AV Receiver Reviews

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Ultimate AV Staff  |  May 24, 2006  |  0 comments

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Mark Fleischmann  |  Oct 10, 2017  |  1 comments

Audio Performance
Features
Ergonomics
Value
PRICE $799

AT A GLANCE
Plus
110 watts x 2
PC-USB and phono inputs
Bass, treble, balance controls
Minus
No HDMI or other video switching
Ethernet but no Wi-Fi or Bluetooth

THE VERDICT
Although not an AVR, Outlaw’s second-generation stereo receiver has an intelligently chosen feature set, bodacious industrial design, and lots of clean power for music lovers on a budget.

One might argue that no single product category has brought vastly improved sound to so many, so fast, as the now-retro stereo receiver. Models poured in during the (mostly) Japanese mass-market audio explosion of the 1970s, when Classic Rock was just rock. My first receiver was a 15-watt-per-channel Pioneer SX-434, but it just as easily could have been a Marantz, Sansui, Kenwood, Luxman, or any of several other storied brands. Today, top-line stereo receivers from the ’70s—their shiny silver faceplates bristling with knobs, buttons, and toggles—command eyebrow-raising prices on eBay and are lovingly restored by vintage hi-fi buffs.

Adrienne Maxwell  |  Nov 21, 2006  |  First Published: Nov 22, 2006  |  0 comments
HDMI: It's not just for video anymore.

HDMI is a wonderful invention filled with promise. When utilized to its fullest, it can offer the best of both worlds: uncompressed audio and video signals and intelligent, two-way communication over a single cable. Manufacturers have long teased us with talk of complete home theater systems that you can set up using just two or three cables, but the reality has fallen far short of the promise. Most designers have used HDMI only as a top-grade video connector, paying little attention to its audio and communication abilities. Armed with the new HDMI 1.2a spec (the products here were designed and released before 1.3 was finalized), Panasonic is aiming for the ultimate in connection and control with their new EZ Sync HDAVI Control products.

Mark Fleischmann  |  Aug 17, 2006  |  0 comments
Two products, one look.

It wasn't until I uncrated both the Paradigm Cinema 330 speakers and the Harman/Kardon AVR 340 receiver that I realized I'd found something rare in the home theater realm—a visual match between speakers and receiver. Did some invisible hand simultaneously guide Paradigm's whizzes in Toronto and Harman/Kardon's design squad in Northridge, California? These two large companies have no connection that I know of. Yet, this month's Spotlight System is a genuine fusion of Canadian and Californian design sensibilities.

 |  Nov 10, 2008  |  0 comments

If you're like me, you've seen your net worth take a significant hit in 2008. Not only has my house's value dropped nearly 30 percent, but my retirement fund dropped that much the first week of October! Consequently, I don't feel as wealthy as I did in 2007&mdash;although no one would ever confuse me with Daddy Warbucks in any event.

Michael Fremer  |  Apr 13, 2009  |  0 comments
Price: $2,200 At A Glance: Ultra-sophisticated setup and calibration system • Punchy-sounding ICEPower amplification • Versatile LAN-based Home Media Gallery with iPod connectivity

Too Much Functionality?

One step down from Pioneer’s flagship $7,000 SC-09TX A/V receiver, the SC-07 offers an equally dizzying feature set and plenty of ICEpower. It’s all packed into a far more compact, shelf-friendly package, and it sells at a steeply lower $2,200 price point. If you lusted after the SC-09TX (HT, November 2008) but were put off by the price, consider what the SC-07 offers for so much less.

David Vaughn  |  Sep 12, 2008  |  0 comments

What separates a good A/V receiver from a great one? The line has certainly blurred over the past few years, and you can find phenomenal values for under $2000 that offer many of the features once included only in the flagship models, minus a few bells and whistles.

Thomas J. Norton  |  Nov 03, 2008  |  0 comments
Price: $7,000 Highlights: Superb sound for both movies and music • 10 channels of powerful Class D amplification • Sets a steep learning curve but rewards with immense flexibility • Video processing has limitations, including no upconversion of HDMI sources

And the Kitchen Sink

Sometimes I get nostalgic for the early days of home theater. For example, I fondly remember the Proceed AVP processor I reviewed for Stereophile Guide to Home Theater in 1997. Conventional Dolby Digital and DTS were its most exotic operating modes, the remote had fewer than a dozen buttons, and it didn’t provide room equalization, extra surround modes, or onboard video processing. In fact, it didn’t have any video switching beyond S-video. We didn’t need no stinkin’ component, and no one had even heard of HDMI. Laserdisc was the most established source, DVD was brand new, and consumer high definition was still a mote in the FCC’s eye.

Fred Manteghian  |  Feb 16, 2010  |  0 comments
Price: $2,200 At A Glance: MCACC room EQ makes it all good • ICEpower amplification is sweet, powerful, and dynamic • PQLS isn’t a gimmick; it really works

What? No 8-Track?

