PROJECTOR REVIEWS

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Ultimate AV Staff Posted: Dec 20, 2006 0 comments

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Thomas J. Norton Posted: Mar 01, 2010 0 comments
Price: $3,699 At A Glance: Excellent video processing • Superior adjustability • Blacks to die for

Epson’s broad lineup of PowerLite home theater projectors can be a bit confusing, but the important point is that it splits into two parallel lines. At the top are the Pro Cinema models, and just below them are the Home Cinema designs. They track each other closely in performance, but the Pro Cinema versions offer a few extra features. These include an aspect-ratio setting for anamorphic projection on a 2.35:1 screen (the anamorphic lens required to use this is not included, and I didn’t test this feature). They also include ISFccc Day and Night modes, a spare lamp, a longer warranty, and a black case (the Home Cinema versions are white). At the top of the line, and our subject here, is the Pro Cinema 9500 UB.

Description
In appearance, the PowerLite Pro Cinema 9500 UB—one of the few projectors that is currently THX certified—closely resembles last year’s Epson flagship, the Pro Cinema 7500 UB. Its Fujinon zoom lens has a throw-distance range of 9.8 to 20.9 feet for a 100-inch (diagonal) 16:9 screen. The horizontal and vertical lens-shift controls, located at the top front of the case, have convenient mid-setting detents that make it easy to find the neutral settings. Lens shift, zoom, and focus are all manual.

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Kris Deering Posted: Mar 03, 2011 1 comments

Performance
Features
Ergonomics
Value
Price: $3,199 At A Glance: Class-leading features • Anamorphic lens compatibility • Incredible value

Still Defining Value

It’s truly amazing the kinds of values you can find in home theater today. When I first got into this hobby in the mid-’90s, most frontprojection systems were bulky and expensive. But with projectors like the Epson PowerLite Pro Cinema 9700 UB, consumers can have truly outstanding front projection for the cost of a higher-end flat-panel HDTV, something that was unheard of even a few years ago. And the value isn’t the only thing to get excited about. Epson includes some very cool features in this gem, including THX certification, anamorphic lens compatibility, and a host of video processing features.

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Kris Deering Posted: Oct 29, 2015 10 comments

2D Performance
3D Performance
Features
Ergonomics
Value
PRICE $8,000

AT A GLANCE
Plus
Laser light engine
HDCP 2.2 compliance
Excellent contrast and accuracy
UHD color support
Minus
Not true 4K
Pricey
Contrast not quite up to lofty claims

THE VERDICT
Few projectors can compete with Epson’s first salvo in the reflective LCD market, and the company’s laser engine delivers bright images with flagship-level contrast and accuracy.

Last year’s CEDIA Expo was a bit of a buzzkill for projectors. We continued to see a dropoff in the number of manufacturers, and two of the biggest names in consumer projectors, Sony and JVC, both decided to forgo new models altogether. But that didn’t stop Epson from unveiling one of the most exciting projectors I’ve seen in years, the PowerLite Pro Cinema LS10000. Not only is it unlike any previous Epson model, but it’s also the first laser-driven home theater projector I’ve seen—and at a sub-$10,000 price point. But can it compete with the juggernauts from Sony and JVC at these higher price levels? Let’s find out.

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Peter Putman Posted: Jan 22, 2003 0 comments

Epson's entrance into the home-theater projector arena has long been anticipated. For years, Epson has had the best color-management system of any maker of LCD projectors, and their ability to tame the uneven spectral output of short-arc metal-halide lamps has been impressive.

Al Griffin Posted: Sep 02, 2016 1 comments

2D Performance
3D Performance
Features
Ergonomics
Value
PRICE $3,999

AT A GLANCE
Plus
Crisp “4K Enhanced” picture
Ultra HD and HDR compatible
Impressive 3D performance
Minus
Some motor noise with Auto Iris active
High fan noise in certain picture modes

THE VERDICT
Epson’s Ultra HD and HDR-compatible 3D LCD projector delivers a compelling mix of performance and features for its $3,999 price.

