CEDIA 2011

Sort By: Post Date | Title | Publish Date
Filed under
Scott Wilkinson Posted: Sep 11, 2011 0 comments
As I was cruising through the Screen Innovations booth, I discovered a projector I had never heard of before, though I learned that it wasn't new at the show. The TruVue Vango from Entertainment Experience is a single-chip DLP model with LED illumination and a claimed contrast ratio of 100,000:1. It comes with an eeColor TruVue color processor, which is also sold by SpectraCal (see next blog entry for more on that).
Filed under
Scott Wilkinson Posted: Sep 11, 2011 0 comments
The popular Edge video switcher/processor from DVDO is now greener thanks to lower power consumption than the previous generation. It provides five HDMI inputs and four analog-video inputs with five audio inputs and two HDMI outputs—one A/V and the other audio-only for an AVR or pre/pro. As before, it upscales all inputs to 1080p and cleans up all sorts of video problems. It's shipping now for $499.
Filed under
Tom Norton Posted: Sep 11, 2011 0 comments
The new Martin Logan Montis ($10,000/pair) was producing compelling music in one of the shows isolated (sort of) sound rooms, ably assisted by a pair of humongous McIntosh amps (for newbies, that's a "tosh" without the "a" and without the iPod).
Filed under
Tom Norton Posted: Sep 11, 2011 0 comments
The new Lexicon MP-20 Media Processor is not yet shipping, but promises to be killer, both for your home theater and your bank account (the exact price has not yet been announced, but should be somewhere south--but not too far south--of $20,000). It incorporates Harman's new QuantumLogic audio processing (more on this below), 12.4 channels, 192/24-bit audio resolution, 8 HDMI 1.4a inputs, 1080p video scaling, a large front panel screen interface with soft buttons for selection the desired options, auto calibration and room EQ, and more.
Filed under
Tom Norton Posted: Sep 11, 2011 0 comments
Harman announced and demonstrated a new audio processing format called QuantumLogic. Extremely complex, what it offers, on both the recording and playback end, is the ability to manipulate the signal in unprecedented ways. For example, it can isolate a solo singer, or just the orchestra, or even just the ambience, and process and move it around in the sound field in almost any way the user (or the recording engineer) desires. The extraction process is nearly total. The process provides extreme flexibility for enhancing (or, it must be said, compromising) the sound, again either on recording or playback. You'll be hearing a lot more about it both here and elsewhere in the future.

The first product to include QuantumLogic will be Lexicon's new MP-20 Media Processor. It has also been implemented in a Ferrari which was on display on the show floor, but that's hardly a mass market item (nor is the five-figure processor!).

Filed under
Scott Wilkinson Posted: Sep 11, 2011 0 comments
Digital Projection's entry-level 3D model is the M-Vision Cine 3D single-chip DLP, which outputs 3000 lumens without BrilliantColor (5500 lumens with BC, but you sacrifice some color fidelity in this case). Pricing is around $18,000.
Filed under
Tom Norton Posted: Sep 10, 2011 0 comments
We've discussed Sony's new 4K home theater projector earlier in this running blog, but based on the crowds lining up to see it, it's clearly the hit of the show. But the demo, while striking and definitely worth the time to see, could have used less talk and longer, or more, actual demonstrating. I really wanted to see it a second time, but knowing that the two actual demo selections lasted, at best, 10 minutes, I decided against it.
Filed under
Tom Norton Posted: Sep 10, 2011 1 comments
While it didn't photograph well in its dark location (despite my primo photographic skills!), DreamVision's new Inti series of projectors are lookers. At least their cosmetics are, and if their JVC innards are any indication, their performance will be as well (they were on static display only. The Inti 2, shown here, is $10,000. The Inti 1 is $7000, and the Inti 3 is $13,995.)
Filed under
Tom Norton Posted: Sep 10, 2011 0 comments
I reviewed the Aragon 8008 amplifier for Stereophile back in the mid-'90s and loved it. I often wished I'd bought it, in fact, as it was a near perfect match for my Energy Veritas v2.8 speakers. When Mondial (the original source company) folded, the Aragon line (and the lower end but also well-regarded Acurus products) was acquired by Klipsch. That company never really supported either of these lines. The rights were recently acquired by a company called Indy Audio Labs, which has just re-launched the 2-, 5-, and 7-channel Acurus amplifiers (200w/ch intro 8 ohms, all).

