Bookshelf Speaker Reviews

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Mark Fleischmann  |  Jan 17, 2018  |  0 comments

Demand Series D11 Speaker System
Performance
Build Quality
Value

SuperCube 6000 Subwoofer
Performance
Features
Build Quality
PRICE 3,196

AT A GLANCE
Plus
Appealing neutral voicing
Laterally offset tweeter
Active 8-inch sub integrated in center speaker
Minus
D11 top radiators complicate placement of Atmos add-ons

THE VERDICT
The Demand Series lives up to Definitive Technology’s pedigree with satisfying, well-balanced sound that offers loads of resolution.

Nature abhors a vacuum, but wasting cabinet real estate is standard operating procedure among loudspeaker designers. With the notable exception of Atmos-enabled speakers and the occasional tweeter pod, the top panel of most speakers is a blank nothing. But does it have to be that way? Definitive Technology answered no, in effect, with its original Studio Monitor Series of bookshelf/stand-mount speakers (circa 2012) and does so again in this new update, the Demand Series.

Daniel Kumin  |  Jan 03, 2018  |  0 comments

Sib Evo Dolby Atmos 5.1.2 Speaker System
Performance
Build Quality
Value

Cub Evo Subwoofer
Performance
Features
Build Quality
Value
PRICE $1,299

AT A GLANCE
Plus
Excellent sound quality
Great subwoofer/satellite integration
Plays louder, cleaner than some similarly sized systems
Atmos on board
Minus
Spring-loaded push connectors can be irritating
No prepackaged 5.1.4-channel option

THE VERDICT
A high-performing, moderately compact, one-carton speaker solution for serious home theater—with Atmos.

Focal, the French loudspeaker maker—the French loudspeaker maker (there are others, but really, name one)—is best known on these shores for the Utopia series of haute-highend ultra-towers, which, cresting at something like $185,000 for a pair, step well over what I think of as the Che Guevara line. (That’s the line across which, following the revolution, anyone owning a pair can count on a very long vacation at state expense in a re-education camp.)

Bob Ankosko  |  Dec 27, 2017  |  1 comments
Performance
Features
Build Quality
Value
PRICE $799

AT A GLANCE
Plus
Solid build quality
Handsome fit and finish
Easy setup
Good overall sound quality with bountiful bass
Minus
No Wi-Fi streaming
No tone controls
Disappointing phono preamp

THE VERDICT
Klipsch’s beautifully crafted Sixes deliver fine sound with the bonus of onboard power, but vinyl playback is shortchanged by its pedestrian phono preamp.

I’ve been talking about pulling my old turntable out of mothballs since I moved to my current home, oh…20 years ago. Which is why I jumped at the chance when asked if I had any interest in auditioning The Sixes, the latest entry in Klipsch’s Heritage Wireless series and big brother to The Three, the superb all-in-one wireless music system we reviewed in May. I know what you’re thinking: What does reviewing speakers have to do with setting up a turntable? Bear with me.

Mark Fleischmann  |  Dec 22, 2017  |  1 comments

Performance
Features
Build Quality
Value
PRICE $480

AT A GLANCE
Plus
Phono, line, optical, Bluetooth inputs
Subwoofer output
Wide choice of colors
Minus
USB not PC-friendly

THE VERDICT
If you’re looking to plug your turntable directly into a good-looking and functional pair of speakers, the Kanto YU6 will make it work—and sound great.

Why shouldn’t life be simpler? If there’s one thing your studio apartment, dorm room, bedroom, or guest bedroom doesn’t need, it’s an audio rack with a tangle of cables. But going without music would be barbaric. So how simple do you need to get? If a bare-bones Bluetooth speaker isn’t enough, a pair of powered speakers might make more sense. You’d have a stereo soundstage without the fuss of an outboard amp and rack.

Mark Fleischmann  |  Dec 19, 2017  |  4 comments
PRICE $2,143 as reviewed

THE VERDICT
Emotiva’s BasX surround processor, five-channel amp, and speakers offer an affordable and high-performing starter system that puts you into audio separates without breaking the bank.

Surround separates are generally regarded as a step up from receivers. If you want the biggest and best, and have to ask their prices, you probably can’t afford them. But ask me the prices of Emotiva’s new BasX surround preamp/processor and multichannel amplifier, along with a set of compact speakers from the same series. The answers are $599, $499, and $1,045, totaling $2,143 for a 5.1-channel system of electronics and speakers. That would buy a midpriced receiver and a decent (but probably smaller) satellite/subwoofer set.

Mark Fleischmann  |  Aug 03, 2017  |  4 comments

3000 5.1 Speaker System
Performance
Build Quality
Value

3070 Subwoofer
Performance
Features
Build Quality
Value
PRICE $900

AT A GLANCE
Plus
Sweet and smooth sats
Dual 6.5-inch sub
Minus
Deep sub juts out from wall

THE VERDICT
A sweet-sounding system, with a sub worthy of the satellites, the Q Acoustics 3000 is one of the best under-$1,000 5.1-channel setups I’ve heard.

