Face Off: Surround-Speaker-Configuration Wars Page 6

The struggle continues: single versus dual speakers; dipoles versus monopoles.

Lightsabers swirl all around, machines explode to the side, and lasers come from directly behind you. If you saw The Phantom Menace in a Dolby Digital Surround EX-equipped theater, you heard one of the more spatially realistic soundtracks recorded to date. Now, that same technology has entered the home market under the moniker THX Surround EX (non-THX-certified products might refer to a similar process as 6.1), and a familiar question returns to haunt us: Should you use dipole or monopole (also known as direct-radiating) loudspeakers for the back channel? This time around, the question comes with a new twist: Should you use one or two speakers for this channel? Willing to conquer any challenge and answer any question, we at Home Theater took it upon ourselves to test various speaker configurations. After describing the process itself and the advantages and disadvantages of dipole and monopole speakers, we'll let you know what our panel of judges thought of the various options.

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Face Off: Surround-Speaker-Configuration Wars Page 5

The struggle continues: single versus dual speakers; dipoles versus monopoles.

Lightsabers swirl all around, machines explode to the side, and lasers come from directly behind you. If you saw The Phantom Menace in a Dolby Digital Surround EX-equipped theater, you heard one of the more spatially realistic soundtracks recorded to date. Now, that same technology has entered the home market under the moniker THX Surround EX (non-THX-certified products might refer to a similar process as 6.1), and a familiar question returns to haunt us: Should you use dipole or monopole (also known as direct-radiating) loudspeakers for the back channel? This time around, the question comes with a new twist: Should you use one or two speakers for this channel? Willing to conquer any challenge and answer any question, we at Home Theater took it upon ourselves to test various speaker configurations. After describing the process itself and the advantages and disadvantages of dipole and monopole speakers, we'll let you know what our panel of judges thought of the various options.

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Face Off: Surround-Speaker-Configuration Wars Page 4

The struggle continues: single versus dual speakers; dipoles versus monopoles.

Lightsabers swirl all around, machines explode to the side, and lasers come from directly behind you. If you saw The Phantom Menace in a Dolby Digital Surround EX-equipped theater, you heard one of the more spatially realistic soundtracks recorded to date. Now, that same technology has entered the home market under the moniker THX Surround EX (non-THX-certified products might refer to a similar process as 6.1), and a familiar question returns to haunt us: Should you use dipole or monopole (also known as direct-radiating) loudspeakers for the back channel? This time around, the question comes with a new twist: Should you use one or two speakers for this channel? Willing to conquer any challenge and answer any question, we at Home Theater took it upon ourselves to test various speaker configurations. After describing the process itself and the advantages and disadvantages of dipole and monopole speakers, we'll let you know what our panel of judges thought of the various options.

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Face Off: Surround-Speaker-Configuration Wars Page 3

The struggle continues: single versus dual speakers; dipoles versus monopoles.

Lightsabers swirl all around, machines explode to the side, and lasers come from directly behind you. If you saw The Phantom Menace in a Dolby Digital Surround EX-equipped theater, you heard one of the more spatially realistic soundtracks recorded to date. Now, that same technology has entered the home market under the moniker THX Surround EX (non-THX-certified products might refer to a similar process as 6.1), and a familiar question returns to haunt us: Should you use dipole or monopole (also known as direct-radiating) loudspeakers for the back channel? This time around, the question comes with a new twist: Should you use one or two speakers for this channel? Willing to conquer any challenge and answer any question, we at Home Theater took it upon ourselves to test various speaker configurations. After describing the process itself and the advantages and disadvantages of dipole and monopole speakers, we'll let you know what our panel of judges thought of the various options.

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Face Off: Surround-Speaker-Configuration Wars Page 2

The struggle continues: single versus dual speakers; dipoles versus monopoles.

Lightsabers swirl all around, machines explode to the side, and lasers come from directly behind you. If you saw The Phantom Menace in a Dolby Digital Surround EX-equipped theater, you heard one of the more spatially realistic soundtracks recorded to date. Now, that same technology has entered the home market under the moniker THX Surround EX (non-THX-certified products might refer to a similar process as 6.1), and a familiar question returns to haunt us: Should you use dipole or monopole (also known as direct-radiating) loudspeakers for the back channel? This time around, the question comes with a new twist: Should you use one or two speakers for this channel? Willing to conquer any challenge and answer any question, we at Home Theater took it upon ourselves to test various speaker configurations. After describing the process itself and the advantages and disadvantages of dipole and monopole speakers, we'll let you know what our panel of judges thought of the various options.

