Projector Reviews

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Mike Wood  |  Oct 28, 2000  |  First Published: Oct 29, 2000  |  0 comments
We've often said that a projector is only as good as the processor that feeds it. The most expensive projector on the planet won't save your picture from a bad video processor. Until now, most people bought projectors and processors like dim sum: à la carte or piece by piece. With few exceptions, they would buy a projector from one company and a processor from another. Runco is looking to change all that by tailoring their processors to work with specific display devices so that you can get the most out of both.
Ultimate AV Staff  |  Oct 24, 2006  |  0 comments

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Mike Wood  |  Aug 05, 2002  |  First Published: Aug 06, 2002  |  0 comments
If you call Runco's company headquarters and get put on hold, you'll hear about Roger Ebert's love for the film and Runco products, as well as his opinion that the latter makes home theater look much like the former. As my wife and I recently watched Panic Room in a real movie theater, I couldn't help but wonder if Ebert's comment was much of an endorsement. The picture quality was good. We just realized that, among other things, film has a lousy black level. Dark scenes were dark enough, but the blackout drapes along the sides of the screen were much darker. I've often used to the black level of CRT-based home theater projectors; I've been spoiled. I wondered, if film isn't the panacea of imaging, what is?
Thomas J. Norton  |  Sep 16, 2008  |  0 comments
Samsung has an unusual history with high-definition video projectors. Its most recent 720p DLP model, designed in consultation with video expert Joe Kane, was superb, even standard-setting in many important respects. But dealers were rare, and worse, the projectors arrived on the market just as comparably priced 1080p models were becoming available. They ultimately sold out to lucky buyers at bargain prices.
Thomas J. Norton  |  Oct 26, 2009  |  0 comments
Price: $12,999 At A Glance: Fast calibration, accurate color • Superb detail • Video processing under par

Dynamic and Detailed

In these days of increasingly improved LCD and LCOS projectors, new DLP models seem to be few and far between. Some manufacturers have cut back on their premium DLP projector offerings (Sharp), and some have eliminated them altogether (Yamaha).

Geoffrey Morrison  |  May 01, 2005  |  First Published: May 17, 2005  |  0 comments
So accurate, post houses use it for a reference.

There is a reason why we say a display product's color temperature should be 6500 kelvins. There is a reason why we say color points are "off." There is a reason video has set parameters that define what it is supposed to look like. The reason is that people a lot smarter than us figured out what looks the best and wrote down what a display should do to look that way.

Scott Wilkinson  |  May 22, 2005  |  0 comments

I first saw the Samsung SP-H700AE almost two years ago at the Video Software Dealers Association (VSDA) convention in Las Vegas. The company had hired video guru Joe Kane to help them design a single-chip DLP projector that would meet his exacting standards, and he invited me to come see the result (admittedly, in prototype form).

David Vaughn  |  Jan 21, 2008  |  0 comments

It is a great time to be a home theater enthusiast. Sure, the format war between rivals HD DVD and Blu-ray Disc has been distracting. But the price of 1080p projectors has fallen from the stratosphere to price levels many can actually afford. Prices of 1080p projectors are now below the $3,000 mark, and we're not talking stripped down bargain units or last year's closeouts either.

Thomas J. Norton  |  Mar 20, 2005  |  0 comments

With its fold-down front panel and uninspiring plastic case, the Sanyo PLV-Z3 suggests nothing so much as a large (okay, very large) clock radio. In a world where, not so very long ago, video projectors were expected to require three or four strong longshoremen to deliver and set up, the newest digital designs still generate a sense of wonder. Even now, audiophiles continue to equate size and mass with quality, and "longer, lower, wider" are still the watchwords with car enthusiasts (though it's no longer politically correct to actually say so in polite company).

Thomas J. Norton  |  May 18, 2009  |  0 comments
Price: $3,295 At A Glance: Impressive resolution • Good blacks and shadow detail • Oversaturated color • Excellent value

Sanyo has long been a big player in the business projector market. However, while it has a serious presence in home projectors in many markets, it has remained relatively low key for U.S. consumers. This is especially true when you compare it with manufacturers who are more aggressive at beating their own drums. But the PLV-Z3000 proves that the company knows its way around home theater projector design.

Description
The Sanyo lacks the Ferrari-like curves that many of its competitors sport. Still, its relatively plain, boxy shape is functional and well executed. All mechanical operations (horizontal and vertical lens shift, focus, and zoom) are manual. This isn’t necessarily a bad thing, since these are usually set-and-forget operations. The zoom lens has a throw-distance range of 9.8 to 20 feet for a 100-inch (diagonal) 16:9 screen.

Darryl Wilkinson  |  Feb 28, 2001  |  First Published: Mar 01, 2001  |  0 comments
Better than I pixelled it.

The first step in overcoming any problem is admitting that you have one, so I'll admit that I don't normally like LCD projectors. There's no point in hiding the fact—it was bound to come out. Of course, I'm ashamed to admit that I'm prejudiced against an entire class of display devices. This is America, after all, where products should be judged on merit and not the composition of their pixels. But, you know, they're fine for other people. It's just not the kind of projector I'd have in my living room . . . . So, I was fully prepared not to like Sharp's XV-DW100U LCD projector. Sure, it can accept input signals from an analog NTSC tuner all the way up to 720p and 1080i from an outboard DTV tuner. So what if it easily connects to your computer, too? All right, it is amazingly easy to set up. OK, it works as a front or rear, floor or ceiling projector. I'll even give you the fact that it's a blast to watch. But, hey, it's still an LCD projector, remember?

Thomas J. Norton  |  Nov 03, 2003  |  0 comments

It's easy to visualize the operation of a CRT projector: three tubes, each operating much as the picture tube in the TV on your kitchen counter, flashing overlapping red, green, and blue analog images onto the screen. If you have a good model in top operating condition, and if you or your installer have slaved over its setup, you'll see an incredible picture&mdash;one that, on a home-size screen (not so large as to accentuate a CRT's main limitation of light output), is still as good as home video gets.

Thomas J. Norton  |  May 30, 2004  |  0 comments

Apart from a slight change in the color of the case, there's little that visibly distinguishes Sharp's new XV-Z12000 DLP home theater projector from its predecessor, the XV-Z10000. The winner of our last Editors' Choice Platinum Award, in January 2004, the Z10000 sailed through the viewing sessions for its coverage in SGHT: a full review in October 2003 and a "Take 2" in November.

 |  Nov 19, 2005  |  0 comments

Sharp practically put DLP front projection on the map as a high performance solution when it introduced its XV-Z9000 projector a few years ago. That projector featured the first generation "Mustang Chip," the first 16:9 native 720p DLP chipset from Texas Instruments. Sharp's SharpVision projector line has continued to evolve with TI's chips, with each new generation making incremental improvements over past models. We continue to be compelled to look at each iteration because Sharp's line has remained reasonably priced (between $11-$12k MSRP with "street prices" closer to $10k) and never given up much in pure performance even when compared to premium projectors costing much more.

Geoffrey Morrison  |  Mar 10, 2006  |  0 comments
How do you follow up a winner?

Way back in our July 2004 issue, we reviewed this projector's predecessor, which wasn't known as the MARK I. We liked the XV-Z12000's performance so much, we gave it our 2005 RAVE Award for Best Overall Projector. Just a few months shy of two years later, we got a chance to play with the MARK II version.

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