A/V VETERAN

Sort By: Post Date | Title | Publish Date
Filed under
Thomas J. Norton Posted: Sep 20, 2010 1 comments
At long last, we come to the final chapter of the ongoing Blu-ray player saga. It has been a journey too-often interrupted by the need to adjust to new system components coming in and out for their own reviews. Nothing is more disruptive than having to adjust to the sound of new speakers.

But enough with that. First, a brief summary of what this entire effort has been about....

Filed under
Thomas J. Norton Posted: Jul 05, 2010 4 comments

Break out the fireworks. Fire up the grille. Happy 4th of July. A new chapter in the Neverending Story of this Blu-ray player saga has arrived.

Filed under
Thomas J. Norton Posted: May 26, 2010 Published: May 27, 2010 10 comments

Movie studios don't miss a thing when it comes to keeping a tight watch on the effectiveness of Blu-ray copy protection. Recently, in an apparent attempt to close an assumed (I assume) breach, 20th Century Fox updated its BD+ copy codes in an effort to keep the door firmly locked. The first disc I noted a problem with was (surprise!) <I>Avatar</I>, which was so firmly locked it would not play. After an inordinately long loading cycle it decided it couldn't get along with an Oppo BDP-83 player, which I've admittedly been lax in updating. The same proved to be the case on another current but not updated model, the Pioneer BDP-320. Same long wait, same lack of a payoff. Or at least not a welcome one. All I got was a bright red screen telling me to update my player.

Filed under
Thomas J. Norton Posted: Apr 05, 2010 6 comments

The final installments of my Blu-ray players saga are coming soon to a computer monitor near you. They will cover the analog outputs of the Oppo BDP-83 Special Edition and the Pioneer BDP-320. Also coming is a listen to all of the players from their digital outputs.

Filed under
Thomas J. Norton Posted: Mar 12, 2010 7 comments

With the analog audio section of this multi-part tome largely out of the way (though a listen to the audio from the Special Edition Oppo BDP-83 is still to come), I turned to video. All of the testing was done with duplicate copies of high quality Blu-ray discs. The players were compared directly, two at a time, with the disc in one of the players running roughly 12 seconds behind the other. Making allowances for a switching delay of about 5 seconds (which the players needed to re-sync with the display following the switch) this staggered cueing let me watch the same few seconds of program material first on one player and then on the other.

Filed under
Thomas J. Norton Posted: Feb 02, 2010 11 comments

Finally we get to the meat of the subject. In this installment I'll give my impressions of the sound quality of the players under test, as heard from their analog outputs with 2-channel CDs.

Filed under
Thomas J. Norton Posted: Jan 04, 2010 3 comments

I could argue that the opening salvo of this report was delayed because I wanted the entire piece, which will appear in periodic postings over the next few weeks, to appear in 2010. Or that I figured no one would be watching during the holidays, tied up as they were with festooning the house with LEDs, pondering whether to send real cards or new e-cards (when you care enough to e-mail the very best), or spending hours lined up for <I>Avatar</I>.

Filed under
Thomas J. Norton Posted: Nov 27, 2009 0 comments

Last week the History HD channel broadcast the multi-part documentary </I>World War II in HD<I>. Most of the footage was in color, dredged in an exhaustive two-year search from private collections or the back shelves of dusty museum storerooms. (Rumors to the contrary, it was not found in an Area 51 warehouse next to a crate with an ark in it.)

Filed under
Thomas J. Norton Posted: Nov 18, 2009 7 comments

It all started when I wondered what kind of audio I'd hear from the Blu-ray players I had on hand if I used them from their analog outputs. Most Blu-ray player reviews treat audio playback as a given. But is it?

Filed under
Thomas J. Norton Posted: Oct 14, 2009 0 comments

You may not have heard of Bamberg Audio, out of Fishers, Indiana, but you might in the future. The company's Series 5 TMW offers a lot of value in this intriguing and fine-sounding $8300 package. The top modules are available separately, making them more or less suitable for surround and center channel duties.

Filed under
Thomas J. Norton Posted: Oct 14, 2009 0 comments

YG Acoustics claims to make the best speakers in the world. While there are plenty of challengers for that throne, they certainly are some of the most expensive. The big
YG Acoustics Anat Reference II Professional loudspeakers ($107,000/pair) were as imposing physically as their price might you to believe in two rooms at the show. But they didn't quite do it for me in either room, considering their cost. I was much more impressed by the smaller Kipod Studios (shown in black in the photo) at a mere $38,000/pair, though the room they shared with their big brother was too big and too lively. Throw in three of the Kipod modules (the two-way that sits on top of the pyramidal subwoofer) for $8500 each and you have a full surround package for $63,500&#151;plus your choice of subwoofer, of course. The calling card of both YG speakers, apart from quality drivers and crossovers, is their solid aluminum cabinets, said to virtually eliminate unwanted resonances.

Filed under
Thomas J. Norton Posted: Oct 14, 2009 0 comments

Attention, Wilson Audio Alexandra and MAXX owners, your center channel speaker has arrived and your checkbook is about to take another hit. I didn’t catch the price of the new Polaris, due in 2010, and it wasn't on site. I found out about it only through a lonely printed handout sitting on a side table. The photo here is from the Wilson website. The speaker is far larger than the picture might suggests, and if it's designed to match those two…um…puppies, you can bet it will be a cost-no-object design. My guess is that you just might be able to bring home a <I>pair</I> of the new Sasha W/Ps for less.

Filed under
Thomas J. Norton Posted: Oct 14, 2009 1 comments

If I had to give a prize for the best sound at the show, it would be a toss-up between the Wilson Sasha W/Ps tied to Ayre electronics, discussed earlier, and the PMC MB2XBDi speakers (shown here) driven by Bryston electronics. Apart from room bass mode issues that all manufacturers had to deal with, the PMCs were superb. They were far too big for the space, designed as they are for professional applications. But the top modules of the towers are available separately (known as the MB2i), offering a more domesticated appearance for $21,000/pair. I didn't catch the price of the add-on bottom subwoofer modules, but am reasonably certain that for home use a duet (or, for home theater, a quintet) of MB2is will be a better fit&#151;supplemented by a more conventional and inconspicuous subwoofer or two positioned where they minimize room interactions (co-locating the subwoofers with the main speakers almost never gives the best results).

So went RMAF 2009. The show also offered a wide selection of interesting and informative seminars, with presenters from the two major high-end, mainly two-channel audio print publications, <I>Stereophile</I> and <I>The Absolute Sound</I>, and others as well. If you missed the show this year, a 2010 edition is currently planned for next fall.

Filed under
Thomas J. Norton Posted: Oct 14, 2009 0 comments

The Hegel room was one of the first good-sounding rooms I heard, and remained one of the most affordable. Hegel? It's a Norwegian company that has been doing business almost everywhere in the world for about 20 years, but this is their first serious foray into the U.S. market. A tough time to start, but they come well equipped. The demo featured the H200 integrated amp ($4400), which at 200W per channel is one of the more powerful integrateds around, the CDP2A mk II CD player ($2650), and the new HD10A D/A converter ($1200) featuring USB and SPDIF digital inputs. The speakers that completed the system were the Dali Helicon 400s.

Filed under
Thomas J. Norton Posted: Oct 14, 2009 1 comments

If the Vivid Giyas make you think of the B&W Nautilus speakers, that's because the same cabinet designer was involved. The Giyas will set you back $58,000/pair, not including, of course, the Luxman electronics and source driving them here, and the Synergistic actively shielded cables (don't ask) tying it all together.

Pages

X
Enter your Sound & Vision username.
Enter the password that accompanies your username.
Loading