CEDIA 2011

Sort By: Post Date | Title | Publish Date
Filed under
Tom Norton Posted: Sep 11, 2011 0 comments
Robert Deutsch very favorably reviewed the Focal Chorus 826W Anniversary Editiion late last year in Stereophile. Now there's an entire new Chorus W lineup (the W stands for the incorporation of Focal's sandwich cone material into the line--the standard Chorus models do not have this). The 826W ($3495/pr) is the second from the left in the photo. New are the bigger 836W ($4195/pr), the 807W bookshelves ($1495/pr), the CC800W center ($795) and the SW800W subwoofer ($1595).
Filed under
Darryl Wilkinson Posted: Sep 11, 2011 2 comments
You might want to start looking around for a great set of speaker stands (the ones GoldenEar Technology used were filled with sand and lead shot) or upgrade the shelving on your bookcase/wall because the new Aon 2 and Aon 3 from GoldenEar Technology are so f’superb they demand something extra f’special underneath them. The new Aons will catch your eye from the start thanks to their “truncated pyramidal construction” which results in a speaker cabinet that not only looks good but is also integral to the sound quality due to the absence of parallel cabinet walls and minimal front baffle area. Like the mind-blowing Triton Two towers from GoldenEar, the Aons incorporate the same High Velocity Folded Ribbon (HVFR) high-frequency driver. Each Aon model also has two side-mounted planar low-frequency radiators (8-inch in the Aon 3 and 6-inch in the Aon 2). The result of the way these drivers couple with the room, the Aon 3 (that’s the model I spent some time listening to) had an f’incredible amount of bass output. These speakers are sure to make some noise when they start shipping later this year for $399/each (Aon 2) and $499/each (Aon 3).
Filed under
Tom Norton Posted: Sep 11, 2011 1 comments
The new Polk LSiM flagship lineup was mentioned in an earlier blog, but here's a shot of the whole family, from the top of the line LSiM 707 floorstanders ($4000/pr) on down to the two different center channels speakers (both of them 3-ways). This range was announced and first shown as last year's CEDIA, but production has been much delayed (see below for one reason why!). But they are now ready to ship. We're anticipating a review system real soon now.
Filed under
Scott Wilkinson Posted: Sep 11, 2011 0 comments
As we all know, 3D needs as much brightness as it can get, and you get plenty with Digital Projection's Titan Quad 1080p 3D. This monster includes four lamps to blast up to 16,000 lumens at the screen with a native contrast ratio of 2000:1. You can up the contrast to 5000:1 by closing down the aperture, but then you get "only" 8000 lumens. The price for all that light? Just shy of $90,000.
Filed under
Scott Wilkinson Posted: Sep 11, 2011 0 comments
As I was cruising through the Screen Innovations booth, I discovered a projector I had never heard of before, though I learned that it wasn't new at the show. The TruVue Vango from Entertainment Experience is a single-chip DLP model with LED illumination and a claimed contrast ratio of 100,000:1. It comes with an eeColor TruVue color processor, which is also sold by SpectraCal (see next blog entry for more on that).
Filed under
Scott Wilkinson Posted: Sep 11, 2011 0 comments
The popular Edge video switcher/processor from DVDO is now greener thanks to lower power consumption than the previous generation. It provides five HDMI inputs and four analog-video inputs with five audio inputs and two HDMI outputs—one A/V and the other audio-only for an AVR or pre/pro. As before, it upscales all inputs to 1080p and cleans up all sorts of video problems. It's shipping now for $499.
Filed under
Tom Norton Posted: Sep 11, 2011 0 comments
The new Martin Logan Montis ($10,000/pair) was producing compelling music in one of the shows isolated (sort of) sound rooms, ably assisted by a pair of humongous McIntosh amps (for newbies, that's a "tosh" without the "a" and without the iPod).
Filed under
Tom Norton Posted: Sep 11, 2011 0 comments
The new Lexicon MP-20 Media Processor is not yet shipping, but promises to be killer, both for your home theater and your bank account (the exact price has not yet been announced, but should be somewhere south--but not too far south--of $20,000). It incorporates Harman's new QuantumLogic audio processing (more on this below), 12.4 channels, 192/24-bit audio resolution, 8 HDMI 1.4a inputs, 1080p video scaling, a large front panel screen interface with soft buttons for selection the desired options, auto calibration and room EQ, and more.
Filed under
Tom Norton Posted: Sep 11, 2011 0 comments
Harman announced and demonstrated a new audio processing format called QuantumLogic. Extremely complex, what it offers, on both the recording and playback end, is the ability to manipulate the signal in unprecedented ways. For example, it can isolate a solo singer, or just the orchestra, or even just the ambience, and process and move it around in the sound field in almost any way the user (or the recording engineer) desires. The extraction process is nearly total. The process provides extreme flexibility for enhancing (or, it must be said, compromising) the sound, again either on recording or playback. You'll be hearing a lot more about it both here and elsewhere in the future.

