Phase Technology Teatro TSB3.0 Soundbar Review Page 2

John Wick

Picture
Sound
Extras
Action films come in various flavors: Some are more story-driven, others less so. John Wick is clearly on the low end of this scale, with no plot to speak of, instead relegating itself to a 100-minute nonstop shoot-out, a movie where taking a breath is as impossible as taking the film seriously. Playing unapologetically to a testosterone-addled, teenaged male demographic, the film is furious and explosive on the one hand, yet flat and characterless on the other. But if pure adrenaline-infused action is what you seek, John Wick may be right up your alley. Just don’t expect it to make any sense.

Closer to Music

I have been lucky enough to spend nearly all of my career explaining audio and video technology to readers. I'm just as lucky to have made Sound & Vision and its predecessor Home Theater my roost since 2001. But in a previous phase of my career, I divided my time between specialist publications like this one and other kinds: music and pop culture magazines, men's and women's and travel magazines and newspapers and more. It was while writing a story for Details that I racked my brain for a way to assert the relevance of audio technology to a young, hip, music-loving audience (not unlike myself at the time). Finally I stumbled upon the key that unlocked it all: the phrase closer to music. I've been using that phrase and its cousin—your relationship with music—ever since.

Can I Build a Dolby Atmos Theater Using All In-Ceiling Speakers?

Got a tech question for Sound & Vision? Email us at AskSandV@gmail.com

Q I am new to the world of home theater, but I’m building a house soon and want to plan for the possibility of a home theater setup. I like the idea of having in-ceiling speakers running the surround sound. Is it possible to set up a Dolby Atmos system that exclusively uses in-ceiling speakers?—Jonathan Huizingh / via e-mail

Wi-Fi Pineapple: A Rotten Piece of Fruit

While doing some research for an upcoming Connected Life column on Wi-Fi security practices, I stumbled across a practically rotten piece of “fruit” called the Wi-Fi Pineapple. And while the company that makes this, Hak5, says that it serves “penetration testers, law enforcement, military and government” the sub $100 device is available to anyone and is designed to “enable users to quickly and easily deploy advanced attacks.” With the Pineapple performing hotspot honeypot, man-in-the-middle attacks, a hacker could quickly and easily have access to all of the data and information from your browsing sessions. If you frequently connect to Wi-Fi hotspots when you’re out and about, here are some things you need to know about the Pineapple in order to better safeguard yourself.

Niles Auriel MRC-6430 Multiroom Audio Controller Review Specs

The Sky’s the Limit: High-End DIY Theater Rises Above Panama City

Located in a 10,000-square-foot apartment that comprises the entire 52nd floor of The Point condominiums in Panama City, Panama, this 26 x 16 x 10-foot home theater adheres to the recommended proportions for well-balanced acoustics and good sound distribution.

Niles Auriel MRC-6430 Multiroom Audio Controller Review Page 2

Niles Auriel MRC-6430 Multiroom Audio Controller Review


Performance
Features
Ergonomics
Value
PRICE $4,070 as reviewed

AT A GLANCE
Plus
Incredibly simple setup
Terrific home theater integration
Easily handles both analog and IP sources
Minus
No native sources
Typical Class D sound quality

THE VERDICT
Auriel is a breeze to set up, provides control over legacy and modern sources, and offers home theater integration along with a variety of easy-to-use interfaces.

Housewide audio distribution systems varied little in their design and feature set for many years. Whether they were from Niles, Elan, SpeakerCraft, NuVo, or Russound, you could essentially count on them offering six analog audio source inputs, onboard amplification for six stereo zones, and connections for a variety of controllers, usually including an in-wall keypad.

Dolby Cinema Part Deux

A couple of blogs back I addressed the subject of Dolby Cinema, a combination of technologies, both audio and video, being promoted by Dolby as a dramatic improvement in theatrical presentations. They’re right. It most certainly is.

But first a little background. I stated in that other blog that Dolby Vision (which promotes a wider color gamut and high dynamic range, or HDR) was primarily developed for flat screen sets, which can produce greater brightness (practically speaking, up to around 300 foot-lamberts in an affordable consumer display—though Dolby’s pro display can do much better at considerable cost). For commercial film presentations, Christie Digital has developed, in cooperation with Dolby, a new, laser-lit projector capable of 30 ft-L (in 2D and, of course, depending on screen size and gain).

If that doesn’t sound like a patch on 300 ft-L, keep in mind that most theatrical projectors are lucky to hit 15-16 ft-L (again in 2D, and far lower in 3D)...

Pages

X
Enter your Sound & Vision username.
Enter the password that accompanies your username.
Loading