3D BLU-RAY MOVIE REVIEWS

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Chris Chiarella Posted: Jan 23, 2014 0 comments
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Ever wonder how Monsters, Inc.’s Mike and Sully met? Me neither, since their friendship is so well defined in that vastly superior original film. But Monsters University takes us back to their college days anyway, when the optimistic Mr. Wozanski and the cocky Mr. Sullivan first crossed paths. Since childhood, the bookish, hardworking Mike has dreamed of becoming the greatest scarer ever, but after a disastrous first semester, he must win the campus Scare Games if he’s to have any hope of continuing his education. That means teaming up with a ragtag bunch of underdogs—and with Sully, who is rather a shallow jerk before he learns to play nice. This prequel is fraught with clichés and soon feels too darned long. As we used to say back when I was in school, that’s a bummer.
Thomas J. Norton Posted: Nov 25, 2013 0 comments
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The old fairy tail of Jack and the Beanstalk has been a staple in movies and television, with versions including Disney’s Mickey and the Beanstalk, several Looney Tunes cartoons, a segment in the recent Puss in Boots animated feature, a recent TV episode of Once Upon a Time, and even a 1952 Abbot and Costello movie. In Jack the Giant Slayer, teen Jack trades his uncle’s horse and cart for those magic beans.
Corey Gunnestad Posted: Oct 31, 2013 0 comments
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Good witches, bad witches, good witches who become bad witches; it’s all in a day’s work for the Wizard of Oz. The story of how the Wizard of Oz first arrived in Oz and became the great and powerful Wizard of Oz is chronicled in Oz the Great and Powerful. This prequel to The Wizard of Oz pays reverent homage to the original classic film in many ways but most noticeably by mimicking its famous prologue. Just like when Dorothy leaves Kansas and her monochromatic world magically morphs to glorious, exhilarating Technicolor, so it goes for the Wizard as well. After a 20-minute black-and-white prologue cropped in the 1.33:1 aspect ratio, Oz’s balloon arrives somewhere over the rainbow, the image bursts into vibrant color, and the aspect ratio expands to a full 2.40:1.
Josef Krebs Posted: Oct 31, 2013 0 comments
Deadwood: The Complete Series, La Notte, Monster Cars: Monsters University 3D & Cars 3D, and Agatha Christie’s Poirot, Series 9.
Corey Gunnestad Posted: Oct 24, 2013 0 comments
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In the classic tale of Hansel and Gretel, the titular children are lost in the woods and find a house made of candy. Starving, they devour the architecture with little regard for the occupant inside. The wicked witch who lives there lures them in and tries to eat them for supper. Any homeowner would sympathize. But they overpower the old crone and throw her into her own oven and burn her to death.
Thomas J. Norton Posted: Oct 08, 2013 0 comments
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When boogeyman Pitch Black schemes to plant fearsome nightmares into the minds and hearts of children throughout the world, it falls on the Guardians to derail his plans. When they attempt to convince Jack Frost, a free-spirit prankster, to join them, he agrees only when things turn truly grim.
Corey Gunnestad Posted: Sep 20, 2013 0 comments
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The grand experiment of converting iconic films to 3D for theatrical release and home video market resolutely continues in the hopes of attracting wide audience appeal—recent examples include Star Wars: The Phantom Menace, Titanic, and Top Gun. And now we have Jurassic Park. Titanic was the only one that managed to coax me back into a theater, but settling in to watch Jurassic Park at home with my 3D glasses on, I had a peculiar sensation I hadn’t felt in ages—the electric thrill of seeing it for the first time. Having seen it so many times in so many different formats, the experience has almost become passé. But this time, it was suddenly 1993 again and I was actually excited to see this film.
Chris Chiarella Posted: Sep 05, 2013 0 comments
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Peter Jackson gave the world a beloved, wildly successful film adaptation of J.R.R. Tolkien’s The Lord of the Rings, culminating in a record-breaking Oscar sweep, so of course, he was the obvious choice to helm the Hobbit prequels. But whereas the Rings trilogy made a newbie like me love it with its epic thrills and fascinating characters, An Unexpected Journey seems to be in love with its own familiar world and everyone in it. We meet a younger Bilbo Baggins, a hobbit happily minding his own business when the wizard Gandalf drafts him for a dangerous quest.
