Also reviewed: Kings of Leon, Sting, and Icona Pop. Plus: a thematic list of all the other prominent new releases and reissues, including The Complete Waitresses and a big box of Nirvana’s In Utero.
New release (Columbia; tour dates) Photo of Trent Reznor by Baldur Bragson
Trent Reznor already came back haunted in March with the release of Welcome oblivion by How to destroy angels. That side project with Atticus Ross and (Reznor’s wife) Mariqueen Maandig took post-industrial/ambient music and made it sound fresh. By contrast, Hesitation Marks, Reznor’s first album in five years under the Nine Inch Nails moniker, seems beset by run-of-the-mill electronica. Ross and another veteran collaborator, Alan Moulder, return as co-producers with Reznor, but together they’re often just busy little techno-bees buzzing around Reznor’s generally average material.
In Arbitrage, Richard Gere plays Robert Miller, a New York hedge-fund magnate with the world at his feet - money, power, mansion, a loving, supportive wife (Susan Sarandon), a beautiful, young mistress (Laetitia Casta), and a devoted daughter (Brit Marling) who works loyally by his side.
In Arbitrage, Richard Gere plays Robert Miller, a New York hedge-fund magnate with the world at his feet - money, power, mansion, a loving, supportive wife (Susan Sarandon), a beautiful, young mistress (Laetitia Casta), and a devoted daughter (Brit Marling) who works loyally by his side.
Bond is back - or is he? With 007 shot and plunging down to disappear into a waterfall like Sherlock Holmes in The Final Problem, MI6 blown to hell both physically and digitally, and M being forced into retirement . . . could this be the end?
Based on real-life events, the nail-biting dramatic thriller Argo, directed by Ben Affleck, is set at the height of the chaos of the Iranian revolution when, on November 4, 1979, militant students stormed the U.S. Embassy in Tehran taking 52 Americans hostage and six embassy workers went out the back door.
Continuing to push the boundaries of traditional narrative and character development, the latest film from director Paul Thomas Anderson (Magnolia, There Will Be Blood, Boogie Nights), The Master, tells of Naval veteran Freddie Quell (Joaquin Phoenix) who arrives back stateside from fighting in the Pacific front in World War II troubled, un
Flight, as directed by Robert Zemeckis (Cast Away, Forrest Gump, Back to the Future trilogy), states loudly and firmly the message that the ordinary working man - and woman - doesn't stand a chance against the system and the pressures of modern life. The only choices they have to help them cope are booze and drugs or religion.
With his latest comedy To Rome With Love, Woody Allen's interweaves a series of unconnected characters' stories set in the "The Eternal City" into a magic-realist tapestry.
In 2074 time travel is a marvelous reality — and has therefor been immediately banned. As is always the case with laws, though, hoods rarely heed inhibitions and use the technology to dispose of enemies by sending them back thirty years to 2044 for execution by Loopers. In the future, no body no murder. In the past, no citizen no crime.
Many big-budget movies are actually radio serials with special effects. Many dramas are just theatrical productions that have leaked off the stage. And then there are real films of which this is one. Mood and meaning are created by the visuals and cinematic language, not just the music.