CEDIA 2009

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Scott Wilkinson Posted: Sep 09, 2009 Published: Sep 10, 2009 0 comments

In addition to the SL90, LG also introduced the SL80 line of LCD TVs, which use conventional fluorescent backlighting. Even so, their depth is a svelte 1.8 inches, and they also incorporate a "single layer" design with a single piece of glass covering both screen and narrow bezel. Three screen sizes comprise this line—42, 47, and 55 inches. The SL80 is available now for retail prices of $1600, $1900, and $2800, respectively.

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Scott Wilkinson Posted: Sep 10, 2009 0 comments

After blogging about these in-wall speakers before the show, I was eager to hear them for myself. The demo consisted of some CD selections in 2.1 (using the new SCS subwoofer, about which more in the next post), multichannel audio from DVD concert videos, and a clip from <I>Monsters, Inc.</I> shown on a Screen Research ClearPix2 woven, acoustically transparent screen. The system controller provides Audyssey MultEQ XT and several memories for different setups&#151;music, movies, speakers behind a screen or not, etc.&#151;and the result sounded great, with deep, clean bass and excellent imaging.

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Scott Wilkinson Posted: Sep 10, 2009 1 comments

I blogged about this LED-illuminated DLP projector before the show, but now I've seen a demo, which looked great on a Da-Lite Affinity screen (0.95 gain), even with some ambient light. The LEDs are claimed to have a 100,000-hour lifespan, which corresponds to 12 or 13 years of normal use. Colors looked quite natural thanks to the advanced calibration process that assures an accurate color gamut and grayscale.

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Mark Fleischmann Posted: Sep 10, 2009 2 comments
Why does the cable connecting the Audio Design Associates MPS-502 amp to its external power supply resemble a thick piece of plumbing -- like the pipe under your bathroom sink? Well, it has to carry 100 amps of current, so it can provide five channels with 450 watts each. Introduced in 1992, this was the amplifier on which THX based its amp spec. Throw in the PF-2502 to bring the system up to seven channels. In the present day, ADA is shipping two pre-pros, the Suite 7.1 ($5500) and Cinema Rhapsody Mach IV. You can buy the latter for $4100 but you'd be better off paying $7500 for the version with Trinnov auto setup and room correction. Trinnov will also be built into a separate equalizer product, the TEQ-1. (We are looking forward to trying Trinnov in the long-awaited Sherwood R-972 receiver.)
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Scott Wilkinson Posted: Sep 10, 2009 3 comments

Atlantic Technology isn't the only company with a concept product at CEDIA. Pioneer is showing its Project ET (Entertainment Tap), a networking paradigm that could be incorporated into a real product by next year. The Linux-based box being demonstrated at the show holds a 1TB (terabyte) hard disk, optical drive that can read Blu-ray, DVD, and CD as well as burn DVD and CD, HDMI I/O, and USB and RS-232 ports; in fact, up to 128 USB devices can be connected, including more hard disks.

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Mark Fleischmann Posted: Sep 10, 2009 0 comments
Look closely at the upper righthand corner of the Integra DTR-80.1 receiver back panel and you'll see a VGA input for your PC, a relative rarity. With nine amp channels (and 11 sets of binding posts) it's armed for bear. You might use those extra channels for width or height speakers, thanks to Audyssey DSX, or for height via Dolby Pro Logic IIz. Also shown were two other receivers and two preamp-processors. Integra products are sold through custom integrators only. See press release for pricing and further details.
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Scott Wilkinson Posted: Sep 10, 2009 0 comments

Aside from the DLS-RS4000 4K behemoth, no less than six new projectors were announced at JVC's press conference today&#151;three in the Reference series from the company's professional division and three in the Procision line from the consumer group, all with HQV video processing. At the top of the heap are the DLA-HD990 and RS35, which feature hand-selected and -tuned optics, 70,000:1 native contrast ratio with no dynamic iris, inverse telecine back to 24fps with 96Hz refresh rate, and ISF and THX certification. Both will list for $10,000 and should be available this month. Stepping down the model ladder, we come to the HD950 and RS25, with 50,000:1 contrast and THX movie mode for $8000. The entry level is occupied by the HD550 ($5000) and RS15 ($5500) with 35,000:1 and 30,000:1 contrast, respectively. The demos looked quite good, especially because JVC always goes to great lengths to show its projectors in a darkened environment.

