LATEST ADDITIONS

Geoffrey Morrison  |  May 01, 2007  |  First Published: Apr 01, 2007  |  0 comments
Video: 3
Audio: 4
Extras: 4
They made a Miami Vice movie with no pastel colors or Jan Hammer? I’m sorry, you lost me. At least there is a Ferrari (a gray one). Michael Mann fashioned this movie like his “gritty” past few movies, such as Heat and Collateral, enough so that it has very little in common with the TV show (at least the good years). Jamie Foxx and Colin Farrell do passable jobs as Rico and Sonny, but they can’t save this movie. After 20 minutes, I had no idea what was going on, and not in the way that would make me want to watch more.
Geoffrey Morrison  |  May 01, 2007  |  First Published: Apr 01, 2007  |  0 comments
Video: 4
Audio: 3
Extras: 1
Before Sam Raimi made his trillions on the Spider-Man franchise, he made a different trilogy of films, starting with The Evil Dead and ending with this classic here. The story follows Bruce Campbell as Ash, who is sucked through time and space to 13th-century England. In order to get back, he needs to acquire the Necronomicon ex Mortis. He botches the job and unleashes an army of undead. If it sounds ridiculous, it is. It’s also hysterically funny. You don’t need to have seen The Evil Dead or Evil Dead II to get this movie, but it sure doesn’t hurt.
Mike Prince  |  May 01, 2007  |  First Published: Apr 01, 2007  |  0 comments
Video: 2
Audio: 4
Extras: 3
On the surface, M. Night Shyamalan’s latest appears to tell a bedtime story concerning a creature called a narf that lives in a pool and how she affects the lives of those in the apartment building around her. But, underneath it all, I saw a story about how a director can surround himself with people afraid to say no to him. The ego shines far beyond the story, I’m afraid to say.
Tony DeCarlo  |  May 01, 2007  |  First Published: Apr 01, 2007  |  0 comments
Video: 4
Audio: 3
Extras: 0
Angsty teenagers and other assorted characters end up in a desolate, New Mexico trailer park called Dreamland—some are living there, while some are just passing through. It’s an earnest film that tries hard but misses. John Corbett of Sex and the City heads the cast and shines as a long-suffering widower who finds at least a little bit of solace inside of a bottle. He’s also the father of Audrey (Agnes Bruckner), who receives college acceptance letters yet hides them so she can stay and care for her dad. Then there’s her friend (Kelli Garner), who’s stricken with multiple sclerosis and gets involved with a newcomer to the area: a rehabbing basketball player (Justin Long from Dodgeball), who also likes Audrey.
Chris Chiarella  |  May 01, 2007  |  First Published: Apr 01, 2007  |  0 comments
Ah, to be young again. As Finding Neverland taught us, J.M. Barrie’s Peter Pan is really for the kids, but the overwhelming charm of this tale about an ageless boy’s carefree adventures makes it pretty much irresistible for the rest of us. That was true of the original stage production and of Walt Disney’s 1953 animated adaptation, with perhaps only its clichd Hollywood depiction of Native Americans looking the worse for wear these many years later.
Mike Prince  |  May 01, 2007  |  First Published: Apr 01, 2007  |  0 comments
Video: 3
Audio: 2
Extras: 2
Augusten Burroughs’ memoir Running With Scissors (the memoir that Oprah didn’t put on her book club, then rip the author a new one after learning it was fake) finally makes its way to the screen courtesy of Nip/Tuck creator Ryan Murphy. For those unfamiliar, Burroughs had quite a bizarre upbringing. His mother (wonderfully played by Annette Bening) is a narcissistic, delusional dreamer who thinks her poetry is amazing and that she is someone important. Sadly, she neglects her son (Joseph Cross) to pursue her dreams, leaving him under the care of her eccentric therapist, Dr. Finch (Brian Cox), and his twisted family (including Jill Clayburgh and Gwyneth Paltrow) in a house packed to the gills with knickknacks, clutter, and junk. To call this boy’s upbringing dysfunctional is an understatement.
Aimee Giron  |  May 01, 2007  |  0 comments
Video: 4
Audio: 3
Extras: 2
Trust the Man, Fox’s latest depiction of love in modern times, seems more of an anti-romance in that it focuses on the mundane realities of coupledom. Julianne Moore and David Duchovny are Rebecca and Tom, the film’s key married couple, and they’re headed for the inevitability of divorce. As an ambitious Broadway actress, Rebecca’s workaholic tendencies force her stay-at-home husband to stray into the dangers of infidelity. On the other side of town, Elaine (Maggie Gyllenhaal), now ready for marriage, struggles with her noncommittal boyfriend of seven years, Tobey (Billy Crudup). While Trust attempts to distinguish itself by focusing on reality over romance, the film is simply annoying, flat, and boring.
Gary Frisch  |  May 01, 2007  |  0 comments
Video: 4
Audio: 3
Extras: 1
They say that you have to reach your nadir before you can start to rebound. If that’s the case, then Ben Affleck’s career might very well be on the upswing following his portrayal of a tormented Hollywood agent in this bland movie that seems to defy genre classification. Not funny enough to be a comedy yet too light on its feet to be a drama or character study, Man About Town is simply a low-budget throwaway that probably rated too poorly to merit theatrical distribution in the United States.
Shane Buettner  |  May 01, 2007  |  0 comments
General and Practical Rules Of Screen Size
The original rules of thumb on screen size were concocted during the era of CRTs and scan lines and have been massaged somewhat since, and will be massaged further in this era of 1080p.
Shane Buettner  |  May 01, 2007  |  0 comments
They're both sexy slim, and can hang on the wall. But in spite of the similar physical profiles these two technologies are very different, and each has its strengths and weaknesses and they're not necessarily the ones the sales guy at the Big Box Store will tell you about.

Pages

X