Corey Gunnestad Posted: Aug 09, 2013 0 comments
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I was a senior in high school when Top Gun came out in 1986. After that, every guy in my class, including myself, wanted to be Tom Cruise. He just epitomized coolness in a way that transcended even his iconic turn in Risky Business. Our Navy recruitment officer was extremely happy that year because enlistment was at an all-time high. No, they didn’t ensnare me, thankfully. My admiration for Mr. Cruise and this film went only as far as the box office and not swabbing decks on some aircraft carrier. But I remember we drove an extra 20 miles out of our way to see Top Gun at a brand-new theater that was the first in the state equipped for THX sound. And it made all the difference.
Thomas J. Norton Posted: Jul 31, 2013 0 comments
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Ralph plays the bad guy in the decades-old video game Fix-It Felix, Jr. Each time the game is reset, he trashes the high-rise apartment building that serves as the game’s main setting, only to have Felix instantly repair the damage. It’s a living, but Ralph lives alone in a junk pile, the other characters in the game want nothing to do with him, and he finds relief only in a Bad-Anon support group. As another member of that group argues, he may be a bad guy, but he isn’t a bad guy.
Thomas J. Norton Posted: Jul 18, 2013 0 comments
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James P. “Sulley” Sullivan is the pride of Monsters, Inc., the power company for Monstropolis. As Sulley and the other Monster scarers pass through doors leading into children’s bedrooms, the energy generated by kids’ screams is captured and stored. Sulley is the champion scarer, and Mike Wazowski is his coach, right-hand monster, and best pal.
Chris Chiarella Posted: Jul 10, 2013 4 comments
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Ang Lee’s adaptation of Yann Martel’s “unfilmable” book is a hypnotic rumination on the nature of religion as a source of strength and inspiration but also exploring faith’s common tendency toward allegory as the means to an end. We meet a very spiritual college professor named Pi whose past comes alive in a series of flashbacks as he tells his story to a novelist eager to write his next book. Pi was once shipwrecked and lost at sea for 227 days, already a sufficiently fascinating tale, but to make the ordeal even more extraordinary, he had to share his predicament with a fully grown Bengal tiger named Richard Parker. Their surprising relationship is masterfully dramatized in a series of indelible images, their odyssey recounted with an unending sense of wonder and a contagious love for the beauty of nature.
David Vaughn Posted: Jun 19, 2013 0 comments
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Coerced into playing baseball by his father, Victor connects with the hit of his life and sails one over the fence. His beloved dog, Sparky, thinks it’s a game of fetch, races after the ball, is hit by an oncoming car, and dies. Terribly depressed and lonely, Victor is inspired by his science teacher to bring his dog back to life. Successful in his task, his home-sewn creature draws the attention of an evil classmate when he escapes, and Victor is forced to reveal his secret on how to raise the dead. All hell breaks loose when the town is suddenly overrun by reanimated pets, and it’s up to Victor and Sparky to save the day.
David Vaughn Posted: Jun 10, 2013 4 comments
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When Toy Story launched the digital animation genre in 1995, you just knew that every Hollywood studio would eventually set up its own department to cash in on the latest movie trend. Throw in vampires with the Twilight phenomenon and 3D with Avatar, and it was just a matter of time before all three concepts would be mixed together into one picture, hence we get this entertaining animated tale from Sony Pictures.
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Thomas J. Norton Posted: May 29, 2013 0 comments
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Threatened with eviction from his lifelong home, Carl Fredrickson cuts loose in an unexpected way and sets off on a journey to the South American wilderness he and his late wife had long yearned to visit. Along the way, he picks up a few unwelcome (at first) fellow travelers: Russell, an 8-year-old Wilderness Explorer; Kevin, a rare bird and a key plot McGuffin; and Dug, a talking dog. Carl also runs into his boyhood idol, explorer Charles Muntz, who turns out to be less of a hero than he had long imagined.

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