The first product to include QuantumLogic will be Lexicon's new MP-20 Media Processor. It has also been implemented in a Ferrari which was on display on the show floor, but that's hardly a mass market item (nor is the five-figure processor!).

Filed under
Scott Wilkinson Posted: Sep 11, 2011 0 comments
Digital Projection's entry-level 3D model is the M-Vision Cine 3D single-chip DLP, which outputs 3000 lumens without BrilliantColor (5500 lumens with BC, but you sacrifice some color fidelity in this case). Pricing is around $18,000.
Filed under
Tom Norton Posted: Sep 11, 2011 3 comments
JBL showed, but did not demonstrate, its new Studio 5 series. Intriguingly styled, with the tweeter horn cleverly incorporated into the cabinet structure, it consists of 5 models: the Studio 530 bookshelf ($689/pr), the Studio 580 tower with dual 6.5-inch woofers ($899 each), the Studio 590 with dual 8-inch woofers ($1119 each), the Studio 520C center, and the Studio 550P sub ($689).
Filed under
Scott Wilkinson Posted: Sep 11, 2011 0 comments
Video-calibration stalwart SpectraCal now offers the eeColor TruVue color processor under its own name. This processor is based on 35 years of research into color perception in various environments, analyzing the color coordinates of each pixel 20 times per second and using three-dimensional lookup tables to compensate for different amounts of ambient lighting and other perceptual factors. It also supports all forms of 3D except frame-packed Blu-ray, and it can expand the color gamut while retaining the D65 white point and flesh tones, which is a pretty cool trick. I look forward to checking it out more closely.
Filed under
Scott Wilkinson Posted: Sep 11, 2011 0 comments
DVDO was demonstrating a prototype technology from parent company Silicon Image in the form of a 6-in/2-out HDMI matrix switcher. The important features include InstaPort, which allows switching inputs in less than a second because all ports are active all the time, and InstaPrevue, which displays PIP insets from all inputs as seen in this photo, letting you select the input you want based on the content. No pricing or availability was revealed.
Filed under
Tom Norton Posted: Sep 11, 2011 2 comments
Panasonic was demonstrating its new PT-AE7000 3D projector ($3500) on a 100-inch (diagonal) Joe Kane Affinity screen (gain 1.1) from Da-Lite. Granted that the 3D program material was all animated, which is almost always impressive on a video display, it nevertheless looked superb. The trailers from Toy Story 3, The Lion King, and Beauty and the Beast all had me salivating for the full releases (scheduled for October--at least for the latter two). It was interesting to see that the 3D re-processing of the older hand drawn animation on Lion KIng and Beastlooked very good, with a minimum of the layered cardboard cutout effect. Kudos here to both Disney and Panasonic.
Filed under
Darryl Wilkinson Posted: Sep 11, 2011 0 comments
Sound control company Auralex brought examples of the company’s HD Cinema Series of absorption panels that not only seriously improve the sound quality of your home theater room – they can seriously improve the looks of your room, too. The panels come in a variety of sizes, shapes, and colors; so you can mix and match panels to come up with your own unique look. Panels start at $255/each.

Pages

X
Enter your Sound & Vision username.
Enter the password that accompanies your username.
Loading