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THE S&V INTERVIEW

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Adrienne Maxwell Posted: Feb 23, 2007 0 comments
Home Theater's second annual peak behind the Grammy curtain.
Kim Wilson Photography: Mark Schafer and Marc Stewart Posted: Jan 18, 2010 0 comments

Homeowners love what technology provides but many prefer to keep its presence at a minimum. Such was the case in this beautiful Southern California home in the upscale Pacific Palisades area. "This project had a good sized budget of $100k to provide whole-house distribution of audio, video, phone and data," said Mark Schafer, President of Custom L.A. "Still we all encountered a few challenges such as the family room, where the client wanted a completely invisible Home Theater in a wide open space".

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Steve Guttenberg Posted: Oct 28, 2005 Published: Sep 28, 2005 0 comments
Gabriel talks about his new dvd play, technology, and why ipod won't take over the music world.

Peter Gabriel's career got off the ground when he fronted one of Britain's top prog-rock bands, Genesis. He went solo in 1975. For this interview, we focused on his groundbreaking videos and his lifelong fascination with technology.

Jamie Sorcher Posted: Nov 25, 2008 1 comments

Constructing a theater from scratch in a custom-built home can be a challenge, but remodeling a room in an established home can sometimes be even more demanding.

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Mike Mettler Posted: Dec 18, 2013 0 comments
“That’s the cartridge you want — the one that’ll get you kicked out of the house!” And that’s Derek Trucks, empathizing over the price of high-end audiophile gear, both in terms of how it affects your wallet and your personal life. “I’ve had that conversation too,” he adds with a chuckle. The good-natured Trucks — seen at the center of the above photo, with his arms folded — drenched his sweet-toned slide-guitar stamp all over one of 2013’s best albums, the Tedeschi Trucks Band’s Made Up Mind (Masterworks; you can read my 4 1/2-star review of it in the Discs & Downloads section.) Here, Trucks, 34, and I commune over his favorite gear and LPs, how good Mind sounds on vinyl, and its thematic album-closing parallel. (Hint: “Darling, won’t you ease my worried mind” is a line from said album's title track.)

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Dan Yakir Posted: Feb 22, 2003 0 comments
When he agreed to direct a sequel to his megahit Men In Black, Barry Sonnenfeld was determined not to repeat himself. "We had to bring back Will Smith and Tommy Lee Jones, because so much of what made that first movie work was the relationship between them," he explains. "They're like Abbott and Costello. You can't have one without the other . . . there's a karmic thing between these two. The audience likes to see them bicker. The first movie takes place over three days and MIIB over two, so they only know each other for five days—but it looks like they've been together for 30 years!"
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Mike Mettler Posted: May 28, 2013 0 comments

Steve Wynn was right there at the forefront when the alternative music scene exploded in the '80s. As a member of The Dream Syndicate, Wynn helped usher in the movement known as The Paisley Underground.

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Mike Mettler Posted: Feb 26, 2014 4 comments
Over in Reference Tracks, Steven Wilson, the one true king of transformative surround-sound mixing (Porcupine Tree, King Crimson, Jethro Tull, XTC), and I discuss the building blocks of how he transformed Yes’ groundbreaking 1972 LP, Close to the Edge, into a benchmark 192/24 5.1 mix. It’s as pure and true as you’ll ever hear it on Panegyric’s Definitive Edition Blu-ray/CD combo package. “It’s a bona-fide A-level masterpiece,” Wilson says of CTTE. (The Preacher, The Teacher hath spoken!) Further good news: The venerable surround master has also confirmed more 5.1 Yes album mixes are on the way. All I can say about them at this point is at least one of them was originally released before CTTE, and at least one was released after it.
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Steve Guttenberg Posted: Apr 05, 2012 1 comments
Steven Wilson is best known as the founder, lead guitarist, singer, and songwriter of the progressive rock band Porcupine Tree, but he’s becoming the go-to man for remixing classic rock recordings into 5.1 surround for DVD and Blu-ray. His recent solo album, Grace for Drowning, proves he’s just as adept in creating new music that fully exploits the surround soundscape.
Kim Wilson Photography: Rob Hart and Revo Reese Posted: Feb 12, 2009 8 comments

We all know that California has it own unique car culture. Here a person's automobile and their personality are often closely aligned. One homeowner loved their Bentley so much; they couldn't get enough of it and choose it as the theme for their dedicated Home Theater.

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Steve Guttenberg Posted: Apr 16, 2007 0 comments
HT Talks To the Doors’ one and only recording engineer, Bruce Botnick, about remixing and remastering Perception.
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Michael Fremer Posted: Mar 31, 2006 0 comments
HT goes inside the Late Show with David Letterman's HD transition.
Steve Guttenberg Posted: Feb 05, 2008 469 comments
When it comes to home theaters, I thought I'd seen it all. But nothing's come close to this. First, I'm going to try to describe the sheer magnitude of Jeremy Kipnis' theater. His Stewart Snowmatte laboratory-grade screen is the biggest I've ever seen in a home, and in the back of the theater, there's a Sony ultra-high-resolution (4,096-by-2,160) SRX-S110 digital projector. I'm looking everywhere, jotting down questions, and Kipnis sounds almost giddy talking about his theater's capabilities. He refers to his baby, the Kipnis Studio Standard (KSS), as "The Greatest Show on Earth." And from the looks of it, he may be right.
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Nancy Klosek Posted: Aug 28, 2007 0 comments

<I>How three system designers fixed three demonic projects.</I>

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Timothy J. Seppala Posted: Sep 18, 2012 0 comments

As great a game as the first Borderlands was, it didn't offer much in the way of story. Developer Gearbox Software realized this and brought in Anthony Burch (best known for the often inappropriately hilarious web series, "Hey Ash, Whatcha Playin'?") to write Borderlands 2. Burch was also a member of the video game press corp whose equally sharp analysis and humor made him a must-read in his time at Destructoid and other places around the Web.

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