Tower Speaker Reviews

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Thomas J. Norton  |  Jun 12, 2006  |  0 comments

We haven't reviewed any of Revel's flagship Ultima models since the Gem/Voice/Embrace combination was evaluated in <I>Stereophile Guide to Home Theater</I> way back in 1998. But we've reviewed several Revel Performa systems since then. Three years ago I reviewed the then-new flagship system of Revel's Performa line, headlined by the floor standing <A HREF="http://ultimateavmag.com/speakersystems/123/">Performa F50 </A>.

 |  May 26, 2006  |  0 comments

<B>Price</B>: $22,434 as configured in SCB's reference system.

Ultimate AV Staff  |  May 26, 2006  |  0 comments

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Ultimate AV Staff  |  May 24, 2006  |  First Published: May 25, 2006  |  0 comments

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Ultimate AV Staff  |  May 24, 2006  |  First Published: May 25, 2006  |  0 comments

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Ultimate AV Staff  |  May 25, 2006  |  0 comments

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Ultimate AV Staff  |  May 25, 2006  |  0 comments

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 |  May 25, 2006  |  0 comments

<IMG SRC="/images/archivesart/506vander3a.1.jpg" ALT="506vander3a.1.jpg" WIDTH=220 HEIGHT=281 HSPACE=4 VSPACE=4 ALIGN=RIGHT><B>Price</B>: $11,673 as configured in SCB's former reference system.

Roger Maycock  |  May 15, 2006  |  0 comments
Sonic revelation.

When the assignment came in to review Revel's Performa system, I was more than just a little bit excited. After all, spending time with a Performa F52, C52, S30, M22, and B15A setup is akin to driving a Mercedes-Benz CL600 coupe with every conceivable option when you're accustomed to commuting in a Honda Accord. There's nice, and then there's, "Give me the keys, and get out of the way!" Yes, this would be fun.

Mark Fleischmann  |  May 15, 2006  |  0 comments
Sometimes it's better to be indirect.

Mirage has been, ahem, reflecting on the influence of room acoustics for nearly two decades. In the process, this distinguished Canadian speaker maker has birthed some unorthodox designs. The common thread running through all of them is a determination to make room reflections work for loudspeakers rather than against them. That determination bears fruit in the second-generation Omnisat series.

Darryl Wilkinson  |  May 15, 2006  |  0 comments
Where there's a will, there's a way.

Say your Great-Aunt Edna died and left you $10,000 or so in her will with the stipulation that you had to spend it on a home theater system (that's why she always was your favorite great-aunt). You and I could while away the better part of an evening arguing the particulars of what gear to buy—and especially how the money should be divided between the audio and video parts of the system.

Mark Fleischmann  |  Apr 18, 2006  |  First Published: Apr 19, 2006  |  0 comments
All the THX in China.

First-generation THX blossomed in the high-end sphere. The first companies to make THX-certified speakers were already making great ones, with or without certification. Even now, the list of THX speaker makers reads like an industry honor roll. That list is now one name longer.

Roger Maycock  |  Apr 09, 2006  |  0 comments
Home theater audio with a pro-studio heritage.

When I received the call to review PMC's OB1, CB6, GB1, and TLE1 home theater loudspeaker system, I was excited. The British company enjoys a stellar reputation throughout the professional audio community, and prominent clients, including Dolby Labs, BBC Radio, Capital Records, and Village Recorders use their equipment. The opportunity to discover how PMC's consumer equipment performs was more than a bit intriguing.

Thomas J. Norton  |  Mar 12, 2006  |  0 comments

My first experience with Energy speakers came in 1994, when I reviewed the Canadian company's then flagship speaker, the Veritas v2.8. It rotated in and out of my system for years, occasionally bettered in specifics by speakers selling for its original price ($6000/pair) or more, but never trumped overall, to my ears. The pair I own is still a valued two-channel reference, but unfortunately Energy never made a center channel speaker to match it.

Michael Trei  |  Mar 10, 2006  |  0 comments
Flexibility and value from a Scottish benchmark.

Imagine what it would be like if shopping for a new car involved the same number of decisions we must make when buying a home theater system. First, we would pick an engine, then we'd need a chassis to mount it in, and, to top it off, we would hire a coach builder to design a body to our specifications. This is, in fact, the way people bought luxury cars prior to World War II, before the car companies came to recognize that advancing technology required them to think of the design as an integrated whole rather than as a hodgepodge grouping of discrete components.

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