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BOOKSHELF SPEAKER REVIEWS

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Brent Butterworth Posted: Mar 26, 2013 0 comments

“Really?” I blurted out loud when I opened the RTiA1’s box to find a substantial, beautifully made minispeaker with curved sides and a higher level of fit’n’finish than that found on any of the other speakers in this group (the Monitor Bronze BX1 perhaps excepted). I even double-checked the price, doubting that Polk could sell such a nice-looking speaker for less than $400 a pair, especially $325 a pair (or even less online).

Brent Butterworth Posted: Oct 11, 2012 0 comments

The surest way to future success is to repeat your past successes. Like that line? I made it up. If you think it’s a lot of B.S., I present as irrefutable evidence the careers of Andy Warhol and Roy Lichtenstein. Also the Paradigm Millenia CT, a 2.1 speaker system based closely on the MilleniaOne, our 2011 Product of the Year.

Brent Butterworth Posted: Aug 23, 2012 1 comments

When I’m looking for speakers to review, I gravitate toward two types: ones that have the potential to sound great, and ones with weird designs. The former offer the potential for hours of joyous listening. The latter offer the potential for either a previously unimagined sonic nirvana or an audio train wreck, both of which are fun to write about.

Definitive Technology’s $899-per-pair StudioMonitor SM65 fits both descriptions.

Brent Butterworth Posted: Mar 26, 2013 0 comments
The Monitor series of speakers from Paradigm is now in its seventh generation. It's always been the company's most affordable line, but it's always been designed in the same no-nonsense, engineering-focused style as the company's other speakers. The Atom Monitor 7 ($398/pr) is no exception.
Brent Butterworth Posted: Mar 21, 2012 0 comments

It seemed that audio companies had surrendered the home-theater-in-a-box concept to the TV manufacturers.

Brent Butterworth Posted: Mar 26, 2013 0 comments

More than any other speaker in this group except perhaps the Polk, the BX1 ($379/pr) looks like a high-end product, with its walnut finish; its 1-inch, gold-finish C-CAM (composite ceramic metal) tweeter; and its 5.5-inch C-CAM woofer. Unusually, the woofer is attached to the back panel, not the front, so its vibration won't be as easily transmitted to the front panel.

Brent Butterworth Posted: Oct 16, 2011 0 comments

Romantics see Italy as a place of rich history and sophisticated culture. Not me. As a non-romantic, I can think of Italy only as the birthplace of the Fiat 128 that often left me walking instead of driving, and the location of a honeymoon in which I fought frenzied traffic and struggled to find a decent meal.

Brent Butterworth Posted: Mar 26, 2013 0 comments

Hsu Research ranks high on home theater enthusiasts' "most favored brands" list, largely because of its high-performance, low-priced subwoofers. Indeed, the HB-1 MK2 ($318/pr) seems to be designed primarily as a home theater bruiser: At 15.4 inches high, it's the largest speaker in this roundup, and its 6.5-inch, polypropylene-cone woofer gives it more bass real estate than any but the Axiom M3v3.

Daniel Kumin Posted: Jul 19, 2011 0 comments

As a lazy musician (redundant, yes) with a bad back, it have nurtured an enduring fantasy, that of discovering a 3-inch-cube loudspeaker that weighs less than a kilogram but delivers the output of a 15-inch JBL D-130.

Daniel Kumin Posted: Jun 06, 2013 0 comments

Physicists have long postulated that an ideal sound reproducer would behave as a pulsating sphere. Ever since, the wish being father to the thought, speaker designers have been cramming transducers into balls, as if making the cabinet round would somehow magically make the sound spherical.

Michael Trei Posted: Nov 02, 2007 0 comments

the listMost of us are familiar with the old saying that children should be seen and not heard. How might we apply similar thinking to loudspeakers? Just the word loudspeaker suggests something that needs to be heard clearly.

Brent Butterworth Posted: Dec 20, 2012 1 comments

KEF made the LS50 minispeaker for lots of reasons. It’s a celebration of the company’s 50th anniversary. It’s the first affordable application of the technology developed for the $29,999/pair Blade. It’s a throwback to the LS3/5a, a beloved, BBC-designed minimonitor for which KEF made the drivers.

Brent Butterworth Posted: Sep 18, 2012 0 comments

As athletes such as Michael Vick, Kobe Bryant, and the whole New Orleans Saints defense have learned the hard way, even when you’re the best, it helps to be friendly. Big surround sound systems aren’t friendly to your décor or your pocketbook. Fortunately, in the last 2 years, we’ve seen major speaker companies put serious effort into designing compact 5.1 systems that deliver no-compromise performance. The Mini Theatre line from Bowers & Wilkins is the latest to make its way through my listening room.

Brent Butterworth Posted: Apr 09, 2013 0 comments

The Motion 15 is in my listening room partly because I've wanted to hear it ever since I first saw it about a year ago, and partly because I mistakenly ordered it for our massive "Clash of the Minispeakers" test.

Brent Butterworth Posted: May 09, 2012 0 comments

If there’s any speaker spec that’s routinely bogus, it’s bass response. You see a lot of little speakers rated to deliver bass below 40 Hz, but that measurement is almost always taken at -10 dB, instead of the industry standard of -3 dB. Even if the little speaker does hit, say, 36 Hz at some level, it almost certainly can’t deliver any usable volume at that frequency.

There are ways, though, to get legit sub-40 Hz response from a little speaker. One is H-PAS, or Hybrid Pressure Acceleration System, invented by Solus-Clements and now used and licensed by Atlantic Technology.

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