CEDIA 2011

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Tom Norton Posted: Sep 09, 2011 0 comments
Monster Cable brought along its test gear to demonstrate that HDMI cables can differ. This is a hard sell for many users, considering the high prices some of these products command over others, but a clean "eye" pattern, visible on the display screen, indicates a cable with optimum video performance.
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Mark Fleischmann Posted: Sep 09, 2011 0 comments
The NHT Absolute Wall is the latest outgrowth of the popular Absolute series. It's four inches deep -- more than many on-walls, but that also gives it a deeper voicing. NHT suggests using this speaker to drive surround, height, or width channels in concert with other Absolute models. Price $199/each, shipping November.
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Scott Wilkinson Posted: Sep 09, 2011 0 comments
Also new from Runco is the VX-11d, a 3-chip DLP model that's spec'd to output over 1000 lumens. Pricing starts at $30,000, which includes an outboard DHD4 video processor and one of six primary lenses, and it's fully compatible with Runco's optional CineWide anamorphic lens kit with AutoScope motorized sled.
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Mark Fleischmann Posted: Sep 09, 2011 0 comments
Wharfedale's new Jade series has a Crystal AM enclosure. That is a composite of wood fiber and polymer made in multiple layers of microscopic thickness and arranged to prevent the backwave of the drivers from polluting their output. The aluminum tweeter has an oversized surround to defeat ringing and the woofer is a weave of glass and carbon fiber. There are two towers, two monitors, two centers, and a surround at prices ranging from $4199 for the biggest towr to $1199 for the smaller stand-mount.
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Scott Wilkinson Posted: Sep 09, 2011 0 comments
Really big 3D in the home no longer requires a special projector—with the Image Anyplace 3D Passive Viewing Kit from Flexible Picture Systems (FPS), you can display passive-polarized 3D using any pair of conventional projectors, providing greater brightness than single-projector systems. The 3D signal from a Blu-ray player or broadcast source is sent to an HDMI splitter and then on to two IA3D processors, which separate the left and right images. These signals are sent to the two projectors fitted with polarizing filters in front of the lenses. The IA3D processors also provide advanced geometry correction derived from the Silicon Optix Geo processor, making setup and alignment surprisingly easy. The kit includes two IA3D processors, HDMI splitter and cables, polarizing filters, 10 paper glasses, four plastic glasses, and a remote for $7495. Just add two projectors and a polarization-preserving screen, and you're in business.
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Mark Fleischmann Posted: Sep 09, 2011 0 comments
A whirlwind tour of the Paradigm booth: The Monitor 7 line is the latest version of a killer value series. It has fewer SKUs, and one of them (the Mini Monitor, $279/each) will soon be reviewed in our pages. The Paradigm Cinema Series has gotten its first rethink in 10 years. For a 5.1-channel treatment, mate the Cinema 100CT sat/sub set ($1249, pictured) with the MilleniaSub ($1399). The Millenia LP updates the flat speaker line with 4.5-inch woofers and one-inch tweeters, in various configurations, in 1.75-inch-deep enclosures.
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Tom Norton Posted: Sep 09, 2011 0 comments
Panasonic brought along its 152-inch, 4K plasma. It was surprising how small it looked on the open show floor, until a passerby stood in front of it to provide a sense of scale. I don't even want to imagine how much it adds to an electric (including air conditioning!) bill. Of course if you can afford the set, that probably won't matter much to you.
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Mark Fleischmann Posted: Sep 09, 2011 0 comments
Totem Acoustic, you knocked our socks off. Now give them back. Technically, the Element Series was announced at CES and it is against our code of honor to cover anything but new-for-this-show stuff. However, the center speaker is new, so we've wiggled out. It's called the Wood ($4500/each) and it will be joined by the Water sub ($5500) at a time yet unspecified. The existing models include two towers and a monitor. Powered by Arcam electronics, the big Metal tower ($16,000/pair) provided the best sound we've heard at the show so far, with effortlessly natural and well imaged vocals that flourished despite noise from the show floor.
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Tom Norton Posted: Sep 09, 2011 0 comments
Vivitek D8300, ceiling mounted.
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Darryl Wilkinson Posted: Sep 09, 2011 0 comments

It ain’t easy being wireless. Soundcast Systems gave us a peak at just how crowded the wireless spectrum was inside the convention center this afternoon. At another booth, one of the guys told me that they had counted over 190 wireless access points visible from their relatively obscure location in the convention center. It’s a wonder anything wireless worked at all in such a brutal RF environment.

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Mark Fleischmann Posted: Sep 08, 2011 0 comments
The Talking Heads movie Stop Making Sense was crackling and rocking at the Induction Dynamics booth, benefiting from the dARTS DSP-based room correction developed by stablemate Phase Technology. The system with S1.8Td tower, C1.8d center, S1.8Sd surround, and SW2 sub totaled $55,000-60,000 depending on finish and config. The demo system pictured was in basic black but I loved the gloss rosewood shown in front of the booth. Are 63 different grille colors enough?
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Mark Fleischmann Posted: Sep 08, 2011 1 comments
The Integra DTR-80.3 nine-channel receiver ($3000) and DHC-80.3 pre-pro ($2600) and their Onkyo equivalents are the only receiver/pre-pro that upscale to 4K by 2K. That they can be ISF-calibrated for each source component is just as unusual and even more impressive. Pictured: Ten reasons why custom installers like to do business with Integra.
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Scott Wilkinson Posted: Sep 08, 2011 0 comments
Projectors are always big at CEDIA, and Panasonic has two new models on display. I already covered the PT-AE7000U in a previous post, but new at the show is the PT-AR100, an entry-level, 1920x1080 LCD model spec'd with 2800 lumens of light output and a dynamic contrast ratio of 50,000:1. Features include a 2x zoom lens, lockable joystick to adjust the horizontal and vertical lens shift, and the ability to change the lamp and filter without unmounting the unit. It will be available by the end of October for a list price of $1999.
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Darryl Wilkinson Posted: Sep 08, 2011 0 comments
It’s been a long year since CEDIA 2010 when Emotiva Pro first showed a high-performance pre/pro with a fully integrated Control4 controller built in. In the meantime, Emotiva Pro morphed/merged/acquired/became Sherbourn; and the new/old company says the PT-7020C4 media processor/controller should be ready to roll in just a few weeks. The PT-7020C4 is a full-blown pre/pro with 5 HDMI 1.4 ports that’s “fully 3D compatible” and “offers a true hardware bypass for direct, unprocessed 3D streams to the video monitor” in addition to having a Genesis/Torino scaling engine. The PT-7020C4 also features dual 32-bit DSPs, balanced XLR connections, and full Ethernet control.
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Darryl Wilkinson Posted: Sep 08, 2011 1 comments
Surge protection is great and – take it from someone whose equipment recently suffered from the effects of a wayward bolt of lightning – really, really, really important. Unfortunately, most of the serious surge suppression components on the market have the bad habit of taking up valuable rack space. SurgeX’s new XC series separates the protection from the plug, giving you the ability to mount a strip of 18 or 24 outlets vertically along the back of your AV rack (or elsewhere) whilst the serious surge-suppressing circuitry (with SurgeX patented Advanced Series Mode protection technology, a remote interface, an Over/Under Voltage Protection LED, a Power On/Off LED, and a highly interactive Self-Test LED) sits separately. SurgeX says the company’s XC series are built to withstand a 6,000V, 3,000AMP AC power surge at least 1,000 times without failing. (They’re probably telling the truth, although since I had to leave after the 965th surge, I can’t say I saw it with my own eyes…) They’re also backed by an 11-year warranty and are built in the USA.

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