I’m convinced that at a subatomic level, my DNA has begun mutating me into homo gadgetus. My dad was an electrical engineer, so naturally, hooking up a two-channel stereo was instinctual, hereditary, and manifest from the moment my little fingers could grasp an RCA connector. But setting up a multichannel, HDMI-equipped, Internet-connected AVR was a challenge until recently. I don’t think manufacturers have gotten that much better at their hardware and software design. I just think that as a subspecies (male), we’ve become more adept at new forms of hunting and gathering.

Mark Fleischmann  |  Dec 06, 2010  |  4 comments
Price: $2,200 At A Glance: THX Ultra2 Plus certification including Volume Plus • Energy-efficient ICEpower amplification • Cornucopia of listening modes

Listening a la Modes

Must...write...lead.... Knew I shouldn’t have left...this...for...last.... Overwhelmed with features.... All those listening modes (gasp).... Running out of space.... Help me.... Help me....

Michael Fremer  |  Oct 03, 2011  |  11 comments

Audio Performance
Video Performance
Features
Ergonomics
Value
Price: $2,100 At A Glance: Nine Class D amps that sound good • Most fun you can have with a remote smartphone app • Home networking champ, including Apple AirPlay

I’m usually suspicious of celebrity endorsements of audio gear (think Dr. Dre’s association with the Beats headphones bearing his name). But the Air Studios logo on the front panel of this attractive-looking, innovative flagship Pioneer Elite A/V receiver represents more than a casual association.

Mark Fleischmann  |  Jan 28, 2013  |  9 comments

Audio Performance
Video Performance
Features
Ergonomics
Value
Price: $1,100 At A Glance: 125 x 7 watts D³ power • Brawny, assured bass • Network audio cornucopia

Someday I will be able to review a Class D receiver without mentioning this up-and-coming amplifier technology in the lead. That day hasn’t come yet and probably won’t in the next few years. But I can see it shimmering on the horizon.

Class D has been steadily infiltrating Pioneer’s upper-crust Elite line since 2008 and now accounts for five of the line’s seven models. With the SC-61, reviewed here, the latest version of the technology—which Pioneer calls D3—has come down in price to as little as $1,100. That’s a far cry from the $7,000 Pioneer charged for its first-ever Class D model five years ago.

Mark Fleischmann  |  Oct 05, 2012  |  42 comments

Audio Performance
Video Performance
Features
Ergonomics
Value
Price: $2,500 At A Glance: 32-bit asynchronous USB DAC • D3 Class D amplification • All the Apple trimmings

Like a parent who charts a child’s growth with colored pencil marks on the wall, I’ve been observing the growth of audio/video receivers since the beginning of the product category. The wall is covered with ascending marks: Here’s the first A/V receiver, with composite video switching and no surround processing. Here’s the first Dolby Surround model, the first Dolby Pro Logic model, the first Dolby Digital model—and the first with DTS, THX, lossless surround, room correction, satellite radio, HDMI, network audio, Apple everything.

Mark Fleischmann  |  Feb 19, 2014  |  23 comments

Audio Performance
Video Performance
Features
Ergonomics
Value
PRICE $1,000

AT A GLANCE
Plus
Efficient D3 amplification
AirPlay and iOS savvy
Dynamic, smooth, clean sound
Minus
Labyrinthine ergonomics
No multichannel ins or outs

THE VERDICT
Pioneer is the only AVR maker replacing Class AB amps with Class D on a large scale, and the results are excellent.

Add a feature, drop a feature—usually, that’s how the story goes for a new AV receiver. But features aren’t the whole story, or even the part of the story most readers want to hear. We found that out when we ran a poll at our website SoundandVision.com asking, “What’s your AVR deal-breaker?” The top two complaints were “not enough power” at 35 percent and “ineffective room correction” at 21 percent. “Too few features” and “too many features” got just seven points each, and trendy features like AirPlay, Bluetooth, and Wi-Fi scored in even lower single digits.

Mark Fleischmann  |  Feb 12, 2015  |  3 comments

Audio Performance
Video Performance
Features
Ergonomics
Value
PRICE $3,000

AT A GLANCE
Plus
Dolby Atmos-capable
New Dolby Surround upmixer
D3 amplification
Minus
Confusing back-panel nomenclature
No HDCP 2.2 digital rights management

THE VERDICT
This Class D receiver is just the kind of nine-channel powerhouse needed for Dolby Atmos 5.2.4—and the built-in USB DAC is a cool bonus.

You probably know by now that Dolby Atmos is the next generation of surround sound in both theaters and home theaters. This object-oriented technology lets movie mixers place any sound, almost anywhere they want, in an immersive dome-like soundfield, with height effects that transcend the flat horizontal plane of 5.1- or 7.1-channel surround. With the first generation of Atmos gear now arriving, the technology has been covered in print evaluations of Denon and Definitive Technology products (by ace reviewer Daniel Kumin), on the Web (by editor-in-chief Rob Sabin, video editor Tom Norton, and columnists Ken Pohlmann and John Sciacca), and in my own Test Report in this issue on the Pioneer Elite SP-EBS73-LR Atmos-enabled speaker system.

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