Share | |

Face Off: Surround-Speaker-Configuration Wars

The struggle continues: single versus dual speakers; dipoles versus monopoles.

Lightsabers swirl all around, machines explode to the side, and lasers come from directly behind you. If you saw The Phantom Menace in a Dolby Digital Surround EX-equipped theater, you heard one of the more spatially realistic soundtracks recorded to date. Now, that same technology has entered the home market under the moniker THX Surround EX (non-THX-certified products might refer to a similar process as 6.1), and a familiar question returns to haunt us: Should you use dipole or monopole (also known as direct-radiating) loudspeakers for the back channel? This time around, the question comes with a new twist: Should you use one or two speakers for this channel? Willing to conquer any challenge and answer any question, we at Home Theater took it upon ourselves to test various speaker configurations. After describing the process itself and the advantages and disadvantages of dipole and monopole speakers, we'll let you know what our panel of judges thought of the various options.

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Remote Possibilities Page 3

Winning the war over remote reproduction.

If you've got as much gear as the average home theater writer, you can relate to the panicky feeling you get when you go to the kitchen for a beer and some snacky cakes, come back, and find that two of your remotes have shacked up to make a third . . . and a fourth . . . and a fifth—to the point where your collection of expensive coffee-table books is hidden under a pile of black, rectangular gadgets. That's a scary feeling—some of us have even gone into therapy because of it. Don't worry, you're not hallucinating, but you do have a problem. You need to simplify. With all the remote possibilities out there, the possibility that you'll find one that will jibe with your system and your needs isn't remote at all. You just need to figure out what sort of remote is best for you. And since we're, well, sort of control freaks (as the expression goes), we can help you figure out if you want a universal remote, a learning remote, a programmable touchscreen remote, or some combination thereof.

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Remote Possibilities Page 2

Winning the war over remote reproduction.

If you've got as much gear as the average home theater writer, you can relate to the panicky feeling you get when you go to the kitchen for a beer and some snacky cakes, come back, and find that two of your remotes have shacked up to make a third . . . and a fourth . . . and a fifth—to the point where your collection of expensive coffee-table books is hidden under a pile of black, rectangular gadgets. That's a scary feeling—some of us have even gone into therapy because of it. Don't worry, you're not hallucinating, but you do have a problem. You need to simplify. With all the remote possibilities out there, the possibility that you'll find one that will jibe with your system and your needs isn't remote at all. You just need to figure out what sort of remote is best for you. And since we're, well, sort of control freaks (as the expression goes), we can help you figure out if you want a universal remote, a learning remote, a programmable touchscreen remote, or some combination thereof.

Share | |

Remote Possibilities

Winning the war over remote reproduction.

If you've got as much gear as the average home theater writer, you can relate to the panicky feeling you get when you go to the kitchen for a beer and some snacky cakes, come back, and find that two of your remotes have shacked up to make a third . . . and a fourth . . . and a fifth—to the point where your collection of expensive coffee-table books is hidden under a pile of black, rectangular gadgets. That's a scary feeling—some of us have even gone into therapy because of it. Don't worry, you're not hallucinating, but you do have a problem. You need to simplify. With all the remote possibilities out there, the possibility that you'll find one that will jibe with your system and your needs isn't remote at all. You just need to figure out what sort of remote is best for you. And since we're, well, sort of control freaks (as the expression goes), we can help you figure out if you want a universal remote, a learning remote, a programmable touchscreen remote, or some combination thereof.

Share | |

Sony DVP-CX850D 200-Disc DVD/CD Changer Page 2

Finally, you can store all your movies in one tidy, little box— Sony's DVP-CX850D 200-disc changer. Among DVD's grand promises are not just CD-quality sound and 500-line picture resolution but the ability to finally store all your movies in one small, tidy box. Such is the accomplishment of the Sony DVP-CX850D 200-disc DVD/CD changer. Imagine being able to hold 200 movies within a 7.5- by 17- by 19-inch package. The equivalent stack of VHS tapes makes for a 16-foot skyscraper that's neither practical nor elegant. For the average suburban home-movie enthusiast, the ability to store a complete studio of movie (and music) software in a rack-mountable changer goes a long way toward promoting marital (or cohabitant) bliss...or at least a defendable détente. If you're a big-time collector and have more than 200 disc titles, the DVP-CX850D can be daisy-chained to another appropriately equipped changer. Priced at $899, the DVP-CX850D is lavished with so many technical features that filtering it down to a 1,200-word review is an exercise in minimalism, but here goes.
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