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HT Staff Posted: Jul 18, 2000 Published: Jul 19, 2000 0 comments
A speaker that Tony Montana would definitely love.

Power is considered to be very important in our society. Tony Montana's immortal words in Scarface said it all: "First you get the money, then you get the power, then you get the woman." Of course, Tony was talking about a different kind of power than what you or I would be interested in (drug-kingpin power is very different from a nine-to-fiver's kind of power), but possessing even a minute amount of power can electrify one's self-esteem. Granted, Tony's zeal for power led to his coked-out paranoia and ultimate demise, but other types of power can, in fact, be quite healthy.

Jeff Cherun Posted: Jun 25, 2000 Published: Jun 26, 2000 0 comments
The Ferrari of audio.

Awhile back, I had the opportunity to be treated to what some of the world's most talented engineers have to offer. You see, I was having a drink with my friend Ron Jackson (president of Girard-Perregaux USA, a high-end watch manufacturer that has an affiliation with legendary car manufacturer Ferrari), and he suggested that I join him the following day at the Willow Springs racetrack for the U.S. debut of the new Ferrari 360 Modena. As a huge Ferrari fan, this was clearly an offer I couldn't refuse.

Clint Walker Posted: Mar 28, 2000 Published: Mar 29, 2000 0 comments
M&K reaches new heights in audio engineering.

It's not uncommon for a company to come along and make the claim that they've reinvented the wheel in audio or video. In fact, every year at the Consumer Electronics Show, I chuckle when some yahoo representing one of these companies comes up to me and begins to peddle their wares. Sure, there have been several advancements in audio engineering over the last few decades, but let's face it—no one has truly reinvented the wheel.

Clint Walker Posted: Feb 28, 2000 Published: Feb 29, 2000 0 comments
A tasty trio of tweeters?

I once dated a girl in college who had a unusually large mouth. I was so taken in by the possibilities that I failed to explore the reality—a big mouth equals a loud mouth. Likewise, when it comes to speakers, you can usually get a good idea of the limitations or exacerbations of a speaker by the types and number of drivers it has.

Brent Butterworth Posted: May 09, 2012 0 comments

If there’s any speaker spec that’s routinely bogus, it’s bass response. You see a lot of little speakers rated to deliver bass below 40 Hz, but that measurement is almost always taken at -10 dB, instead of the industry standard of -3 dB. Even if the little speaker does hit, say, 36 Hz at some level, it almost certainly can’t deliver any usable volume at that frequency.

There are ways, though, to get legit sub-40 Hz response from a little speaker. One is H-PAS, or Hybrid Pressure Acceleration System, invented by Solus-Clements and now used and licensed by Atlantic Technology.

Brent Butterworth Posted: Mar 26, 2013 0 comments

The Marimba ($349/pr) is the first speaker ever offered under the Music Hall brand, known for affordable turntables and audiophile electronics. Clearly, the sound was the focus; the Marimba's black ash vinyl wrap finish won't win any design awards. The 1-inch silk-dome tweeter and 5.25-inch, polypropylene-cone woofer are mounted in a rear-ported, 11-inch-high cabinet.

Brent Butterworth Posted: Dec 22, 2011 0 comments

It’s been a dream of audio engineers and enthusiasts for decades: Create a compact speaker system that performs like a big one.

Brent Butterworth Posted: Mar 26, 2013 0 comments

Audio cognoscenti won't recognize the C3 ($350/pr) as a KEF because it doesn't have KEF's trademark concentric tweeter-inside-woofer design. Its 0.75-inch aluminum-dome tweeter sits above its 5.25-inch polypropylene-cone woofer in an 11.4-inch-high front-ported cabinet.

Brent Butterworth Posted: Aug 16, 2011 0 comments

Since time immemorial (or at least the late 1980s), designers of compact subwoofer/satellite speaker systems have struggled against The Hole.

The Hole is the gap between the lowest note the satellites can play and the highest notes the subwoofer can play. The Hole can make voices sound thin, and can rob gunshots and other sound effects of their dynamic impact. But the usual methods for filling The Hole can cause worse problems than The Hole itself.

Michael Berk Posted: Nov 15, 2012 0 comments

Danish manufacturer Jamo's been making a splash with the spherical speakers we saw back at the 2012 CES, and this week they've announced a pair of 5.0 setups in the appropriately named 360 Series, based around their unique architecture: the S 25 HCS ($649.99), including five of the company's S 25 speakers, and the S 35 HCS ($999.99), which groups four of the larger S 35 units with a C 35 center channel.

Daniel Kumin Posted: Feb 13, 2013 0 comments

Everybody loves small speakers, and why not? Smaller is — often — easier to afford, easier to schlep home, easier to place, and easier to live with. Smaller also has certain acoustical advantages in achieving smooth response and in yielding the broad, even spread of sound that favors good imaging and an open, believable tone color.

But how small is too small? Some say there’s no limit, and at least one manufacturer (Bose) has had success with subwoofer/satellite designs whose sats are smaller than a pepper mill, let alone a breadbox. But as the front satellites of a speaker system become smaller, their ability to reproduce bass low enough to bridge effectively with the practical upper limits of a single subwoofer, at around 150 Hz (and ideally lower), becomes questionable.

Klipsch thinks it has found the sweet spot with its HD Theater 600 system

Ken C. Pohlmann Posted: Dec 03, 2007 0 comments

Having worked in and around recording studios for 30 years, I cut my teeth on professional gear before broadening my horizons to the vast consumer audio/video world. In studios, you quickly learn that trustworthy monitors are essential. Every tracking and mixing decision hinges on what your monitors tell you; if they mislead you with any inaccuracy, your recording will suffer.

Daniel Kumin Posted: Oct 16, 2012 0 comments

Like so many British (and, for that matter, American) ür-audio brands, KEF — originally Kent Engineering & Foundry — had its roots in the post- WWII technology boom. In KEF’s case, it grew inside a Quonset hut on the grounds of the aforementioned foundry. A half-century down the road the Kentish maker is still there (in Kent, not in the metal shed!), still focused on its core competency (loudspeakers), and still producing wholly excellent designs.

Brent Butterworth Posted: Jul 03, 2013 1 comments

In my career as a reviewer, I've always focused totally on home and portable products, because other speaker categories seemed so different and I figured I couldn't be good at everything.

Brent Butterworth Posted: Aug 23, 2012 0 comments

When the economy tanked in 2007, a funny thing happened in high-end audio: Many manufacturers prospered by creating even higher-priced products. As a speaker reviewer, I lack the economics chops to explain this turn of events, but I can tell you it has spawned some fascinating audio gear.

Take, for example, Steinway Lyngdorf ’s S-Series, built to be the Bugatti Veyron of compact home theater systems.


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