THE S&V INTERVIEW

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Mike Mettler Posted: Mar 12, 2014 0 comments
“I didn’t have the courage to go back to any of the masters and try to recreate those beautiful, real echoes,” says Justin Hayward of The Moody Blues about the surround-sound mixes he supervised for six of The Moodies’ “Classic Seven” albums: Days of Future Passed, On the Threshold of a Dream, To Our Children’s Children’s Children, A Question of Balance, Every Good Boy Deserves Favour, and Seventh Sojourn. (In case you were wondering, there weren’t any multitrack masters available for In Search of the Lost Chord.) All six of those 5.1 mixes — done by Paschal Byrne and Mark Powell and built on the original quad mixes supervised by producer Tony Clarke and constructed by engineer Derek Varnals — appear in Timeless Flight (Threshold/UMC), the band’s mighty, 50-year-career-spanning 17-disc box set. Yes, there is a more economical 4-disc version available, but the mondo box is the only way to fly in 5.1 — if you can find one, that is. “I think Universal needs to press a few more copies,” chuckles Hayward.
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Nancy Klosek Posted: Aug 28, 2007 1 comments

<I>How designers work hand in hand with integrators for the ultimate home.</I>

Kim Wilson Posted: Dec 01, 2009 2 comments
Creating a home theater, be it a dedicated room or part of an existing living space, requires more than a general knowledge of AV technology. In actuality, that is only a small part of the equation. To maximize the performance of your AV gear, the overall design of the room is crucial.
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Aimee Giron Posted: Oct 28, 2005 Published: Aug 28, 2005 0 comments
With such Disney credits as Pocahontas, The Lion King, and, most recently, the restoration of the classic film Bambi attached to his name, lead restoration animator Dave Bossert shares his experience in bringing back the spirit of the famed deer and why we still chase after that light at the end of the tunnel, no matter how old we get.
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Mike Mettler Posted: Nov 15, 2011 0 comments

“I’ve been thinking about doing this for a long time,” Steven Wilson told me backstage about an hour before his groundbreaking live quad show unfolded at the Performing Arts Center at Temple University in Philadelphia on Saturday, November 12.

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Chris Chiarella Posted: Oct 28, 2005 Published: Nov 28, 2005 0 comments
Film editor Thelma Schoonmaker on movie quotes, fact versus fiction, and "Marty withdrawal."

Thelma Schoonmaker has been director Martin Scorsese's editor of choice ever since their shared career-defining turn on Raging Bull. With a collaboration spanning almost four decades, Schoonmaker recently won her second Academy Award and has been nominated for three others in the past. She took time off from her work on the upcoming crime drama The Departed to rewind with us.

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Lawrence B. Johnson Posted: May 31, 2002 0 comments
Meridian's chief designer and chairman Bob Stuart speaks out on musical truth as the Holy Grail of audio.
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Mike Mettler Posted: Feb 12, 2014 0 comments
“We would have done surround sound at the time if it had been available.” Original Moody Blues keyboardist Mike Pinder is discussing the always-enveloping signature orchestral sound of the band he was a part of for its first 15 years. Much of the Moodies’ core "Classic Seven" catalog has since seen a series of 5.1 releases in the interim, and Pinder’s innovative usage of the mellotron helped take many of those mixes (“Higher and Higher,” “Watching and Waiting,” “Legend of a Mind”) to the threshold of aural perfection.
Bob Gatton Posted: Oct 28, 2005 0 comments
ISF's Joel Silver tells our readers what they can do to optimize their displays' performance.

BG: What was your goal in founding the Imaging Science Foundation (ISF)?

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Mike Mettler Posted: Jun 25, 2014 0 comments
“I’m just into the ethos of having great sound,” says Giles Martin, describing his surround sound mixing philosophy. “The intention of what we do is to make the journey as seamless as possible. I want people to enjoy what they’re listening to without thinking about it.” Martin’s “natural surround” philosophy is in full effect with the stellar 192-kHz/24-bit 5.1 mix he’s done for the 50th anniversary of A Hard Day’s Night, released on June 24 by The Criterion Collection in a Director-Approved Dual-Format Blu-ray and DVD Special Edition. (If you want to experience the film in a theater setting, it will be playing in almost 100 cities across the country on July 4, courtesy of Janus Films. Theaters and cities can be found by clicking here.)
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Mike Mettler Posted: Jan 15, 2014 1 comments
“Music is astounding, isn’t it?” Graham Nash is genuinely enamored with the wonders of sound. There’s always a special twinkle in his eye whenever we get together to talk about the indelible music he’s made since the early 1960s, the new music he’s planning to make next, and how he plans to have it all, both new and old, sound even better. Nash, 71, and I met at the Broadway HQ of Random House publishing arm Crown Archetype in New York City to dive deep into his quite revelatory autobiography, Wild Tales. In addition to discussing all of the shadows, shades, and sweet sonic details to be found within Tales, we also delved into why he’s been working “under the headphones” on a Crosby, Stills, Nash & Young project that may very well become the first official hi-res Pono release. Carry on...
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Steve Guttenberg Posted: May 30, 2013 1 comments
Grammy Award-winning producer Don Was has had a long and storied career producing records for some of rock ’n’ roll’s most famous acts from the early 1980s to the present. Today, he also holds the title of president of the respected jazz record label Blue Note Records. Home Theater’s Steve Guttenberg recently sat down with Was to get his take on the role of a record producer and what it was like to work with so many great artists.
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Chris Chiarella Posted: Oct 28, 2005 Published: Jul 28, 2005 0 comments
The always-expressive entrepreneur speaks out on a doubling HD audience and idiots who shoot in NTSC.

For a great many guys, to know Mark Cuban is to envy him: The outspoken owner of the Dallas Mavericks is also the founder of the all-high-definition TV network, HDNet, which has since added his latest success, HDNet Movies, as well. Mark recently spoke to Home Theater about his newest offerings, the challenges and benefits of high-def, and an unusual prediction for the impending next-generation DVD format war.

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Mike Mettler Posted: Jan 29, 2014 8 comments
“I want to hear what the band heard during playback in the studio. And I want to respect the sound that the engineers and producers tried so hard to capture.” It’s a mantra engineer Steve Hoffman follows whenever he remasters classic, iconic albums, and perhaps those words should be etched between the monitors perched above the mixing consoles in every mastering studio across the globe. One recent labor of reissued love is near and dear to Hoffman's audiophile heart – namely, The Audio Fidelity Collection limited-edition box set that houses four classic Deep Purple albums he remastered: In Rock (1970), Fireball (1971), Machine Head (1972), and Who Do We Think We Are (1973).
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Chris Chiarella Posted: Jul 05, 2006 0 comments
Producer/Engineer Elliot Scheiner is a driving force for 5.1-channel music.

After working with some of the biggest names in music, producer/engineer Elliot Scheiner—also a pioneer in and champion for multichannel music—wanted to take us for a ride. Working closely with Acura and Panasonic, Scheiner developed his namesake ELS 5.1 sound system, first for the Acura TL and now for Acura's new luxury SUV, the RDX.One of Panasonic's finest recently chaufferred me in a DVD-Audio-blasting Acura TL to Scheiner's secluded home studio to discuss the artistry, technology, and business of music.

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