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THE S&V INTERVIEW

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Steve Guttenberg Posted: Feb 07, 2006 0 comments
I could easily fill pages of this magazine with a complete list of Phil Ramone's credits and achievements, but I'll stick with this condensed rundown. He's won 12 Grammy Awards and one Emmy, and he's worked with a virtual who's who of music: Burt Bacharach, Tony Bennett, Ray Charles, Chicago, Gloria Estefan, Aretha Franklin, Billy Joel, Elton John, Quincy Jones, B.B. King, Madonna, Luciano Pavarotti, Paul Simon, Frank Sinatra, the Rolling Stones, Barbra Streisand, James Taylor—and those are just the highlights. Ramone is chairman emeritus of the board of trustees of the National Academy of Recording Arts and Sciences. He is also a trustee of the National Recording Preservation Board of the Library of Congress.
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Steve Guttenberg Posted: Jan 31, 2006 Published: Jan 15, 2006 0 comments
Even if the names Brian Holland, Lamont Dozier, and Eddie Holland don't ring any bells for you, you surely know their music. They wrote most of the Supremes' and the Four Tops' megahits, such as "Where Did Our Love Go?," "Come See About Me," "Baby Love," "You Keep Me Hangin' On," "Baby, I Need Your Loving," "How Sweet it Is (To Be Loved by You)," and "Reach Out, I'll Be There." The three men supplied a steady stream of top-ten singles for Marvin Gaye, Jackson 5, Martha & the Vandellas, and many others.
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Aimee Giron Posted: Dec 06, 2005 Published: Dec 07, 2005 0 comments
Tune in to afternoon TV, and you're bound to run into a slew of children's programming. You may notice a tremendous presence of shows that look very similar to those native to Japan. Anime sagas such as Cowboy Bebop and Sailor Moon, as well as films by anime gurus such as Hayao Miyazaki (Spirited Away, Nausicaä of the Valley of the Winds), have been around for several decades in the East; however, the genre is still relatively new to the American audience. There is no doubt that the influence of Japanese anime is on the rise. We had the opportunity to speak to one of the most innovative Japanese filmmakers, Satoshi Kon, a man known for his extraordinary vision and ability to take his audience by surprise.
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Chris Chiarella Posted: Oct 28, 2005 Published: Nov 28, 2005 0 comments
Film editor Thelma Schoonmaker on movie quotes, fact versus fiction, and "Marty withdrawal."

Thelma Schoonmaker has been director Martin Scorsese's editor of choice ever since their shared career-defining turn on Raging Bull. With a collaboration spanning almost four decades, Schoonmaker recently won her second Academy Award and has been nominated for three others in the past. She took time off from her work on the upcoming crime drama The Departed to rewind with us.

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Chris Chiarella Posted: Oct 28, 2005 0 comments
"I put a good deal of thought into how my movies will look on home video."
Bob Gatton Posted: Oct 28, 2005 0 comments
ISF's Joel Silver tells our readers what they can do to optimize their displays' performance.

BG: What was your goal in founding the Imaging Science Foundation (ISF)?

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Steve Guttenberg Posted: Oct 28, 2005 Published: Sep 28, 2005 0 comments
Gabriel talks about his new dvd play, technology, and why ipod won't take over the music world.

Peter Gabriel's career got off the ground when he fronted one of Britain's top prog-rock bands, Genesis. He went solo in 1975. For this interview, we focused on his groundbreaking videos and his lifelong fascination with technology.

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Aimee Giron Posted: Oct 28, 2005 Published: Aug 28, 2005 0 comments
With such Disney credits as Pocahontas, The Lion King, and, most recently, the restoration of the classic film Bambi attached to his name, lead restoration animator Dave Bossert shares his experience in bringing back the spirit of the famed deer and why we still chase after that light at the end of the tunnel, no matter how old we get.
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Chris Chiarella Posted: Oct 28, 2005 Published: Jul 28, 2005 0 comments
The always-expressive entrepreneur speaks out on a doubling HD audience and idiots who shoot in NTSC.

For a great many guys, to know Mark Cuban is to envy him: The outspoken owner of the Dallas Mavericks is also the founder of the all-high-definition TV network, HDNet, which has since added his latest success, HDNet Movies, as well. Mark recently spoke to Home Theater about his newest offerings, the challenges and benefits of high-def, and an unusual prediction for the impending next-generation DVD format war.

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Chris Chiarella Posted: Oct 28, 2005 Published: Jun 28, 2005 0 comments
"The minute I finished the film, I plunged into the dvd."

Toon Town has a new sheriff, and his name is Brad Bird. On small screen and big, Bird has always brought tremendous heart and an offbeat comedic sensibility to his work, most recently his Oscar-winning The Incredibles, the only opus in the Pixar canon with a sole "Written and Directed by" credit. Here, the humble auteur shares some insights on his unique creative spark.

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Dan Yakir Posted: Feb 22, 2003 0 comments
When he agreed to direct a sequel to his megahit Men In Black, Barry Sonnenfeld was determined not to repeat himself. "We had to bring back Will Smith and Tommy Lee Jones, because so much of what made that first movie work was the relationship between them," he explains. "They're like Abbott and Costello. You can't have one without the other . . . there's a karmic thing between these two. The audience likes to see them bicker. The first movie takes place over three days and MIIB over two, so they only know each other for five days—but it looks like they've been together for 30 years!"
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Lawrence B. Johnson Posted: May 31, 2002 0 comments
Meridian's chief designer and chairman Bob Stuart speaks out on musical truth as the Holy Grail of audio.
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Lawrence B. Johnson Posted: Nov 29, 2000 0 comments
A look at Sam Runco, the man behind some of the most dazzling developments in home theater.
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Timothy J. Seppala Posted: Nov 20, 2012 0 comments

Sabotaging a gas pump and watching from inside a dumpster as a criminal walks up to it, takes a phone call, lights a cigarette and then explodes is one of Hitman: Absolution's (out today for PC, PS3, Xbox 360) simplest pleasures. Last week I talked to the game's director,18-year industry veteran Tore Blystad, about his latest project.

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Timothy J. Seppala Posted: Sep 05, 2012 0 comments

Harmonix Music Systems redefined the peripheral-based rhythm genre with Rock Band in 2007. Five years, two numbered sequels and a few notable band-specific spin-offs later, their fans have a huge music library at their disposal. Thanks to smart thinking at the outset, almost all of the material from each successive game release has been playable within the Rock Band ecosystem (The Beatles Rock Band notwithstanding). There's somewhere in the neighborhood of three thousand songs in the Rock Band catalog if you count the community-authored tracks available on the Rock Band Network store.

The problem is, no one wants to buy peripheral-based games anymore. The novelty's over and isn't coming back anytime soon. Despite this, Harmonix has been keeping Rock Band fresh by releasing new songs and albums each week for players to download. This is great for hardcore fans, but not everyone wants to go through the hassle of getting the band back together because they want to play a few new tracks. That's where Rock Band Blitz comes in.

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