space Theater soundbar, two-thirds of which is pictured, could be heard over the noise of the show floor, summoning vocal clarity and pretty good bass considering its depth of less than two inches. The amazing Trithon REYN made a welcome reappearance. Kaplan will make CEDIA history at an event tomorrow evening in which he will paint a mural accompanied by musician Adam Roberts.
The relaunched MK Sound has introduced something it never had before: a true tower loudspeaker. Previous ones were actually just stand-mounts on tower-shaped pedestals. The THX-certified F-950 ($2200/pair) has two 5.25-inch woofers with dual magnets for extra oomph plus a soft dome tweeter in a box to protect it from its own back wave. Also shown were three new THX-certified subs (8, 10, 12 inches) using MK's famous push/pull technology.
Why bolt a speaker onto a sub? Well, if you deploy five or more of them, your surround system's regular sub will have huge reinforcement, great coverage, no holes in bass response. That's what Procella does with products like the new P610. Thanks to shallow depth, it's not as bulky as it looks. Inside are a 10-inch sub driver at bottom with a 6.5-inch midrange and one-inch tweeter at top, the latter recessed deep into a waveguide. Price $3199 for the speaker half and $1499 for the sub half.
The Onkyo TX-NR5009 ($2899) and TX-NR3009 ($2199) and their Integra equivalents are the only receivers that upscale to 4K x 2K. But they weren't as photogenic as the two docking systems, the iOnly Play, left, with cool sliding cover over the dock; and the iOnly Bass, right, which is large enough to accommodate an iPad. Pricing $249 for either.
Epson made quite a splash at last year's CEDIA with a demo of its first LCOS projectors. The company actually refers to their version of this technology as 3LCD Reflective—essentially the same thing as LCOS, though I recall that they noted in 2010 that they were liquid crystal on quartz rather than on silicon.
In addition to its mainstream consumer plasmas, Panasonic makes a line of professional models for broadcast monitoring and high-end custom installations. New from the company's pro division at CEDIA is the 65-inch TH-65VX300, which boasts over 12,000 steps of gradation and the ability to reproduce the DCI color gamut as well as Rec.709, SMPTE-C, and EBU. It provides circuit-board slots to customize the input complement, and its internal scaler can be bypassed if you have a better outboard processor. It looked quite good under less-than-ideal conditionswhich it should for $6250.
Mitsubishi has been busy this year. First was its 92", DLP rear projection set shown at last January's CES. Now they've also re-launched their Laserview RPTVthe $6000, 75", 16" deep, L75A94. I don't think the latter was being shown to best advantage, located as seen in the photo (the set against the wall on the left is the 92" DLP, the Laserview is further to the right, in the upper center of the shot), but it will be interesting to see if MItsubish can make more of a go of it than the first time it was launched several years ago.
JVC opened the show with a bang, introducing eight new projectors. Six of them are further refinements of last year's models, with some significant new features. As last year, they are paired in sister designs, the Reference models (DLA-RS65 at $12,000, DLA-RS55 at $8000, DLA-RS45 at $3500—the latter a $1000 price drop from last year's corresponding model!) and the Procision models (DLA-X90R, DLA-X70R, and DLA-X30Rat the same respective price points as the Reference models) The respective Reference and Procision models are identical in features and differ only in minor cosmetic details and their sales channels (the Reference models are sold through Pro dealers).
On the day before the show opened, the isles were clogged with crates, ladders, and fork lifts doing the Indy 500 shuffle. For how it all looked when the crowds rolled in, scroll down until you get to the beauty shot taken on Thursday morning, opening day. Viewing the chaos on the day before, you never think they'll be ready to open on time. They always are. Kudos to the dozens of behind the scenes "stagehands" without whom there wouldn't even be a show.
Although the claim that it’s “the only wireless whole house music system specifically engineered for music” may engage in a bit of hyperbole, Proficient’s ZERO wireless multizone audio system is designed to transmit audio up to 90 feet throughout a home using 2.4 GHz RF technology. ZERO transmitters support up to 8 receivers and have connections for three analog audio channels plus an optical audio input – and can transmit all channels simultaneously. Proficient says that transmitting all inputs enables the use of one transmitter to send “left and right” audio for “Zone 2” or “rear surrounds” (without latency being an issue) as well as audio to a subwoofer for a home theater system.
James Loudspeaker's 63SA-7 in-wall or in-ceiling speaker builds a pipe-shaped speaker three inches in diameter into a much larger back box. What if something goes wrong after the box is sealed into the wall? Just pull out the cylinder, detach its RK-45 connector, and pop in a new one. CTO Michael Park has earned the gratitude of CIs and their clients.
The magic behind the curtain for the Future Technology Pavilion's big rear projection screen (above) consisted of six Digital Projection D-Vision 30-1080 DLP projectors, each responsible for filling one sixth of the image, combined with edge blending to hide the transitions from one projector to the other. These projectors offer a short throw, permitting a short, 9-foot distance from projector to screen.
Once you divide the high definition source image into six segments, each of those segments will be far smaller in pixel count. Each of these segments must therefore be upconverted to match the projector's native resolution. The processing is further complicated by the fact that the screen used here is 2.35:1, not the 16:9 that would be a direct multiple of the six projectors' native resolutions. In addition, allowance must be made for overlap where the images meet. An overlap of about 13% is needed to provide for the edge blending. And the edge blending itself requires major processing power.