B&O began as a radio manufacturer in the late 1920s, operating out of Svend Olufsen's family farmhouse outside of Struer, Denmark. Its first product, the Eliminator, was designed to allow a radio to be powered by line voltage instead of a battery. The photo shows B&O consultant Ronny Kaas Mortensen next to the radio. The small box at the upper right hand corner of the radio is the Eliminator. It was not only built inside the radio itself, but also sold separately. It also cleaned up the dirty power line output of the day—the first audiophile high-end power conditioner!
The BeoVision 9 television, which just started shipping, is B&O's current flagship 50-inch plasma. The 50" set, at around $20,000, may seem pricey for a 1366x768 design (it uses Panasonic glass), and it is. But it does include a built-in center speaker with an Acoustic Lens tweeter and 5" woofer. It also features an on-board version of B&O's BeoMedia (available separately in the BeoSystem 3), which includes all of the features of a sophisticated pre-pro and more. These include full 7.1-channel decoding (expandable up to 10 channels), speaker switching and speaker assignment options that may be the most flexible on the market, and easy access to sources as diverse as CD, radio, cable TV, satellite TV, DVD, photos, digital cameras, and the Internet. And oh, yes, the entire cabinet has a motorized swivel. Very cool.
If stepping off the plane into the Copenhagen airport is a little like stepping into the world's biggest IKEA store, then stepping out of the tiny airport in Karup, Denmark is a little like transporting to the farmlands of Nebraska. But my mission to the far west end of the Jutland peninsula, together with a number of other European and North American journalists, was not sightseeing, but information. Information about what Struer, Denmark manufacturer B&O is currently about, and how the activities in its several facilities are leading to interesting new products, and how those products are influenced by the thinking and research behind them.
On a recent visit back to Los Angeles I took in the 2016 Newport, California hi-fi-show, more properly known as T.H.E. (The Home Entertainment) Show Newport (though it’s now actually held in Irvine). You can read my observations on the show, along with those from other Stereophile contributors (I write occasional reports and reviews for Stereophile, though Sound & Vision is my main beat) at Stereophile.com. Like virtually all such events (of which there are several in the U.S. each year under various management), this was a show for 2-channel audiophiles. Count me among them, but no more so than for multichannel music, movies, video, and home theater.
The only show in the U.S. that features video as it relates to home theater is September’s CEDIA Expo...
Back in late July I blogged about a demo kiosk at my local Best Buy. You can scroll down and read about it. It was set up in a DirecTV promotion kiosk, but it wasn't clear whether or not it was also intended to promoting Best Buy's new video calibration services.
In my review of Samsung’s flagship UN75ES9000, 75-inch LCD-LED HDTV, I remark that potential buyers should beware of bad demos of this very expensive set ($9000). Such a demo could make it very difficult to justify the expense.
Movie theaters are always eager to find new ways to drag consumers off their living-room sofas and into the multiplex. In recent years, this has become more difficult as big-screen HDTV and home surround sound can often exceed the movie-going experience. Apart from sheer screen size, consumers have less and less incentive to spend $12 a head, or more, just for the seatnever mind the cost of refreshments.
Movie studios don't miss a thing when it comes to keeping a tight watch on the effectiveness of Blu-ray copy protection. Recently, in an apparent attempt to close an assumed (I assume) breach, 20th Century Fox updated its BD+ copy codes in an effort to keep the door firmly locked. The first disc I noted a problem with was (surprise!) <I>Avatar</I>, which was so firmly locked it would not play. After an inordinately long loading cycle it decided it couldn't get along with an Oppo BDP-83 player, which I've admittedly been lax in updating. The same proved to be the case on another current but not updated model, the Pioneer BDP-320. Same long wait, same lack of a payoff. Or at least not a welcome one. All I got was a bright red screen telling me to update my player.
In a recent e-mail, an old friend and audio reviewer asked about Blu-ray players. I tried to steer him away (successfully, I hope) from what he thought was a good deal on an new, unused first generation Sony Blu-ray player. The seller had apparently almost convinced him that this was some sort of undiscovered gem, akin (though in a different application) to the early, tank-like SACD players held in high regard by some audiophiles.
What's a blog? It's the hot topic on the Internet these days, but what, exactly, is it? Since we've just launched four new blogs here on <I>Ultimate AV</I>, this is a timely question. Three of the blogs have been converted directly from our previous monthly columns. A fourth is brand new.
It may surprise some readers, but apart from the Blu-ray discs we are assigned to review and the occasional disc that flies over the transom, most of us here at Home Theater actually buy the Blu-rays we watch. True, at one time (as the editor of the Stereophile Guide to Home Theater and Ultimate AV), I received many screeners for review. So I do have a large collection of DVDs (many of which have been donated away), Blu-rays, and HD DVDs (RIP). But the pile has grown far more slowly in recent years. Nevertheless, I look forward to upcoming releases just as much as before, and I'll be in line to purchase titles I want that don't come my way for review.