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Thomas J. Norton Posted: Jun 07, 2013 0 comments

2D Performance
3D Performance
Price: $3,300 At A Glance: Rich black level and good shadow detail • New color technology • Bright, punchy 3D

The new KDL-55W900A is Sony’s newest, top-of-the-line, non-XBR set. All of the XBRs, going forward, will be Ultra HD (4K) sets, but the KDL-55W900A, as all of the KDL designs, is firmly in the standard HD, 1920 x 1080 camp. It’s an edge-lit design with local dimming, but its marquee feature has nothing to do with contrast and black levels. Color is the plot here, and Triluminos, a term Sony has used in the past (see sidebar), promises a wider color gamut.

Thomas J. Norton Posted: Dec 13, 2012 5 comments

2D Performance
3D Performance
Price: $3,500 At A Glance: Plasma-quality blacks • Near flawless color • Bright, vivid 3D

All LCD HDTVs require some form of backlighting. The LCD panel’s pixels modulate the light and provide filtered color, but without backlighting to shine through the panel, you’d have no picture. Recently, LEDs (light-emitting diodes) have replaced the fluorescent backlights used in older flat-screen LCD sets. LCDs aren’t perfect in blocking light (which is why so many early models had poor black levels), but if you can shut off or dim the LEDs on demand, the LCDs’ light-blocking chores become far more efficient. And LEDs can do this; they can be shut off and turned back on almost instantaneously in reaction to the signal coming in.

Al Griffin Posted: Dec 18, 2012 0 comments

When it comes to picture quality, LCD TVs ?with a full-array, “local dimming” LED backlight tend to outperform their edge-lit LED brethren by a not insubstantial margin. We’ve covered the particulars of LED backlight tech before, so I won’t get sidetracked in explaining it here, but the finer control afforded by a full-array design allows for improved contrast and, for the most part, better uniformity when displaying dark images. Sony was among the first TV makers to push full-array for LCD, and then mysteriously put the tech on hold. But it roared back in 2011 with the XBR-HX929 line, a series that pushed full-array to new heights. The newest such sets to arrive from Sony are the HX950 series, which started shipping in late 2012. Can they match, or even exceed, Sony’s vaunted HX929 TVs?

Thomas J. Norton Posted: Oct 21, 2014 4 comments

2D Performance
3D Performance
PRICE $4,000

Exceptional blacks and shadow detail
Excellent color and resolution
Impressive sound with optional subwoofer
Small screen for 4K

Short of sitting very close, you’ll need a screen bigger than 55 inches to see the full benefits of 4K resolution. But the XBR-55X900B is, nevertheless, a champion in all respects, including one we didn’t anticipate: state-of-the-art edge-lit local dimming.

The XBR-55X900B is the smallest set in Sony’s X900B series, which also includes the 65-inch XBR-65X900B ($5,000) and the 79-inch XBR-79X900B ($9,000). Fifty-five inches is a relatively small size for achieving the maximum benefits of 4K resolution. But it’s also perhaps today’s most popular size for the principal home HDTV, so there’s no denying its market importance for Ultra HD as well.

Thomas J. Norton Posted: Jul 11, 2013 19 comments

2D Performance
3D Performance
Price: $7,000
At A Glance
: Four times the native resolution of standard HD • Advanced color technology • State-of-the-art 3D

With the introduction of its new 2013 XBR sets, Sony has shown that it’s serious about bringing Ultra HD, popularly referred to as 4K, to consumers at prices that, while still high, are less seizure-inducing than the $25,000 sticker on its 84-inch XBR-84X900 (Home Theater, June 2013).

Technically, 4K is shorthand for a resolution of 4096 x 2160 pixels—the professional 4K format. Consumer 4K sets, on the other hand, have a resolution of 3840 x 2160, exactly four times the pixel count of full HD 1080p. Regardless of the industry’s plan to refer to such sets as Ultra HD, 4K has already crept into the lexicon as the popular term for 3840 x 2160 home video.

Al Griffin Posted: Mar 07, 2013 0 comments

To hear Sony tell it, the future will be in 4K. This stance comes as no surprise: The company’s 4K-rez digital cinema projectors have been installed in over 13,000 theaters, and at least 75 Sony-produced titles have either been shot with 4K digital cameras, or transferred to the higher-rez format from film. And Sony isn’t just pushing 4K for theaters — it wants viewers to experience it at home. 

