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CEDIA 2010

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Tom Norton Posted: Sep 25, 2010 0 comments
The 2D LG AF115 projector was not on demo, but at $2300 when it becomes available in November, it's the lowest price LCOS model we know of.
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Tom Norton Posted: Sep 25, 2010 0 comments
There are, at present, two ways to view 2.35 movies on a 1920 x 1080 HD projector. First, you can tolerate the black bars on a 16:9 screen (or use a 2.35:1 screen and zoom the image out to let the black bars spill off the top and bottom). Second, you can use an anamorphic lens, together with video processing, on that same 2.35:1 screen. Engineers at Projectiondesign have a third way. Working with Texas Instruments, they have incorporated a 2538 x 1600 0.9"DLP chip into their new Avielo Optix SuperWide 235, a single-chip, 2-lamp, 2D digital projector. Using a 2538 x 1080 central area of this chip, they can project a 2.35:1 image onto the screen with 1080 pixels of vertical resolution.
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Darryl Wilkinson Posted: Sep 25, 2010 0 comments
SpeakerCrafts’s latest outdoor subwoofer aims to go low – really low, as in subterranean. In fact, this woofer goes so low all you can see is a small, hooded port that’s exposed above the surface of the ground. The rest of the “BoomTomb” is buried underground for a near-total stealth look. Inside the BoomTomb is a 10-inch long-throw woofer, and a hood covers the top of the port to protect the stuff inside from the elements and curious critters. A dedicated 250-watt amp gets to stay inside next to the rest of your electronics where it is (hopefully) warm and dry. No word yet on pricing.
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Mark Fleischmann Posted: Sep 25, 2010 0 comments
Coaxial driver arrays lay beneath the Granite-52 outdoor rock speakers from Earthquake Sound. They go for $450/pair plus another $799 for the Granite-10D subwoofer. A spokesperson said reliability in the tough outdoor environment is one reason to go with Earthquake. The company also showed the SWAT 2.4 wireless transmitter/receiver combo, $349/pair, which can be powered by USB or wall wart. Maybe just the thing to make the leap from your main rack to the sub or surrounds when conventional speaker cabling is inconvenient.
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Darryl Wilkinson Posted: Sep 25, 2010 1 comments
FOSI wants you to see stars in your home theater – and not just on your big screen. The company’s star ceiling panels – like this 8-foot x 12 foot version – contain thousands of individual fiber optic cables that take light from three central light sources (either halogen or LED-based lamps) and create astronomically correct reproductions of the night sky on your theater (or other) room’s ceiling. Panels can be ordered in flat black or cloud-sky painted models. This particular setup included over 5,000 fiber optic runs to create a September night sky that included a comet, several shooting stars, and the ability to erupt into a brilliant fireworks display. Without the fireworks lighting, the DIY version – in which you get the fiber optic cables and a complete, full-size template for where to drill the holes for the cables in your own panel – starts at around $2,000. As far as a professionally installed, fully tricked out version with fireworks and a night sky that’s exactly the way you want it from a certain date in history (your wedding night or the evening the Normans invaded England, for example, either of which could be considered the start of epic battles) can cost, well, the sky’s the limit.
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Scott Wilkinson Posted: Sep 25, 2010 2 comments
Focal is growing its Utopia line with the Viva, which comes in two varieties—a vertically oriented LCR that is also used for the surrounds and a horizontal center-channel that is otherwise essentially identical. Both incorporate the company's IAL2 beryllium tweeter and third-generation W-cone midranges and woofers for a frequency response from 39Hz to 50kHz (±3dB) and a sensitivity of 92dB/W/m.
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Tom Norton Posted: Sep 25, 2010 0 comments
Epson has become well known as a major producer of high quality, relatively affordable LCD projectors. Now, using its expertise as a premier imaging chip producer, it has produced an offshoot of LCOS, which differs in that it grows the active elements onto quartz rather than silicon. The result is a reflective LCD, or in Epson's words, RHTPS, for Reflective High Temperature Polysilicate.
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Scott Wilkinson Posted: Sep 25, 2010 5 comments
Aside from a bunch of projectors, SIM2 was also showing its 47-inch HDR47E LCD monitor, which uses Dolby's high-dynamic range LED-backlight technology in which each of the 2206 LEDs are individually dimmable with 20 bits of resolution, leading to a claimed contrast ratio of 1,000,000:1. Normally, I dismiss contrast specs, but I can believe this one—even on the show floor, the blacks were stunning, and bright portions were really bright; according to SIM2, the peak light output is 4000 nits, which is equivalent to 1167 foot-lamberts!

The HDR47E is intended for professional applications, such as automotive and medical imaging, and there are no specific plans to bring anything like it to the consumer market. And $35,000 for a 47-inch LCD is mighty steep. But it sure looked great playing Avatar.

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Tom Norton Posted: Sep 25, 2010 0 comments
Yes, it's only 2-channel, but the new Classe CP-800 preamp may be a taste of the future for such devices. Scheduled to ship in January 2010 for under $6000, it incorporates digital inputs, including coaxial, optical, and USB (asynchronous with proprietary clocking, a significant feature for us audio propeller heads), with on-board D/A conversion. Full support for Apple's transportable iProducts is also included. There are analog inputs as well, which can be set up for direct analog pass-through analog sources—or even as a pass through for the front channels of a full surround system. The outputs can even be programmed to drive one or more subwoofers, together with bass management and parametric EQ. The subs can be set up to operate on some inputs but not others. Both remote control and a graphical user interface with a touchscreen are part of the package.
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Scott Wilkinson Posted: Sep 25, 2010 0 comments
After several years of prototype demos at trade shows, Audio Design Associates (ADA) is finally releasing a consumer version of its Trinnov room correction technology in three standalone boxes—the TEQ-4 ($10,000), TEQ-8 ($12,000), and TEQ-12 ($15,000); the model number indicates how many audio channels each one supports. The first step is to play test tones and measure several listening positions with the included microphone, which uses four pickups spaced so that the speakers' position—including height—can be measured accurately.
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Tom Norton Posted: Sep 25, 2010 0 comments
Sometimes what you're looking for at CEDIA can be right under your nose.
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Tom Norton Posted: Sep 25, 2010 0 comments
Here are some details on the two new LG projectors.
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Darryl Wilkinson Posted: Sep 25, 2010 0 comments
“Ton Art is a collaboration between artists, designers and craftspeople, creating sonic sculptures that unite light and sound in three dimensional form.” Yes, it’s a speaker. (I think…)
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Tom Norton Posted: Sep 24, 2010 0 comments
The DreamVision Starlight2 ($9,495) was being demonstrated on a 120" wide, flat white, Perfect View screen, with a fixed Schneider anamorphic lens. Scenes from both Avatar and Dark Knight looked terrific, which did not surprise me given my experience with the DreamVision Starlight1 and the same lens (Home Theater, October 2010).
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Scott Wilkinson Posted: Sep 24, 2010 0 comments
Also at the Runco press conference was a new line of thin plasmas called Vistage. Interestingly, the rep avoided using the word "plasma," instead calling it a flat panel based on "emissive cell structure." C'mon, it's a plasma! Granted, it has a number of refinements, including optical precision glass and an outboard DHD processor, and it did look quite good in the demo. Three sizes will be available—50, 58, and 63 inches for $6000, $8000, and $10,000, respectively.

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