Music Disc Reviews

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Michael Berk  |  Oct 19, 2012  |  0 comments

Back in June we got to check out the premiere of guitar legend Pat Metheny's unique new concert film, The Orchestrion Project, featuring Pat performing "solo" - with an orchestra of robots, captured in glorious 7.1 (and 3D) by director/producer brothers Pierre and François Lamoreux. 

Well, the film's come to Blu-ray - and not just in Dolby TrueHD 7.1, but with the company's new Advanced 96k Upsampling feature, to deliver lossless audio - no extra hardware required - of the highest possible quality along with the pristine visuals. And we've got a couple of copies to give away.

Jaan Uhelszki  |  May 28, 2009  |  0 comments
Review
Reprise
Music ••• Sound ••••½
It's been 5 years since Green Day sounded the alarm wit
Brett Milano  |  Nov 24, 2008  |  0 comments
Black Frog/Geffen
Music •••½ Sound •••½
It's a pretty decent album.
Mike Mettler  |  May 15, 2020  |  1 comments
Picture
Sound
Extras
It would be easy to characterize Chuck Berry, who passed away at age 90 in 2017, as one cantankerously acrimonious fellow, but after revisiting Taylor Hackford's astute 1987 documentary Hail! Hail! Rock 'N' Roll, now available on Blu-ray for the first time via Shout Select, I'm reminded of how captivating, creative, and downright business-savvy the pioneering, guitar-playing singer/ songwriter actually was.
Michael Berk  |  Feb 14, 2013  |  0 comments

We all love music and great sound (I'm pretty sure you wouldn't be reading this if you didn't). And I'm pretty sure both you and your beloved can appreciate a great bargain - so why not put all three together this long post-Valentine's day weekend? Well, we've partnered with our friends over at HDtracks to bring you a sampler of some of their best-sounding high-resolution files.

Mike Mettler  |  Dec 25, 2012  |  0 comments

“Jeff has incredible studio I.Q. Ask anyone who makes music: he’s one of the great record producers, period.” So says Tom Petty, and? if anyone should know, it’s him, having worked with Jeff Lynne as a producer on sonic blockbusters like his own Full Moon Fever and the Traveling Wilburys’ Volume? 1.

Francis Davis  |  Oct 16, 2001  |  0 comments

Clichés are truisms, Jack Kerouac once reasoned, and therefore true. But maybe not always - or at least not completely. One of the many clichés about Miles Davis is that beginning with cool in the late 1940s and ending with fusion 20 years later, he anticipated nearly every significant movement in jazz after be bop.

Mike Mettler  |  Sep 18, 2012  |  0 comments

It’s nice to feel that the music can be improved, and in the case of Aqualung [which saw a 40th anniversary box-set reissue in 2011 with new stereo and 5.1 mixes by Steven Wilson], that wasn’t difficult because it wasn’t a very good recording.

Brent Butterworth  |  Jan 24, 2012  |  0 comments

What do you want to hear when you listen to music? Do you want a lower-fidelity version of what the artists, engineers, and producers heard in the studio? Or would you prefer to hear exactly what they heard in the studio?

Of course, you'd prefer the latter. But you're probably getting the former - unless, that is, you're listening to high-resolution downloads from HDtracks. If you're listening to CDs, MP3s, or even vinyl records, what you're hearing is not a precise copy of the original digital recording or analog tape. It's downconverted. If it's on CD, the digital resolution has been reduced. If it's on vinyl, the audio has been remastered and the record you're listening to is actually a third-generation mechanical copy.

Sure, it might sound ok. But it's not the best fidelity you can get. HDtracks is. And HDtracks and Sound+Vision have put together an introductory sampler to show you just how good high-resolution listening can be.

Mike Mettler  |  Oct 29, 2010  |  0 comments

To borrow Mick Jagger’s growl from the Rolling Stones’ feisty Tattoo You track “Neighbours”: labels, labels, labels, labels, LABELS! People feel like they have to label just about everything, especially when it comes to music. So whenever I’m asked to describe what Carlos Santana’s music sounds like, my answer is quite simple: “It sounds like Carlos Santana.” In the case of the 63-year-old guitar guru, his name defines his sound. “The majority of the music I play is still African music,” Carlos explains. “I honor that. And it comes through the Delta, and Mississippi.

James K. Willcox  |  Sep 24, 2010  |  0 comments

If YouTube page-views were currency, the members of OK Go would be very rich men.

Mike Mettler  |  Jun 09, 2023  |  0 comments
Performances
Sound
Steven Wilson has long been a man with a mission to push musical boundaries and stretch the limits of our listening expectations with his own music. He also has a passion for championing releases from other artists who have been underexposed or overlooked entirely, so is it really any wonder Wilson is behind a new and quite, well, intriguing import-only box set compilation Intrigue — Steven Wilson Presents: Progressive Sounds in UK Alternative Music 1979-89? All told, Intrigue presents 58 tracks spread across 5-plus listening hours on a 4CD set from Edsel Records.
Mike Mettler  |  Jun 01, 2018  |  2 comments
Performance
Sound
INXS were riding high as the calendar got deeper and deeper into 1987. The alt-rocking Australian sextet had truly come into their own following the wider international penetration of 1985’s Listen Like Thieves. They were also burgeoning MTV darlings, mainly thanks to the magnetic presence of poster-boy frontman Michael Hutchence. That said, the band had enough musical acumen to override their video-centric image, best exemplified by the churning, layered groove of Thieves’ big hit, “What You Need,” itself born of the interlocked songwriting axis of lyricist/vocalist Hutchence and keyboardist/guitarist Andrew Farriss.

Mike Mettler  |  May 21, 2014  |  0 comments
Performance
Sound
When it comes to delivering the low end, Jack Bruce has been the cream of the crop for six decades and counting. His syncopated approach to playing bass helped shift pop music’s bottom-end emphasis away from just laying down root notes and fifths, in turn opening the door to a more adventurous yet melodically inclined style that laid the foundation for the rock explosion of the ’60s. Turns in both Manfred Mann and John Mayall’s band set the table for Bruce to connect with Eric Clapton and Ginger Baker and forge Cream, wherein the super Scotsman set the heavy-blues power-trio standard with epic runs and full-band interplay in songs like “I Feel Free,” “Spoonful,” “Politician,” and “Sunshine of Your Love.”

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