Blu-ray Movie Reviews

On the way to cooking up the all-time great spaghetti western, Sergio Leone began here with Rawhide star Clint Eastwood, eager to break out of his "white hat" TV persona and take his craft and career to the next level. Together they birthed an anti-hero who would become known as The Man with No Name, indelible and ultimately at the center of For a Few Dollars More (also new to 4K) and The Good, the Bad and the Ugly (released last year).

These days you're not likely to see a Quentin Tarantino script directed by someone else, but there was a time when the young filmmaker-cum-video-store-clerk was raising funds to make his directorial debut (Reservoir Dogs) and sold True Romance, which was ultimately helmed by Top Gun's Tony Scott. The movie took a few years to find its audience—and current cult status—but is now hard to see it as anything but inspired and uniquely entertaining.

Long before Lin-Manuel Miranda set the American Revolution to music, playwright Peter Stone and composer/lyricist Sherman Edwards gave us an entertaining history lesson of their own, set in 1776. An unpopular John Adams, poetic Thomas Jefferson, and impish Ben Franklin are focused on a future free of British oppression, despite the danger of such a declaration, but when the decision is made that such a vote must be unanimous, the challenge becomes much more difficult. While a far cry from the hip-hop beats of Hamilton, the songs here do a remarkable job of conveying facts and weaving a compelling story worth telling again and again.

Along with Melvin Van Peebles' Sweet Sweetback's Baadassss Song, Shaft helped launch the Seventies era of so-called "blaxploitation" films that would dominate the world of Black entertainment for nearly a decade. Directed by prominent Black photographer Gordon Parks with Richard Roundtree in the title role and featuring a sizzling soundtrack by Isaac Hayes, Shaft didn't quite fit the mold of its subsequent ilk.

Batman movies keep evolving, changing and—surprisingly—getting better with each reboot, in one way or another. Director Tim Burton's Batman relied heavily upon its extreme art deco design to sweep away the goofiness of the Adam West TV incarnation, before that film series quickly descended into its own absurdity. Christopher Nolan's Dark Knight Trilogy was the cure, finding ways to make believable the exploits of a vigilante dressed as a flying mouse fighting a clown and a scarecrow, owing in large part to inspired casting choices.

When on-the-run drifter Stanton Carlisle stumbles into a seedy, travelling carnival in the late 1930s, he begins an adventure that might not end well. Ingratiating himself with the show's resident fortune-telling act, he manages to develop a flair for reading people, a talent that naive audiences see as mind-reading. Eventually he sets off in search of fame and richer pickings along with Molly, the carny's electric-girl act (and the film's rare sympathetic character). He hits the top, performing for upscale audiences, but when he meets Dr. Lilith Ritter, a big-city psychiatrist with wealthy clients and her own way with a grift, he more than meets his match.

In The Matrix: Resurrections, Neo (Keanu Reeves) is a developer responsible for the most popular game trilogy, one that ponders what would happen if AI took over the world and we didn't realize it. In his everyday life, listless and disconnected, Neo is seeing a therapist called the Analyst (Neil Patrick Harris) who has been prescribing him blue pills so he can get his head right. Turns out that Neo is back in the Matrix and he doesn't know it, but he can feel it. Thankfully, people are trying to rescue him. They also stumble across something new in the Matrix, called "modals," where incidents from Neo's past are being replayed over and over, but the outcomes are slightly different each time.