Tube amps. Mono pressings. And now, 5.1? Has bedrock surround sound indeed joined the ranks of retro audio technologies? Surround receivers beyond the most entry level nearly always have more than five channels (though their uses vary), while Dolby Atmos and DTS:X have made seven (5.1.2) the new minimum system configuration. What happens when you go in the other direction? The flood of 5.1 speaker sets that I used to review in the late 20th and early 21st centuries has tapered to a trickle. I see fewer new ones at CES and CEDIA, and plain old stereo is dominant at the rest of the domestic and international audio shows. However, the British manufacturer Q Acoustics has been marketing 5.1-channel speaker sets since the company’s inception about a decade ago and continues to actively develop them. The brand’s latest entry is called the 3000 5.1 Home Theatre System.

Mark Fleischmann  |  Jul 14, 2017  |  0 comments

Performance
Build Quality
Value
PRICE $1,795/pr

AT A GLANCE
Plus
I-PAShd cabinet design
Planar magnetic folded tweeter
Minus
Bass extended but not slammin’
No matching center speaker
Low rated sensitivity

THE VERDICT
The Solus Audio Entré II is a well-rounded performer whose special attribute is an elaborate bass-enhancing enclosure.

Life has a way of setting us up for disappointment. So we develop a hard shell of skepticism and rote responses: There is no free lunch. You can’t get blood from a stone. If it seems too good to be true, it probably is. There’s no such thing as an honest politician. Don’t order the fish on a Monday. And to that list, add: You can’t get big bass out of a small speaker. Little speakers that try to sound big just end up with a bloated bass hump and a turbulent, chuffing port.

Mark Fleischmann  |  Jun 20, 2017  |  0 comments

Performance
Features
Ergonomics
Value
PRICE $399 pr

AT A GLANCE
Plus
For desktop or in-room listening
PC-friendly USB and line inputs
Class A/B analog amp
Minus
Limited (but adjustable) bass

THE VERDICT
Audioengine, always a champ in powered compact speakers, sweetens the deal on this one with a PC-friendly USB input and headphone jack.

Twelve-year-old Audioengine is best known for active compact speakers, though the company also makes passive compact speakers, a subwoofer, a small amplifier, a USB stick DAC, and a couple of streaming DACs. The HD3 loudspeaker is more or less an amalgamation of most of those products, infusing a sweet little speaker with a Class A/B amp, DAC, Bluetooth streaming, and a couple of less common features that just might make it irresistible to those in the market for a pair of small wireless speakers.

Daniel Kumin  |  Mar 02, 2017  |  0 comments

CG3 5.1 Speaker System
Performance
Build Quality
Value

Speedwoofer 10S Subwoofer
Performance
Features
Build Quality
Value
PRICE $1,079 as reviewed

AT A GLANCE
Plus
Rigorously balanced sound
Plays surprisingly loud
Easy, excellent sub/sat blending
Minus
Sats can be a bit power-hungry in larger rooms

THE VERDICT
Given its low cost, solid dynamics, and impressive neutrality, it would be tough to find a better or more honest small speaker system for the price than RSL’s latest.

When it comes to loudspeakers, how big is big enough? How small is too small? What size is j-u-u-ust right? Speaker buyers have been asking these questions, and speaker makers have been answering them, ever since a certain Brand B shook the world years ago with micro-sized satellites employing 2.5-inch drivers that struggled to reach down to 200 hertz, mated with similarly challenged Lilliputian subs. Physics notwithstanding, buyers took to them in droves—and since then, the race to the bottom, cubicvolume-wise, has been on.

Mark Fleischmann  |  Feb 02, 2017  |  0 comments

Dôme Flax 5.1 Speaker System
Performance
Build Quality
Value

Sub Air Subwoofer
Performance
Features
Ergonomics
Value
PRICE $1,999

AT A GLANCE
Plus
Flax cone woofer
Aluminum-magnesium inverted-dome tweeter
Wall-hugging sub
Minus
Limited bass from sats

THE VERDICT
Unique driver materials, overall quality of construction, and adroit voicing make the Focal Dôme Flax 5.1 one of the best-sounding compact sat/sub systems I’ve heard.

As the home theater milieu increasingly divides into Atmos and non-Atmos camps, the satellite/subwoofer category seems destined to remain part of the old guard, usually sold in a set of five little speakers and a sub or two. Is it possible for a satellite speaker to retain its merciful compactness if it’s also to include an Atmos-enabled upfiring driver? I’d love to review such a product, but right now it’s a figment of my imagination and hopes. Focal, the prodigious French speaker manufacturer, does now offer a 5.1.2-channel Atmos-capable sat/sub system that takes a different approach (see below), but you’ll be happy to know that plain ol’ 5.1 is still alive and supported by this and other fine speaker makers. Even now it remains the bedrock configuration of surround sound.

Mark Fleischmann  |  Dec 28, 2016  |  3 comments

Performance
Build Quality
Value
PRICE $2,047 as reviewed

AT A GLANCE
Plus
Concentric mid/tweeter
Pinpoint imaging
App-driven, room- correcting sub
Minus
Extra power required
App required for sub control

THE VERDICT
Speaker designer extraordinaire Andrew Jones continues his work for German manufacturer Elac with some of the best monitor-class speakers we’ve ever heard plus a provocative, app-driven sub.

