Music Disc Reviews

Consider the dense, multi-layered, centuries-old, and sometimes impenetrable culture of New Orleans — especially in the months just after Hurricane 

Battles turned quite a few heads with 2007’s Mirrored. Like Tortoise, the band took experimental prog rock and made it cool for the lo-fi/postpunk set.

My current favorite all-format album is the Raveonettes' Raven in the Grave (Vice), which sounds smoky-fab whether I'm listening to it via CD, MP3, or LP. I asked Raveonettes co-founder Sune Rose Wagner, 38, how the band (Wagner and co-conspirator Sharin Foo) corrals the backbeat for its 21st-century-cool Wall of Sound. Read on for his answers (and for a listen to "Forget That You're Young," a track from the new album.)

Back in September 2002, I interviewed Michael Tilson Thomas about the launch of a bold new project with the San Francisco Symphony: a complete cycle of the Mahler symphonies to be released on hybrid multichannel SACD via the orchestra’s fledgling in-house label, SFS Media. At the time, Thomas already had clearly formed ideas about the sound he wanted:

Dave Grohl and I are crouched together on a hot blacktop driveway that encircles the SoCal locale where the photo session for this exclusive S+V cover story is taking place. To the onlookers who shuffle past us and sometimes hover at a respectful distance, it appears as if these two hunched, animated, close-talking bearded longhairs are plotting to take over the world — and perhaps that’s not an entirely wrong assumption.

Jane's Addiction is back in action, with a brand-new album on the way and a tour in progress.

Throughout its long history, country music has often found itself staring at the mirror and trying to make sense of the reflection.