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Tom Norton Posted: Sep 10, 2009 0 comments
JVC now has a two new Blu-ray players, but with a twist. The RS-HD 1250 ($1995) and RS-HD 1500 ($2550) not only play Blu-ray discs, but record them as well. Before you get all excited about this, you should know that the two cannot record HD either off the air or from copy-protected Blu-ray discs. Marketed by JVC's pro division, primarily with pro applications in mind, they can, however, copy HD video onto disc from HD camcorders, both pro and consumer. The material is first copied to an internal hard drive, then from there to to Blu-ray. The more expensive model differs in that it can record material from Final Cut Pro, has a larger hard drive 500GB vs 1250GB), and offers an RS-232 connection. Both machines have USB and IEEE-1394 ports.
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Tom Norton Posted: Sep 10, 2009 0 comments
LCD televisions with LED backlighting were all over the show (but c'mon Toshiba and others, they are LCD TVs with a new form of backlighting, NOT LED TVs), and Toshiba's 670 series with local dimming are among the best. We know, because you'll see a review of one in our November 2009 issue.
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Scott Wilkinson Posted: Sep 09, 2009 Published: Sep 10, 2009 0 comments

In the realm of front projectors, Sony unveiled the VPL-VW85 (though Tom Norton has already conducted a review of a pre-production unit for <I>Home Theater</I>, and he liked it very much). With a new auto iris, it claims a dynamic contrast ratio of 120,000:1, and it refreshes the image at 120Hz with dark-frame insertion, a Sony hallmark. It should hit retailers in October for around $8000.

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Mark Fleischmann Posted: Sep 10, 2009 0 comments
The s90i in-ceiling subwoofer from Wisdom contains two 5x7-foot drivers. We trust further comment will be unnecessary.
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Scott Wilkinson Posted: Sep 09, 2009 Published: Sep 10, 2009 2 comments

Sony's press conference was awash in new products, such as the BDP-CX7000ES 400-disc changer, which can accommodate Blu-rays, DVDs, and CDs. This Profile 2.0 player connects to the Internet in order to access BD-Live content, update the firmware, and download Gracenote MusicID and VideoID data related to the discs it holds, making it easy to find what you want. The retail price is $1900, and it's available now.

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Scott Wilkinson Posted: Sep 10, 2009 0 comments

This skinny subwoofer, dubbed the Suitcase Subwoofer (SCS) because of its shape, hardly looks like it can go deep, but it does. Even more surprising is the driver compliment, which consists of two 5x7-inch "woofers" at the mouth of what Wisdom calls a complimentary folded horn. Only the horn's port is visible, and it can be configured to exit the cabinet on the front or either side, making placement very flexible. This serves the company's goal of a sub that can be placed where traditional subs can't, such as behind or under furniture. Power is supplied by a 500W amp, and the list price will be around $4000 when it ships in October.

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Scott Wilkinson Posted: Sep 09, 2009 Published: Sep 10, 2009 2 comments

At the first press conference of the show, Atlantic Technology unveiled a new speaker technology called H-PAS (Hybrid Pressure Acceleration System), which purports to significantly increase the bass extension, dynamic range, and efficiency of just about any speaker while reducing the distortion with nothing more than a sophisticated acoustic chamber within the cabinet&#151;no electronics. Developed in conjunction with speaker maker Solus/Clements, the system combines elements of horn loading, transmission lines, bass reflex, and acoustic suspension&#151;hence "Hybrid" in the name. The frequency response of the chamber actually increases as the response of the driver decreases at lower frequencies, resulting in a very flat overall response from 70Hz down to a frequency that depends on the specific driver.

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Scott Wilkinson Posted: Sep 10, 2009 0 comments

The demo of Projectiondesign's 3-chip DLP Helios was mighty impressive on a 2.35:1, 11-foot-wide Da-Lite Affinity screen. The clip was from <I>10,000 B.C.</I>, an eminently forgettable movie that was chosen because it was color-graded on a Projectiondesign projector. The dual-lamp Helios was at its minimum lamp and iris settings to accommodate the screen, which means it can easily fill a screen up to 16 feet wide. Like the Kroma, the Helios produced very natural skin tones and razor-sharp detail.

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