There are a lot of ways to put together a home theater system. Small speakers—or, as I call them, monitors—are among the best foundations for a multipurpose room that isn’t cavernous in size. The audio industry used to pump out so many potentially interesting passive monitors (not to mention towers) that we could barely review a fraction of them. But with the increasing emphasis today on soundbars and powered lifestyle speakers at the lower end of the market, it’s becoming increasingly hard to put together small-speaker configurations for surround sound.

Mark Fleischmann  |  Nov 09, 2016  |  1 comments

Performance
Build Quality
Value
PRICE $499 pr

AT A GLANCE
Plus
Flexibility of stand or speaker-top use
Strongly defined height effects
Horn-loaded tweeter
Minus
Potential timbre-matching issues
Footprint too large for some speakers
Requires flat or nearly flat speaker top

THE VERDICT
If you like your Dolby Atmos and DTS:X height effects well defined, the Klipsch RP-140SA and its horn-loaded tweeter do the ceiling bounce with vivid results.

Progress is great, except when it’s not. By now, you’ve probably read a lot about Dolby Atmos and DTS:X, the nextgeneration object-oriented surround standards, and pondered what they mean for your system. But maybe the news that height-enriched surround sound has finally come of age is bittersweet to you. What if you love your existing speakers and don’t want to let go of them? Which matters more: upgrading to the latest and greatest or holding onto the tried and true? You might prefer to stick with your existing 5.1- to 7.1-channel system and tell progress to take a hike.

Mark Fleischmann  |  Aug 25, 2016  |  0 comments

LCR3 Speaker
Performance
Build Quality
Value

SB-900 Subwoofer
Performance
Features
Build Quality
Value

FS3 Soundbar
Performance
Build Quality
Value
PRICE $1,550 to $2,075 as reviewed

AT A GLANCE
Plus
Slim-profile passive soundbar, or...
Compact LCRs in front, with...
One sub or two
Minus
AVR required for passive bar
Inherent limits of 8-inch sub

THE VERDICT
Whether configured with a three-channel soundbar up front or compact LCRs all around, this system delivers deeply satisfying performance for the price, with plenty of listening comfort.

How should your 5.1-channel system handle the three channels in front? You might use the traditional approach of three separate speakers. Then again, you might simply use a passive soundbar with left, center, and right drivers. We’ve reviewed both kinds of systems—but until now, we haven’t reviewed both options at once. In this Test Report, that’s just what we’re going to do. We’ll start with Atlantic Technology’s new FS3 soundbar in the front and two voice-matched LCR3 satellites in the surround positions. Then we’ll swap out the soundbar for three more satellites to see what that brings to the table. To make it even more interesting, we’ll start with a single 8-inch SB-900 subwoofer, then contemplate the advantages of adding a second one.

Michael Trei  |  Aug 18, 2016  |  2 comments

Performance
Features
Ergonomics
Value
PRICE $1,199

AT A GLANCE
Plus
True surround sound without the wiring hassles
Quick and easy setup
Hi-res wireless audio transmission
Minus
No Dolby TrueHD or DTS-HD Master Audio decoding
Remote is difficult to use
Lots of wall-wart power supplies to plug in

THE VERDICT
By eliminating the hassle of running speaker cables for a 5.1-channel system, the CineHome HD delivers a true, fuss-free surround experience that no single-point soundbar can match. While its feature set is pretty basic, that simplicity will likely be a plus for its targeted customers.

Here at Sound & Vision, we like to think of ourselves as hard-core home theater enthusiasts, so it’s difficult for us to fathom why average people don’t want to jump through hoops to set up a complete 5.1-channel surround system. Sure, you’d need to find space for an A/V receiver and a pile of speakers—plus you’d have to hook up a bunch of wires and thumb through a stack of onscreen menus to get everything properly configured and adjusted—but that’s all part of the fun, right?

Mark Fleischmann  |  Aug 02, 2016  |  1 comments

Performance
Build Quality
Value
PRICE $1,999 pr

AT A GLANCE
Plus
Ribbon tweeter for wide horizontal dispersion
Kevlar cone woofer with dual-chambered loading
Multi-layered, curved cabinet
Minus
Limited bass, typical of compact monitors

THE VERDICT
The Quad Z1 monitor uses a beautifully voiced ribbon tweeter to achieve improved room coverage versus a conventional dome tweeter.

Everything you think you know about Quad comes with a curve ball. Some might associate the name with quadraphonic sound, but in fact it originally stood for Quality Unit Amplifier Domestic. That name implies a mission involving amps, and Quad does make ’em—but as any longtime audiophile can tell you, the brand is best known for its large flatpanel electrostatic loudspeakers. Some of those graying audiophiles remember Quad as a British manufacturer, but it has been under the competent and enlightened ownership of Bernard and Michael Chang of Taiwan and their International Audio Group for more than a decade.

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