Darryl Wilkinson Posted: Jul 05, 2012 2 comments

Price: $2,795 At A Glance: Built-in multifan airflow cooling system • Discrete IR input • Watertight cable entry compartment cover

A number of years ago, I wrote an article about putting together a backyard home theater using an inflatable front-projection screen from Sima. It was a blast—and more than just a blast of air from the pump that inflated the Michelin-Man-dream-date, 72-inch-screen-covered blimp in less than 6 minutes. I took the setup to a friend’s house one Saturday during my “research” where we had a three-family movie night on the patio in his backyard. Sodas and margaritas flowed freely that evening. Much popcorn was popped. I don’t think any of us remember the actual movie, but to this day none of us has forgotten how much fun we had—more fun, as a matter of fact, than we’d ever had watching a movie the proper way inside the house.

Al Griffin Posted: Jul 13, 2011 0 comments

At 3D theaters, you’re handed lightweight passive glasses that work in tandem with a polarizing filter positioned over the projector’s lens. When viewing at home with a 3D TV, you use bulky, battery-powered glasses with active shutter liquid-crystal lenses. Passive glasses in theaters are cheap and easily replaced. But at an average cost of $100 per pair, glasses used at home represent a sizable investment. Better to put them in a safe place — and keep ’em away from kids!

Geoffrey Morrison Posted: Jun 05, 2012 0 comments

Manufacturers are finally making a big push to position the TV as the central hub it was always meant to be. Case in point: LG. Not only does its 55LM7600 feature the company’s excellent Smart TV interface, but it also has a Web browser, multiple USB inputs to attach flash or hard drives, and more. This 55-inch set represents TV/computer convergence driven from the TV side, complete with a gorgeous, computer-style icon-based interface and a “Magic Remote” that works like a wireless mouse.

Geoffrey Morrison Posted: Nov 20, 2012 0 comments

There are those for whom a plasma TV won’t do. Maybe they’ve only seen plasma TVs in the store and think that LCDs look better. Maybe they have ?a really bright room. Sales numbers show that the majority of consumers choose LCDs.

Geoffrey Morrison Posted: Oct 16, 2012 0 comments

Instead of starting this review by listing the features that Samsung put into its UN55EH6000 LCD TV, I’m going to start with what it doesn’t have. There’s no 3D. There are no Smart TV features. It’s not wafer-thin. It doesn’t even have an edge-lit LED back- light (though its “direct-lit” backlight does use LEDs). In other words, it lacks all the latest features found in most modern LCDs.

Al Griffin Posted: Jan 30, 2012 0 comments

I won’t assume that everyone will know what I’m talking about when I drop the word “Kuro,” but longtime Sound+Vision readers may recall a line of high-end, and accordingly high-priced, Pioneer Elite plasma TVs that we heaped praise upon back in the day.

Geoffrey Morrison Posted: Aug 23, 2012 0 comments

I love big screens. Really big screens. 60 inches? Pshhh. 65? Ha! 70? In a pinch. 80? Okay, wow, now that’s a seriously big TV. A monolith of a height and breadth that brings to mind projection screens of yore. Wait, forget “yore.” It’s closing in on projection screens now.

Al Griffin Posted: Oct 19, 2011 0 comments

When they first arrived a few years back, LED-driven LCD TVs with a full array backlight made a big splash. Why? Because the backlight, a grid of LED lamp modules spanning the rear of the display panel, can be modulated via local dimming — a process that enables the set to track specific areas in the image, turning select modules on, off, or somewhere in between.

Al Griffin Posted: Sep 18, 2012 0 comments

When I tested Sony’s flagship XBR-55HX929 TV for our November 2011 issue, I called it out as having “the best-looking picture I’ve seen from an LCD TV in a long time.” Jump forward a few months, and I’m attending a demonstration at Sony’s HQ. During the demo, Sony put its flagship XBR, a model with a full-array LED backlight, up against a group of other TVs, including the company’s new edge-lit HX85 Series set. If you follow our reviews, you’ll know that LCDs with edge-lit LED backlights typically don’t fare well, mostly due to screen uniformity issues. However, the HX85 set in Sony’s shootout not only smoked the competition but was about on par with the company’s XBR model. Naturally, I was eager to get my hands on one.


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