Sort By: Post Date | Title | Publish Date
Filed under
Rob Sabin Posted: Aug 05, 2015 6 comments
Hint: It's One You Already Know...

In a recent Signals blog (“Saving Hi-Res Audio”) Ken Pohlmann spotlighted the near-rabid sniping in the audiophile community and the public at large about whether hi-res audio delivers real, discernible benefits. Ken suggested that if the music industry wants hi-res to succeed, they should drop the significant premium now attached to hi-res downloads and charge the same as for any other music file, then reap the benefit of people buying more music because they like engaging with high-quality content.

Filed under
Rob Sabin Posted: Jul 24, 2013 Published: Jul 25, 2013 31 comments
Readers who follow developments in audio/video electronics might have heard back in May that Home Theater's parent company, Source Interlink Media, acquired its chief competitor Sound & Vision. These were the two biggest print magazines serving the A/V enthusiast.

It was announced on Monday that, beginning with the October issue, Home Theater and Sound & Vision will be merged, and only one magazine will go forward under the Sound & Vision brand.

Filed under
Rob Sabin Posted: Oct 03, 2011 8 comments
A lot of consumer electronics editors and reviewers have a love-hate relationship with product ratings. The love side comes from knowing they make readers happy. Assuming the ratings structure is well thought out (that is, simple and easy to understand) and the ratings are applied with fairness and accuracy, they wrap the whole product up in a nice little ball and tell you, at a quick glance, whether it's a winner, loser, or in-betweener. Perhaps most important, a good rating, or a good rating coupled with a seal of approval like our Top Picks designation, is validation that the product is worthy of the money you plan to spend on it. Given the sea of black boxes, identically thin TVs, and similar speaker systems out there, we recognize that giving you this validation is really the essence of our job at Home Theater.
Filed under
Rob Sabin Posted: Jan 29, 2014 8 comments
Panasonic’s Departure from the Plasma Market is Heartbreaking, and Inevitable

There is both irony and tragedy in the fact that this year’s much-deserved prize for our Top Pick product for all of 2013 goes to TC-P65ZT60, whose short life and lineage will begin and end with the 2013 model year...

Filed under
Rob Sabin Posted: Jun 03, 2014 0 comments
As a longtime observer of the audio/video scene, I can state with confidence that things have changed more in the last five years than they did in the prior 25. I say that with full acknowledgement of the breakthroughs I’ve been lucky enough to report on during my career, including the introductions of the VCR, camcorders, Laserdiscs, Compact Discs, DVDs, high-definition television and its HD disc formats, surround sound in its various incarnations, flat panels, digital music downloads, and others.
Rob Sabin Posted: Apr 09, 2015 4 comments
‘Tis that time of the year when all the big TV makers start shipping their new lines to retail, which means members of the press get to see them up close for what amounts to the second time, the first being January’s CES. No surprise that the star of the show at LG Electronic’s New York press conference this week was the 65EG9600, the company’s new 65-inch Ultra HD-resolution OLED.

Filed under
Rob Sabin Posted: Mar 06, 2013 4 comments
It’s not unreasonable that any regular reader of Home Theater may lust, if only in his heart, for a two-piece projection system that genuinely matches, if only at a smaller scale, the experience we have in our local multiplex.
Filed under
Rob Sabin Posted: Nov 21, 2012 4 comments
As the holiday seasons kicks off, a report from dealnews.com suggests that Black Friday will see some insane TV deals—like 55-inch 1080p HDTVs going for $499.
Filed under
Rob Sabin Posted: Nov 01, 2013 4 comments
The accompanying OLED stories mark our first up-close look at a display technology that goes by an acronym best pronounced as “Oh-lead,” and one that stands for the future of television. That’s a bold statement, and the time line should perhaps be qualified as “near-future” inasmuch as anything can happen in the developing world of display technology, and taken in its entirety, the future is known to be a very, very long time. But I dare say we’ve waited a long time to this point just to see OLED’s promise, and having now witnessed it firsthand, I’m having a hard time guessing what could better it short of a holographic display with equal image quality or something that does just what OLED does for a whole lot cheaper.
Filed under
Rob Sabin Posted: Oct 08, 2015 1 comments
Two close-together and closely aligned recent announcements about the flat-panel TV business really got me reflecting on how much that world has changed…and is changing again.

