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Clinical depression isn’t exactly the stuff of Hollywood dreams. And in 2011, neither is Mel Gibson. His real-life drunken tirades have cost him dearly — and they make him an unlikely candidate for the necessarily sympathetic movie role of a severely depressed man who takes to talking through a beaver hand-puppet just to survive.
Losing your spouse has to be one of the most heart-wrenching experiences anyone could ever face. Throw in a couple of young kids who must also cope with the loss, and the surviving parent is in store for a very rough ride. When we meet Benjamin Mee, it’s been six months since his wife passed. His two kids, 14-year-old Dylan and 7-year-old Rosie, are trying to adjust but aren’t faring well. The widowed dad is reminded of his wife wherever he goes in town, and Dylan gets expelled from school due to his unique art and a theft problem. It’s definitely time for a change of scenery.
Ah, crime and punishment. They go together like . . . Leopold and Loeb, Donny and Marie, Rimsky and Korsakov. Except, of course, in the movies or on TV, when folks sometimes get away with murder (think Body Heat or The Player).