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AV RECEIVER REVIEWS

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Joe Hageman Posted: Jan 25, 2000 Published: Jan 26, 2000 0 comments
Three bargain-basement receivers go head to head to see who's on top of the cheap heap.

Believe it or not, I wasn't always as tall and dashingly handsome as I am now (don't worry, guys, that comment was directed toward our female readers). I remember back in fifth grade when I was an awkward runt who got picked last in kickball. All the bigger guys would laugh at me. I'm not jaded, though—I now have the coolest job in the world, I'm a minor celebrity, and I've got the names and addresses of all my adolescent torturers (yeah, even you, Billy, in Colorado Springs).

Michael Berk Posted: Sep 26, 2011 0 comments

Lots of news on the soundbar front this week, so if you're looking to cram a surround experience into a tiny space you're in luck.

Michael Berk Posted: Aug 10, 2011 0 comments

There's a lot of action on the AVR front this week, with new models and upgrades from major manufacturers.

Filed under
Daniel Kumin Posted: Jun 05, 2013 0 comments

How much would you pay for an A/V receiver? For a lot of people, the answer is “$899.” This upper-mid-price sweet spot has long marked the point at which AVR-manufacturers sell the most product. Consequently, it’s where they offer the most features, performance, and power for the lowest possible dollar amount.

Filed under
Daniel Kumin Posted: Nov 30, 2011 0 comments

When I reviewed one of the first of NAD’s long-awaited “new-generation” A/V receivers almost 2 years ago (can it be?), I liked it a lot.

Know what? I like this one even better.

Filed under
Daniel Kumin Posted: Jun 05, 2011 0 comments

Difficult though this may be to believe, not everyone in 2011 America can afford to earmark $1,500 for an A/V receiver — or even $500. Still more shockingly, not every person who can would even choose to. Well, then, how about $400? Onkyo apparently sees this figure as being a bit more like it.

Filed under
Daniel Kumin Posted: Dec 28, 2011 0 comments

The company that makes most everything (and makes most everything it makes pretty damned well), Yamaha has been tuning up its forks, and the result seems to be ever more feature-packed, value-focused designs.

Brent Butterworth Posted: Sep 20, 2011 0 comments

The speaker world is anything but conservative. Think of the different types you can buy: good ol' cones 'n' domes, electrostatics, planar magnetics, ribbons, horns, pulsating spheres, and more, mounted in all sorts of enclosures or in no enclosures at all.

The world of custom home theater is less daring. Installers want speaker systems that sound great, play loud as hell for hours on end, place reasonable demands on amplifiers, and install easily. This is why you rarely see anything but cone 'n' dome speakers used in custom home theaters.

Of the companies catering to the custom market, BG Radia is one of the few that does things differently.

Filed under
Daniel Kumin Posted: Jul 08, 2013 0 comments

British hi-fi used to be quirky. Anyone who remembers, say, Connoisseur turntables, Leak amps, or Quad speakers will know what I mean. Today’s Brit-fi, however — at least as exemplified by Cambridge Audio — has successfully transitioned from quirky to distinctive.

Filed under
Daniel Kumin Posted: Aug 23, 2012 0 comments

For those who may harbor any doubt that Pioneer has thrown its lot wholly in with the Connected Generation, let me present Exhibit A: the VSX-60 A/V receiver. The new model’s design bears a close resemblance to those of its predecessors, and any updates in its functions and features are more incremental than otherwise. But when you add everything up, the verdict seems pretty clear.

Filed under
Daniel Kumin Posted: Sep 20, 2011 0 comments

Once, all you needed to enter the receiver business was audio-engineering chops, competence in packaging efficiency, and a sharp pencil over the bottom line. That was then before the digital audio/video revolution and the birth of the A/V receiver as we know it. Today, you need at least as much smartsin the computer, DSP, and software/firmware fieldsas you do in plain ol’ audio, a fact that has thinned,and continues to thin, the herd of receiver makers noticeably.

Filed under
Daniel Kumin Posted: Oct 16, 2012 0 comments

It's been a little while since I've had a Sony receiver up on the gear rack, so I was looking forward to renewing the acquaintance, especially?as our subject is a mid-market model, and Sony has always been fiercely competitive at the most popular price points. So it's not too surprising to find its new STR-DN1030 jammed with features that were strictly the stuff of high-end models perhaps 18 months ago: AirPlay compatibility, DLNA network audio streaming via Wi-Fi, Bluetooth, and an iPhone/Android control app, to name just some.

Filed under
Ken C. Pohlmann Posted: Sep 21, 2011 0 comments

For many years, the mantra in hi-fi design was "bigger is better." Your system didn't measure up unless you had a lofty stack of electronics and your speakers were tall enough to be called towers. Today, the reverse is true. It's a post-iPod world, where smaller is cooler. The iPod also advanced the notion that electronics don't have to be complicated; convenience is the new norm.

Filed under
Daniel Kumin Posted: Nov 20, 2012 0 comments

Most A/V receivers with any pretensions toward high performance — and most audio and video products in general, for that matter — are designed and marketed for hardcore hobbyists, not average consumers. What’s the difference? The hobbyist revels in scores of setup options, dozens of surround modes, and fistfuls of video-processing choices.

Filed under
Daniel Kumin Posted: Oct 19, 2011 0 comments

Each generation of A/V receivers brings at least a few new features — one of which will prove useful while others stick out as head-scratchers that nobody asked for. You could hardly find a better illustration of this natural law than Pioneer’s new VSX-52, the sub-penultimate model of its latest Elite A/V receiver range.

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