THE S&V INTERVIEW

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Mike Mettler Posted: Dec 23, 2014 0 comments
“I don’t know why these songs all came out so long. I think we’re going to have to blame Steven Wilson,” laughs Dave Kilminster. The ace guitarist is discussing the impetus behind the extended track lengths on his self-described “prog-tastic” solo record, …and THE TRUTH will set you free… (Killer Guitar Records). Kilminster is known for his six-string pyrotechnics and prowess as an instructor, but you may also recognize him as being the featured lead guitarist in former Pink Floyd bassist/vocalist Roger Waters’ touring band for the past decade. For THE TRUTH, Kilminster believes getting a live feel is key: “It’s so cool to really get into the mood of a track,” he says. “There’s no sampling, there’s no Auto-Tune — just a couple of guys recording together in a room, the way it’s supposed to be.” Here, Kilminster, 53, and I discuss vintage sounds, live quad, and what it’s like to contend with immense pillows of wind while soloing atop a massive wall. That’ll keep you going through the show.
Krissy Rushing Posted: Nov 12, 2008 1 comments

A kid who went from racing go-karts at age 7, to becoming the first Rookie of the Year to take home the Shootout victory at the 70-lap Budweiser Shootout, to scoring the highest-points finish ever for a NASCAR rookie in 2006, Denny Hamlin, age 27, is loving life. And with that success has come the means to enjoy his home in a way that suits his ultra-fast-paced lifestyle. For Hamlin, that means technology.

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Mike Mettler Posted: Mar 12, 2014 0 comments
“I didn’t have the courage to go back to any of the masters and try to recreate those beautiful, real echoes,” says Justin Hayward of The Moody Blues about the surround-sound mixes he supervised for six of The Moodies’ “Classic Seven” albums: Days of Future Passed, On the Threshold of a Dream, To Our Children’s Children’s Children, A Question of Balance, Every Good Boy Deserves Favour, and Seventh Sojourn. (In case you were wondering, there weren’t any multitrack masters available for In Search of the Lost Chord.) All six of those 5.1 mixes — done by Paschal Byrne and Mark Powell and built on the original quad mixes supervised by producer Tony Clarke and constructed by engineer Derek Varnals — appear in Timeless Flight (Threshold/UMC), the band’s mighty, 50-year-career-spanning 17-disc box set. Yes, there is a more economical 4-disc version available, but the mondo box is the only way to fly in 5.1 — if you can find one, that is. “I think Universal needs to press a few more copies,” chuckles Hayward.
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Mike Mettler Posted: Oct 08, 2014 0 comments
Photo by Neil Lupin
“Souls, having touched, are forever entwined.” It’s a lyric penned by vocalist Ian Gillan in honor of his dear friend and late bandmate Jon Lord, the original keyboardist for Deep Purple who pioneered merging rock music with classical themes. Jon Lord, Deep Purple & Friends: Celebrating Jon Lord (earMusic/Eagle Rock), recorded at The Royal Albert Hall this past April 4, showcases the breadth of Lord as both composer (“All Those Years Ago,” “Pictured Within”) and rock legend (“Soldier of Fortune,” “Perfect Strangers,” “Hush”). Here, Deep Purple drummer Ian Paice, 66, and I discuss the challenges of getting great sound in such a storied venue, how he adapts to working with different bass players, and what the future might hold for Deep Purple. After listening to and watching all that went into Celebrating Jon Lord, there’s one word in the Purple canon that one absolutely cannot use to describe Paice’s energy and tireless work ethic: “Lazy.”
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Nancy Klosek Posted: Aug 28, 2007 1 comments