Later this year Indy plans to re-introduce the Aragon 8008 mkIII, 2-channels at 200W/ch (8 ohms) at $4000 and the Iridium, a 400W (8 ohms) differential monoblock, successor to the Aragon Palladium, at $4000 each. Apart from some added control and status features, the amps are said to be nearly identical in design to the earlier versions, though to my recollection the original Palladium was lower powered (but biased heavily toward Class A). And, of course, those 1990s models were considerably cheaper. Time marches on.

Filed under
Tom Norton Posted: Sep 10, 2011 0 comments
You can pay thousands for a good screen, or paint your own for the low hundreds. Screen Goo Americas (probably the company with the most memorable name in the business) offers four flavors: Reference White (roughly unity gain) HIgh Contrast, Max Contrast, and Ultra Silver 3D (high gain, preserves light polarity). All of them may be rolled or sprayed on an appropriate flat, smooth surface. The even make a screen paint for rear projection! It's also said to be flexible enough that the screen can be moderately curved after painting. We're not saying that it can equal a professionally produced screen, but the demo we saw looked mighty impressive. If the cost of a screen is keeping you from acquiring a projection system, this approach might well help.
Filed under
Tom Norton Posted: Sep 10, 2011 0 comments
Add on anamorphic lenses to provide a 2.35:1 image on a 2.35:1 screen are a popular though pricey option. Panamorph is one of the best known names in the market. Its prism-type lenses are more affordable than the more visibly "normal" round lenses, but they work well. Round lenses, such as those from Schneider (below) are more flexible with regards to throw distance (they offer focus separate from that of the projector's own lens) but their prices are higher. We've seen superb setups with both types of lenses.
Filed under
Darryl Wilkinson Posted: Sep 10, 2011 0 comments
Who is Mr. Excellence, and how much does he pay? Is he a good boss to work for? What kind of benefits does he offer?
Filed under
Darryl Wilkinson Posted: Sep 10, 2011 0 comments
Anthem’s new Statement M1 mono block Class D amplifier puts out a paltry 1,000 watts into 8 ohms and doubles that (2,000 watts) into 4 ohm loads. The Class D design allowed the Anthem engineers to jam all the amplifier circuitry into a chassis that’s only one rack unit high. To keep things cool, there’s a special heat pipe cooling system – no fans! – and multiple M1s can be rack mounted directly on top of one another. Ideally, you’ll have a dedicated 240V circuit for the M1s in your system; however, Anthem designed the amp to still be able to generate temporary outputs of up to 2400 watts even when connected to a 120V/15A line. Get one, or seven, for $3,500 each.
Filed under
Darryl Wilkinson Posted: Sep 10, 2011 0 comments
MechoShade’s AcoustiVeil Dimout shadecloth is 100% polyester, PVC-free, and lightweight. It works as a “near-blackout” shade with sound and echo absorption (and a noise-reduction coefficient of 0.575). It’s available in White, Pearl Grey, and Black.
Filed under
Darryl Wilkinson Posted: Sep 10, 2011 0 comments
Summit Wireless keeps charging forward in their quest to conquer the wireless home theater audio world. While the company was cagey about upcoming announcements regarding products coming to market, the people in-the-know hinted that exciting things are about to happen. Summit Wireless technology enables wireless 5.1- and 7.1-channel home theater systems. But it’s more than just a set of wireless speakers. The technology allows the user to tailor the sweet spot of the system to any location in the room with the press of a single button. The system automatically figures out where all the speakers are in relation to each other and can process the audio signal to compensate for less than optimum speaker or listener positioning – and it does it with a single button press. It’s quite possible that we’ll soon start seeing the Summit Wireless processing technology showing up in flat panel TVs, in which case adding a simple dongle to the USB port on the TV will enable the TV to send audio to a set of powered, wireless speakers in your home theater.

Aperion Audio is the first company to have actual, real products available for sale. The 5.1-channel amplified wireless Aperion Audio home theater system will be shipping soon for $2,499. The 7.1 version will sell for $2,999. The controller box (which takes the place of an AVR, which is no longer needed since the amps are built into the speakers) has one optical input, once coax digital input, three HDMI inputs, two stereo analog inputs and has decoding for DTS Master Audio and Dolby TrueHD.

Pages

X
Enter your Sound & Vision username.
Enter the password that accompanies your username.
Loading