Three-Way Deal Boosts EchoStar's Potential

Two new satellites, 28 new digital broadcasting frequencies, and a new broadcast-operations center are among the trophies <A HREF="http://www.echostar.com/">EchoStar Communications Corporation</A> will take home in a stock-swap agreement with Rupert Murdoch's <A HREF="http://www.newscorp.com/">News Corporation</A> and <A HREF="http://www.mci.com/">MCI WorldCom</A>. The agreement with News Corp. brings litigation between the two companies to an end, and it is expected to substantially strengthen EchoStar's position as a leader in direct broadcast satellite (DBS). <A HREF="http://www.directv.com/">DirecTV</A> and <A HREF="http://www.ussb.com/">USSB</A> are the only other serious contenders in the North American DBS market.

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Sony Erects New Electonic Barrier to Digital Pirates

Entertainment-industry executives should sleep better thanks to a recent announcement from <A HREF="http://www.sony.com/">Sony Corporation</A>. On November 30, Sony announced it has developed robust, multilevel copy protection for the emerging IEEE 1394 interconnect standard, which represents an escalation in the technological war against poachers of intellectual property.

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Pioneer Elite PRO-200 rear-projection TV Calibration

With the reality of digital television now almost within our grasp, manufacturers of big-screen sets must feel like sky-divers in free fall. Until the 'chute opens with the snap of digital displays finally hitting the stores, the market for large, expensive, conventional rear-projection models might appear to be controlled by nothing but the force of gravity. In a highly unscientific survey, I asked a few dealers around the country whether big-screen television sales were down and whether consumers seemed to be waiting for the coming of the first digital sets. The answer to both questions was a uniform and unequivocal <I>yes</I>.

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Pioneer Elite PRO-200 rear-projection TV Specifications

With the reality of digital television now almost within our grasp, manufacturers of big-screen sets must feel like sky-divers in free fall. Until the 'chute opens with the snap of digital displays finally hitting the stores, the market for large, expensive, conventional rear-projection models might appear to be controlled by nothing but the force of gravity. In a highly unscientific survey, I asked a few dealers around the country whether big-screen television sales were down and whether consumers seemed to be waiting for the coming of the first digital sets. The answer to both questions was a uniform and unequivocal <I>yes</I>.

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Pioneer Elite PRO-200 rear-projection TV Page 3

With the reality of digital television now almost within our grasp, manufacturers of big-screen sets must feel like sky-divers in free fall. Until the 'chute opens with the snap of digital displays finally hitting the stores, the market for large, expensive, conventional rear-projection models might appear to be controlled by nothing but the force of gravity. In a highly unscientific survey, I asked a few dealers around the country whether big-screen television sales were down and whether consumers seemed to be waiting for the coming of the first digital sets. The answer to both questions was a uniform and unequivocal <I>yes</I>.

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Pioneer Elite PRO-200 rear-projection TV Page 2

With the reality of digital television now almost within our grasp, manufacturers of big-screen sets must feel like sky-divers in free fall. Until the 'chute opens with the snap of digital displays finally hitting the stores, the market for large, expensive, conventional rear-projection models might appear to be controlled by nothing but the force of gravity. In a highly unscientific survey, I asked a few dealers around the country whether big-screen television sales were down and whether consumers seemed to be waiting for the coming of the first digital sets. The answer to both questions was a uniform and unequivocal <I>yes</I>.

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Pioneer Elite PRO-200 rear-projection TV

With the reality of digital television now almost within our grasp, manufacturers of big-screen sets must feel like sky-divers in free fall. Until the 'chute opens with the snap of digital displays finally hitting the stores, the market for large, expensive, conventional rear-projection models might appear to be controlled by nothing but the force of gravity. In a highly unscientific survey, I asked a few dealers around the country whether big-screen television sales were down and whether consumers seemed to be waiting for the coming of the first digital sets. The answer to both questions was a uniform and unequivocal yes.
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After a Million Dollars of Restoration, Vertigo Released on DVD

J<I>ames Stewart, Kim Novak, Barbara Bel Geddes, Tom Helmore. Directed by Alfred Hitchcock. Aspect ratio: 1.85:1 (letterbox). Dolby Digital 5.1. 128 minutes. 1958. Universal Home Video 20183. Rated PG. $34.98.</I>

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Divx Will Try Widescreen; Dow Stereo Signs On

Next month, <A HREF="http://www.divx.com/">Divx</A> is planning to test the widescreen waters. The company behind the pay-per-view alternative to "open" DVD recently announced that two films will be released in the widescreen format in December. "We want to see how much demand there is among our customers for widescreen," says a company spokesman.

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Is the DTV Glass Half Empty or Half Full?

The digital-television media bombardment has been a case study in contrasts. Some optimistic reports predict that most households will be DTV-equipped within 10 years, while others cite turf battles between broadcasters, the FCC, and various computer and electronics manufacturers as evidence of the minefield stretching out ahead. A study released this month by <A HREF="http://www.pwcglobal.com">PricewaterhouseCoopers</A> reports that industry executives are also painting dramatically different pictures of the digital future in 2009. In one, consumer technologies are seamlessly interconnected; in the other, television is stalled between analog and digital technology.

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