<I>How designers work hand in hand with integrators for the ultimate home.</I>

Kim Wilson Posted: Dec 01, 2009 2 comments
Creating a home theater, be it a dedicated room or part of an existing living space, requires more than a general knowledge of AV technology. In actuality, that is only a small part of the equation. To maximize the performance of your AV gear, the overall design of the room is crucial.
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Aimee Giron Posted: Oct 28, 2005 Published: Aug 28, 2005 0 comments
With such Disney credits as Pocahontas, The Lion King, and, most recently, the restoration of the classic film Bambi attached to his name, lead restoration animator Dave Bossert shares his experience in bringing back the spirit of the famed deer and why we still chase after that light at the end of the tunnel, no matter how old we get.
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Mike Mettler Posted: Feb 11, 2015 2 comments
Don Felder has found his groove. The former lead guitarist of the Eagles is now flourishing as a solo artist, having found his sea legs on record with the broad reach of Road to Forever (INgrooves/Forever Road Music) — only his second solo album in 30-odd years, following 1983’s Airborne — and a quite muscular live set, which features Eagles favorites and deep cuts alike, ranging from “Life in the Fast Lane” to “Those Shoes,” all interspersed between powerful readings of solo favorites like “You Don’t Have Me” and “Heavy Metal.” Before heading out on his winter solo tour, Felder, 67, and I got together to discuss his thoughts on sound quality, the very mystique of California itself, and how he came to create the acoustic intro that turned the already indelible “Hotel California” into a revamped classic. Ah, such a lovely place.
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Mike Mettler Posted: Nov 15, 2011 0 comments

“I’ve been thinking about doing this for a long time,” Steven Wilson told me backstage about an hour before his groundbreaking live quad show unfolded at the Performing Arts Center at Temple University in Philadelphia on Saturday, November 12.

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Chris Chiarella Posted: Oct 28, 2005 Published: Nov 28, 2005 0 comments
Film editor Thelma Schoonmaker on movie quotes, fact versus fiction, and "Marty withdrawal."

Thelma Schoonmaker has been director Martin Scorsese's editor of choice ever since their shared career-defining turn on Raging Bull. With a collaboration spanning almost four decades, Schoonmaker recently won her second Academy Award and has been nominated for three others in the past. She took time off from her work on the upcoming crime drama The Departed to rewind with us.

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Lawrence B. Johnson Posted: May 31, 2002 0 comments
Meridian's chief designer and chairman Bob Stuart speaks out on musical truth as the Holy Grail of audio.
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Mike Mettler Posted: Jan 28, 2015 0 comments
“I’ve always been a fan of records that tastefully use effects to enhance the listening experience,” says Sam Llanas, former vocalist/guitarist for roots-rock pioneers BoDeans, now ensconced in a full-time solo career. Llanas’ distinct vocal tone — which resides somewhere between gravel and grace — has touched the soul of indelible songs like “Closer to Free,” “Feed the Fire,” and “Rickshaw Riding,” and on The Whole Night Thru (Llanas Music), Llanas opens up his palette on deeply personal tracks like “Deja Vu” and “I’m Still Alive” to achieve an even more honest aural identity. “We did decide early on that we would like to make a record that would be engaging on headphones,” he reports. Here, Llanas, 53, and I discuss the importance of equipment choices and microphone placement, how to make a record that hits “hard and fast,” and his favorite BoDeans album. The man is very much still alive and kicking.
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Mike Mettler Posted: Feb 12, 2014 0 comments
“We would have done surround sound at the time if it had been available.” Original Moody Blues keyboardist Mike Pinder is discussing the always-enveloping signature orchestral sound of the band he was a part of for its first 15 years. Much of the Moodies’ core "Classic Seven" catalog has since seen a series of 5.1 releases in the interim, and Pinder’s innovative usage of the mellotron helped take many of those mixes (“Higher and Higher,” “Watching and Waiting,” “Legend of a Mind”) to the threshold of aural perfection.
Bob Gatton Posted: Oct 28, 2005 0 comments
ISF's Joel Silver tells our readers what they can do to optimize their displays' performance.

BG: What was your goal in founding the Imaging Science Foundation (ISF)?

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Mike Mettler Posted: Jun 25, 2014 0 comments
“I’m just into the ethos of having great sound,” says Giles Martin, describing his surround sound mixing philosophy. “The intention of what we do is to make the journey as seamless as possible. I want people to enjoy what they’re listening to without thinking about it.” Martin’s “natural surround” philosophy is in full effect with the stellar 192-kHz/24-bit 5.1 mix he’s done for the 50th anniversary of A Hard Day’s Night, released on June 24 by The Criterion Collection in a Director-Approved Dual-Format Blu-ray and DVD Special Edition. (If you want to experience the film in a theater setting, it will be playing in almost 100 cities across the country on July 4, courtesy of Janus Films. Theaters and cities can be found by clicking here.)

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