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A/V VETERAN

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Thomas J. Norton Posted: Jul 30, 2007 1 comments

We've been, and continue to be, big supporters of getting a video display properly calibrated. We do it in our reviews because it shows us best that a set is capable of. Just as significant is the fact that if you just present only the out-of-box result in a review, you're trying to hit a moving target. Different samples will differ, perhaps significantly, because manufacturers can't perform anything more than a rough setup on the production line. The average consumer won't notice the difference in the store, and it takes too long (and costs too much) to perform a tight calibration for everyone just to satisfy the discerning customer.

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Thomas J. Norton Posted: Jul 19, 2007 0 comments

It's been a busy, hot, sad, exciting, confusing, jumble of a month here at <I>UAV</I>, and there's a lot to catch up on. Rather than post several separate, shorter blogs at once, I'll mash them all together.

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Barry Willis Posted: Jun 22, 2007 9 comments

<B><I>In a special guest Blog, erstwhile Stereophile and UAV contributor Barry Willis remembers Randy Tomlinson, his friend of over 25 years...</I></B>

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Thomas J. Norton Posted: Jun 08, 2007 Published: Jun 09, 2007 2 comments

Sometimes there's more to be said about a reviewed product&mdash;information we've gleaned after the review is posted. It doesn't happen often; our schedule does not allow for leisurely, post-review ruminations. We have to move on to other gear. But sometimes we do learn new things. Or we need to follow up on something left hanging, perhaps after we've received a belated second sample. Often such updates are simply added to the existing review. But sometimes, particularly if the original review has scrolled off the home page and an important addition to it might be easily overlooked, the information will receive more attention elsewhere—such as in a blog.

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Thomas J. Norton Posted: May 15, 2007 0 comments

Come next Tuesday, two anxiously awaited titles will hit the video stores&mdash;<I>Pirates of the Caribbean: The Curse of the Black Pearl</I> and <I>Pirates of the Caribbean: Dead Man's Chest</I>.

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Thomas J. Norton Posted: May 10, 2007 1 comments

I collect old magazines. And (surprise!), most of them have something to do with audio or video. When I recently came across a copy of the June 1962 issue of the now defunct <I>High Fidelity</I> magazine, it seemed like a good time to have a look back at audio's past. Particularly since we sit on the cusp of the <A HREF="http://www.homeentertainment-expo.com/">2007 Home Entertainment Show</A> (May 11-13 at the Grand Hyatt Hotel near Grand Central Station in New York City)

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Thomas J. Norton Posted: Apr 22, 2007 10 comments

Previously, on this blog (see below), I discussed the upgrades that HDMI 1.3 offered for video. Most of them, in my opinion, were nice to have as a hedge against future improvements in sources and displays, but did not offer any real benefits with present and foreseeable video formats, both standard and high definition. As far as video is concerned, then, I saw no reason to toss out your present gear or hold off a purchase until there's a wide range of sources, switchers, and displays with HDMI 1.3. That will likely be a long wait.

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Thomas J. Norton Posted: Apr 15, 2007 8 comments

HDMI 1.0 was introduced to the market in 2002. As a means of carrying both digital audio and video between the source and the display, it offered several advantages over competing technologies, the most prominent being IEEE 1393, commonly known as FireWire. HDMI carried both audio and video, and also offered alluring security advantages that appealed, in particular, to Hollywood.

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Thomas J. Norton Posted: Mar 24, 2007 2 comments

We may be gear heads here at UAV, but the not-so-secret secret about the consumer electronics business is that it's about music and movies. In other words, it's Show Biz. Without that connection, our equipment racks would be filled with expensive boat anchors.

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Thomas J. Norton Posted: Mar 09, 2007 0 comments

I predicted years ago that we would be downloading music over the Internet long before <I>high quality</I> downloads were possible. That's the state we're in at present. Downloads that offer genuine CD-quality sound (forget about downloads up to SACD or DVD-Audio standards) are still more a promise than a reality.

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Thomas J. Norton Posted: Feb 17, 2007 4 comments

We've all complained about some of the marginal films coming out on HD DVD and Blu-ray. The situation <I>is</I> improving, though not fast enough for most of us. But as I look through my growing HD DVD and Blu-ray collection, I do see more great titles than I imagined.

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Thomas J. Norton Posted: Jan 28, 2007 Published: Jan 29, 2007 0 comments

I have no statistics to back it up, but the week before the Super Bowl must be pretty hectic in your friendly neighborhood video store. Oh, sure, the end of year holidays are big, and tax refund season brings out the mad money that Uncle Sam has been keeping safe for you all year. But it's the annual rush to watch the Big Game on a Big Screen television that starts sports fans hearts aflutter.

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Thomas J. Norton Posted: Jan 01, 2007 1 comments

Algolith's Mosquito is an outboard video noise reduction device that Algolith describes as an "analog and digital compression artifact reducer." At $3000, it may be the most expensive device of its kind offered to consumers. It may also be the most sophisticated. If you judge your audio-video components by weight, it won't make much of an impact. But weight has little to do with the performance of this sort of product.

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Thomas J. Norton Posted: Jan 01, 2007 0 comments

<I> In this guest blog, contributor Steven Stone looks at the Algolith Flea, a $995 outboard video noise reduction box. In the blog entry following this one, I take a look at the $2995 Mosquito, Algolith's most sophisticated video noise reduction device.

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Thomas J. Norton Posted: Dec 17, 2006 1 comments

It’s hard to believe but I now live in a two Bose household. My first Bose was a car stereo that came as part of a package deal in the Mazda 3 that I bought nearly two years ago. I had to take it to get the whole shebang. It wasn’t really a bad deal. Dissing Bose may be a spectator sport among heavy-duty audiophiles, but apart from a little bass heaviness (not exactly rare in car stereos), it’s a more than respectable piece of work. It I had wanted to buy a car for the stereo, I would have gone with an Acura TL.

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