To understand the greatness of JVC’s DLA-X7 projector, it’s important to understand contrast ratio. Every TV and projector company rattles on about a million-to-one this and a billion-to-one that. How come? Because there’s no standard method to measure it. Result: Manufacturers can pretty much make up whatever they want.
Winter is my favorite season, when all the past year’s new flat-panel TVs have been reviewed and I can switch my attention to projectors. This season was particularly bountiful, as I was able to score three of the best projectors on the market for review. Sony’s VPL-HW50ES, plus an Epson and a JVC, all arrived on my doorstep within a few days of one another. Not too shabby, that. Time for a roundup.
Ready or not, here comes 4K. . . sort of. Having maxed out HD resolution years ago and flogged the 3D horse ’til everyone got bored and went back to their coffee, TV manufacturers are now going above and beyond. Above and beyond the ATSC HD maximum resolution spec, that is, to 4K.
Sharp was once king of the $10,000 projector class, a class now nearly disappeared. With the 3D era under way, it returns to the game with this $4,995 offering, only to find the market far more competitive than before. Most notable is the $500-cheaper JVC DLA-X3, the baby brother of the X7 model I reviewed in the April/May issue.
This is my second time writing this review. I don’t mean that I tweaked and changed it a lot and that this is a second draft. I mean I had to completely rewrite it. No computer error: I simply found something so bizarre, so transformative about Epson’s Home Cinema 5010 projector that it radically changed my opinion of it. So much so that I had to start over completely.