Filed under
Rob Sabin Posted: Aug 29, 2013 0 comments
I recently enjoyed an early press tour of Panasonic’s soon-to-open Innovation Center in Newark, NJ, an open-windowed retail-like space off the lobby of the company’s new headquarters building. I’m not usually much for these types of dog-and-pony shows, and little of what the company shared that day was directly related to the consumer electronics audio/video segment that’s of prime interest to our readers. But I’ve covered the firm’s CE technology for decades now, and this move from their old Secaucus, NJ campus...
Filed under
Rob Sabin Posted: Apr 24, 2013 3 comments
Hold your index finger up to the air for a moment. Can you feel that? It’s the fresh breeze of good sound wafting ever so gently across the horizon.

After years of living in a desert of low-res MP3s, crappy white ear buds, wafer-thin flat-panel TV speakers pointed away from the listener (come on!), and increasingly anemic AVRs, there is a revolution afoot.

Filed under
Rob Sabin Posted: Jun 08, 2015 0 comments
Shanghai, for me, is literally halfway ‘round the world. Some 20 hours flying time from New York, it is 12 hours ahead in time zones and across the International Dateline: the very definition of “Tomorrowland.” The post-modern, sci-fi landscape of the Pudong section of China’s biggest trade center and most cosmopolitan city does little to deter that notion. Bound on one side by the 128-story Shanghai Tower and on the other by the Oriental Pearl, a futuristic, 1,500 foot broadcast tower, it looks like a bold experiment in animation made concrete, a slice of society that has, to date, only been imagined for amusement parks. On first sight I could only gasp at both the scale and shape of it, then grew silent with respect for not just the accomplishment, but the gutsy vision it must have took to start it.

Filed under
Rob Sabin Posted: Aug 12, 2013 0 comments
At any given moment, we’re usually working on six to eight test reports among various staffers. Of those, perhaps two or three products might be the “latest and greatest” while the rest falls more into the bread-and-butter category—another $600 or $1,000 receiver, maybe another bookshelf speaker system. As I looked over our recent slate of reviews, I was indeed struck by how conventional the mix appears to be. And yet, as I dug a bit deeper, I came to see how well it represents technology trends that have come to define the audio/video space, circa 2013.
Filed under
Rob Sabin Posted: Dec 15, 2012 9 comments
I made it a point this weekend to be among the first to view Peter Jackson’s latest epic, The Hobbit: An Unexpected Adventure, in its native 48 frames-per-second frame rate. If you’ve not been keeping up with the news surrounding this movie, Jackson made the decision early on to shoot it digitally at twice the 24 fps rate used for the last 80 years or so. The 24 fps rate is closely associated with the look of film as we’ve come to know it. Increasing that rate can greatly reduce blurring and judder on fast motion and camera pans, allowing for extra detail that would otherwise be lost when shooting either film or video at 24 fps. Fast frame rates also improve the 3D experience, making viewing easier on the eyes and reducing the instance of crosstalk or “ghosting” artifacts. But it imparts a sheen that most of us would more closely associate with native video rather than film. If you’ve looked at film-based content on any LCD television that has its 120 Hz or 240 Hz motion enhancement features turned on, you know what I’m talking about. Such circuits cause content originally shot at 24 fps to look like video — the so-called “soap opera” effect. Some folks like the look and some don’t. Whichever side you fall on, there’s no arguing that the look these circuits impart to 24 fps native content is an artifice—it’s clearly not what the director was watching when he composed the film or what he intended for your viewing.


Enter your Sound & Vision username.
Enter the password that accompanies your username.