This Week

Bob Dylan: The Bootleg Series, Vol. 10 —
Another Self Portrait (1969–1971)

Archival release (Columbia)
Photos by John Cohen

Music publicity is kinda like medical ethics, in these four words: “First, do no harm.” Which makes Columbia’s campaign for the latest Bob Dylan official-bootleg extravaganza all the more remarkable. Self Portrait, you see, was almost universally derided by critics when it appeared in 1970. You might think Columbia would want to avoid that negative history in the press release for The Bootleg Series, Vol. 10 — Another Self Portrait (1969–1971). Instead, the headline brandishes these four words:

Court Yard Hounds: Amelita

New release (Columbia; tour dates)
Photo by James Minchin

It’s instructive to remember that Emily Robison and Martie Maguire helped co-found the Dixie Chicks in 1989, a full 6 years before Natalie Maines was invited to join. Oh, and of course, Emily and Martie are sisters. Clearly, they have a bond that won’t break, and they use it to their musical advantage on Amelita, the engaging follow-up to their 2000 self-titled debut as Court Yard Hounds.

Van Dyke Parks: Songs Cycled

New release (Bella Union)
Photo by Roman Cho

This is the first new album credited to Van Dyke Parks alone since 1989’s Tokyo Rose, but the dozen tracks are actually the A- and B-sides of six singles he released on his own label, Bananastan, in 2011 and ’12. Furthermore, whereas four of the A-sides are indeed new-since-1989 original songs (and another track is a co-write), five selections are arrangements of traditional, folk, or classical material, and the remaining two are re-recordings of earlier Parks compositions.

On paper, then, Songs Cycled is a hodgepodge. But when did we ever listen to Van Dyke Parks on paper? Fact is, the 12 numbers miraculously form a coherent whole — an album that, true to its creator’s longtime ambition, celebrates the glorious sound of music.

Robert Pollard: Honey Locust Honky Tonk

New release (GBV Inc.; tour dates for Guided by Voices)
Photo by Beowulf Sheehan

When you’re the prolific Robert Pollard and you tend to release dozens of songs each year on multiple albums, one thing is certain (despite what the ultra-faithful think): Not every song on every album is going to be a gem. This is particularly true when you’re being especially prolific — as in the past 18 months, when Pollard has released four albums and one EP with his reunited main band, Guided by Voices, and now three solo albums, for a total of 130 songs, 97 of which he wrote alone and another 13 of which he co-wrote.

That said, more things are certain: The gems are far more prevalent, and typically they’re truly sparkling.

What you are looking at above is the “cover art” for Kanye West’s new album, Yeezus (Roc-a-Fella/Def Jam). In fact, there’s no cover or CD booklet at all, just a sticker on the back of the package with the track listing. This dovetails nicely with Kanye’s mysterious anti-campaign for the album’s release today. He did perform “Black Skinhead” and “New Slaves” on Saturday Night Live in May, and if those hard-hitting, industrial-sounding tracks are any indication, then Yeezus could be a wowzer.

Still, I can’t stop thinking about that “cover art” and, paradoxically, how much it reminds me of this:

Various Artists: Ghost Brothers of Darkland County

New release (Hear Music/Concord; tour dates)
Photo of Burnett, Mellencamp, and King by Kevin Mazur

David Bowie: The Next Day

New release (ISO/Columbia)
Photo by Jimmy King

This is the best David Bowie album since . . . I'm not gonna go there. Mostly because everyone seems to disagree on just which old album should be put there. But make no mistake: The Next Day, Bowie's first release in 10 years, is an excellent comeback.