With 4K/Ultra HD quickly taking over as the default resolution for new TVs, it seems ironic that projectors, the display type that would most benefit from 4K resolution, have been slower to transition to the new format. Sony is the only manufacturer to introduce 4K-res projectors aimed at the general home theater market, and with the cost of entry for those models stuck in the $10,000-plus range, it’s clear that 4K projection has a way to go before it becomes mainstream.

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Thomas J. Norton Posted: Sep 25, 2005 0 comments

While we've all been happily watching our 1280x720 digital video displays, manufacturers have been quietly working behind the scenes to bring us 1920x1080. Every display technology, it seems, has its own higher resolution displays in development. Some are even in stores as I write.

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Thomas J. Norton Posted: May 30, 2005 0 comments

When Fujitsu announced a high-end LCD projector, my first reaction was a stifled yawn. After all, until recently, home theater LCD projectors had been limited to the low end. Yes, they sometimes offered very good value for the money, and we've given good reviews to more than one of them over the years. But an LCD projector priced like a new car, in competition with 3-chip DLPs and high-end LCoS projectors, seemed far-fetched. Even more surprising was the fact that Fujitsu was known in the home video market for plasma displays, not projectors.

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Thomas J. Norton Posted: Jul 11, 2005 0 comments

In my recent review of Fujitsu's remarkable <A href="http://www.ultimateavmag.com/videoprojectors/505fujitsu/">LPF-D711W LCD projector</A>, I commented:

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Geoffrey Morrison Posted: Jul 01, 2004 0 comments
Light is good. Light and mirrors are better.

Digital Light Processing is finally getting the recognition it deserves. It's not as hot a technology as plasma, but people are beginning to realize that it's an appetizing alternative—especially since it offers many of the strengths and few of the weaknesses of other digital display technologies. Texas Instruments is the creator and sole manufacturer of DLP chips, and their latest offering is the HD2+ (or Mustang) chip. But it all started long before the arrival of HD2+.

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Steven Stone Posted: May 29, 2006 0 comments

When I think of home theater video projectors Hitachi isn't the first brand that comes to mind. Hitachi is probably better known for microwaves, compact music systems, and other mass-market consumer electronics. When Tom Norton offered me the HDPJ52 LCD projector for review I wasn't expecting very much. Simply put, every LCD projector I've reviewed in the past has been fatally flawed by poor color, inadequate black levels, and less than optimal resolution. Why should Hitachi do any better with LCD projectors than other manufacturers? What I neglected to consider is that Hitachi not only makes its own LCD panels and most other major components, they have been manufacturing business and presentation projectors for years. I packed my preconceptions into a large box and put it in the garage. With a newly open mind I unpacked the Hitachi HDPJ52. Welcome to the bright new world of 21st century LCD projectors.

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Geoffrey Morrison Posted: Oct 15, 2005 Published: Oct 30, 2005 0 comments
My, what a big eye you have.

In 2001: A Space Odyssey, we were introduced to HAL 9000—a plucky computer that likes long walks at night, organization, and things not named Dave. In 2010, we found out that we were going to need a bigger boat and that HAL had a sibling: Bob. Or it may have been Phil. It certainly wasn't Knight Industries Two Thousand. It turns out that four years after and five years before, a middle sibling has been discovered: PJ. (Lame, I know. I'm sorry.)

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Peter Putman Posted: Oct 17, 2004 0 comments

Hitachi's PJTX100 UltraVision front LCD projector replaces the short-lived Home 1, a low-cost, 964x544-pixel design that made a brief appearance earlier this year. I liked many things about the Home 1, but it suffered from very low light output&mdash;too low to be practical for most home-theater applications.

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Geoffrey Morrison Posted: Jul 20, 2005 0 comments
Brighter, blacker, cheaper.

It has been interesting to follow the development of the 7200 Series from InFocus. Two years ago, I reviewed the 7200, the first high-end home theater projector from what was, up to that point, a company primarily known for business projectors. A year later came the 7205, which had some updates, including a new chip from Texas Instruments. It was brighter, had a better black level, and was cheaper. Now, a year after that, the 7210 follows this same progression.

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